[2026] Easy J-Pop and Japanese Rock Songs Recommended for Beginner Bassists
The idea that bass is a plain, background position is a thing of the past.
In fact, there have always been countless stars—both overseas and in Japan—who show us the appeal of low-end with their incredibly cool bass playing.
That said, recent J-POP and Japanese rock often feature complex rhythm patterns, and some of you may have tried picking up the bass only to find it too difficult and ended up giving up.
So this time, we’re introducing classic J-POP and Japanese rock tracks that feature simple yet cool bass lines—perfect for beginner bassists who’ve gotten the basics down and are ready for a challenge.
Master these songs and take the next step beyond beginner!
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[2026] Easy J‑POP and Japanese Rock Recommendations for Beginner Bassists (41–50)
You don’t listen to rock.aimyon
Aimyon is a singer-songwriter whose nostalgic songs featuring acoustic guitar captivate a wide range of listeners.
Her major-label third single, “Kimi wa Rock wo Kikanai” (“You Don’t Listen to Rock”), is known as one of her signature tracks, boasting over 300 million streams.
The bass line is basically root notes, but there are some intricate phrases, so make sure to learn them thoroughly before playing with a band.
Since the tempo is relaxed, try to play in a way that supports and blends with the vocals.
Linda LindaZa Burū Hātsu
Despite their short 10-year run before disbanding, this major-label debut single by the four-piece rock band THE BLUE HEARTS—whose explosive popularity has made them legendary—remains widely known as the band’s signature song and is still frequently heard in many settings today.
The bass part is a simple approach centered on basic root notes with passing tones, but because the tempo is fast, be careful to keep the rhythm from dragging and avoid inconsistencies in note volume.
It’s an easy, universally recognized classic that fires up audiences across generations at live shows, making it a great number for beginner bassists to enjoy.
Shangri-LaChatto Monchī
Chatmonchy was a rock band that had a major influence on the girls’ band scene after 2000 but sadly disbanded in 2018.
Their third single, Shangri-La, is one of their signature songs and was used as the ending theme for the TV anime Hataraki Man.
The phrases themselves aren’t difficult, but if you’re not used to the octave technique in the chorus, it’s hard to keep the rhythm, so practice is necessary.
Also, in the chorus’s irregular time section, be sure the whole band stays locked in so you don’t drift apart.
Gather round! Party people!Yabai T-shatsu Yasan
Yabai T-Shirts Yasan is a three-piece rock band that has enjoyed immense popularity among younger audiences, performing at SUMMER SONIC 2015 TOKYO just a year after starting activities with the current lineup.
Their track “Atsumare! Party People,” included on their first album We love Tank-top, also drew attention for its music video filmed in Hollywood.
Since the bass lines are fundamentally rooted in simple root-note playing, the phrases themselves aren’t difficult; however, if you’re also handling vocals as in the original, be careful not to let the singing throw off your rhythm.
It’s an upbeat tune that creates a strong sense of unity with the audience, so it’s one you’ll definitely want to play live.
Shufu no MichiUchikubi Gokumon Doukoukai
A three-piece rock band that calls their style “everyday life loud rock,” Uchu Nekoko Gokumon Doukoukai has gained popularity with relaxed, everyday-themed lyrics paired with a loud, heavy low-end sound.
This track opens their 7th single, “Konna Band Name Dakedo Iin Desu ka,” and was used as the theme song for the TV anime The Way of the Househusband.
The bass line sticks to root notes throughout, but because the tempo is quite fast, training your plucking hand is more important than your fretting hand.
There are also many sudden breaks and tightly arranged hits, so beginner bassists should pay close attention to the beat to avoid rushing or dragging during performance.
Messenger from Sunday↑THE HIGH-LOWS↓
↑THE HIGH-LOWS↓ is a four-piece rock band formed around two core members from THE BLUE HEARTS, the legendary rock band.
Their song “Messenger From Sunday,” included on their first album THE HIGH-LOWS, is a track with numerous tie-ins, starting with serving as the ending theme for the variety show “Downtown no Gottsu Ee Kanji.” The bassline itself isn’t difficult, but be careful: if you don’t lock in tightly with the drum beat, the song’s cohesion will suffer.
Also, since the track runs over six minutes, aim for steady, consistent playing from start to finish.
Don’t Say LazyHōkago Tī Taimu
K-On!, an anime that gained such popularity in the late 2000s to early 2010s that it could be called a social phenomenon, inspired many aspiring young musicians.
The songs by the in-story band Ho-kago Tea Time were released on CD, became hits on the Oricon charts, and sparked a wave of “I tried playing it” videos.
Many K-On!-related tracks require advanced performance skills, and there were surely many people who tried playing them and gave up because they were too difficult.
The hugely popular song introduced here, “Don’t Say ‘Lazy,’” features a bass line that’s largely root-note based and relatively simple in arrangement, making it approachable even for beginner bassists.
The phrases that make effective use of rests rely on open strings, so be sure to focus on muting properly to prevent unwanted noise.
If you’re struggling with the melodic phrase in the middle section, start by slowing the tempo and practicing at an easier speed.
The 2/4 measure that appears right before the final chorus is an important part where the bass steps into the spotlight, so do your best to nail that section as well!
