[2026] Easy J-Pop and Japanese Rock Songs Recommended for Beginner Bassists
The idea that bass is a plain, background position is a thing of the past.
In fact, there have always been countless stars—both overseas and in Japan—who show us the appeal of low-end with their incredibly cool bass playing.
That said, recent J-POP and Japanese rock often feature complex rhythm patterns, and some of you may have tried picking up the bass only to find it too difficult and ended up giving up.
So this time, we’re introducing classic J-POP and Japanese rock tracks that feature simple yet cool bass lines—perfect for beginner bassists who’ve gotten the basics down and are ready for a challenge.
Master these songs and take the next step beyond beginner!
- Practice songs for beginner electric bass players
- [Practice!] Practice Songs for Beginner Bassists During Spring Break
- [Low End] A Collection of Japanese Songs Featuring Standout Bass Solos [2026]
- Recommended songs for beginner band members by instrument
- [2026] For Band Beginners! Recommended Songs from Popular Bands That Get the Crowd Going at Live Shows
- Packed with slap groove vibes! A collection of songs with cool bass
- Recommended songs for beginner bands: simple and crowd-pleasing tracks.
- [Low End] A collection of Japanese songs with high-difficulty bass parts [Cool]
- [2026] Practice Songs for Beginner Drummers: Easy and Cool Recommendations
- Recommended Songs for Beginner Bands at School Culture Festivals
- [Rock] Easy Band-Style Vocaloid Songs for Beginners [Simple]
- Western songs with cool bass lines: classic and popular tracks recommended for bassists
- [For Beginners] Recommended Songs for Female Vocal Bands: Great for Choosing Your Setlist! [2026]
[2026] Easy J‑POP and Japanese Rock Recommendations for Beginner Bassists (41–50)
Dear, boyHump Back

A powerful rock tune that sends a passionate cheer to the days of youth.
With straightforward lyrics and a catchy melody, it sings about the importance of pursuing your dreams and the inner strength to never give up, even when you face setbacks.
Released in June 2018 as Hump Back’s major-label debut single, it was used as the ending theme for Nippon TV’s “Buzz Rhythm 02” and as the theme song for the high school baseball tournament in Kumamoto.
It’s a perfect song to listen to when you want to push toward your goals or support your friends.
It’s also great for practicing bass—there are practice videos on YouTube, so be sure to check them out!
[2026] Easy J-POP and Japanese Rock Recommendations for Beginner Bassists (51–60)
orangeChatto Monchī

In the J-POP scene—where girl bands are often equated with idols—Chatmonchy, a rock band known for their powerful sound and high-quality songs, gained strong support with their sixth single.
Used as an ending theme for the TV anime BLEACH, this track moves the heart with its lyrical lyrics and melody, along with dynamic arrangements.
With a relaxed beat and bass lines centered on root notes, it’s beginner-friendly for bassists.
If possible, playing with fingerstyle will produce a rounder tone, but if that’s difficult, it’s a good idea to start by learning with a pick.
I should be able to fly (in the sky).supittsu

This heartwarming song, set to a dreamy melody filled with kindness and hope, tells of youth, growth, and the wish for self-realization.
In the poetic lyrics penned by Masamune Kusano, frontman of Spitz, the image of adolescence emerges—eager to move forward with pure resolve, even while burdened by immaturity and anxiety.
Released in April 1994, it was later chosen as the theme song for Fuji TV’s drama “Hakusen Nagashi,” which began airing in January 1996, and became a million-selling hit that earned the band their first No.
1 on the Oricon weekly chart.
Featuring melodic guitar and crystalline vocals, the track also appears on the album “Sora no Tobikata” and continues to be loved across generations.
It’s a great choice for anyone starting out on bass—give it a try!
GLAMOROUS SKYNakajima Mika

Mika Nakashima is a singer-songwriter who showcases her talents across a wide range of fields, including music, acting, and voice acting.
The song “GLAMOROUS SKY,” released under the name NANA starring MIKA NAKASHIMA, became a major hit as the theme song for the film NANA.
While the bassline is based on root notes, it also includes intricate phrases; since the tempo isn’t very fast, it’s approachable even for beginner bassists.
It’s a song where ensemble cohesion is essential, so be sure to listen to the other parts and play carefully to keep the tempo steady.
Third eyethe pillows

This is the 23rd single by the three-piece rock band the pillows, which has gained popularity overseas and continues to influence many bands through unconventional activities—such as producing the film “Become the King” for their 30th anniversary as a way to convey the band’s appeal to future generations.
It’s a lead single from their 13th album, “MY FOOT,” featuring an ear-catching, catchy guitar riff and a cool, emotional melody.
It’s generally easy to play with simple root-note bass lines, but because there are many breaks and the rhythm can easily go off, it’s important for beginner bassists to focus on staying locked to the beat rather than the phrasing.
With its driving feel, it’s also a great number for live performances.
Supernova9mm Parabellum Bullet

This is the debut single by 9mm Parabellum Bullet, a four-piece rock band that energetically delivers songs blending nostalgic melodies with aggressive sounds like metal and punk.
Released as a double A-side single with “Wanderland,” the track was used as the opening theme for the music variety show “Music Fighter.” The bass features many lines that add accents within root-note playing, and the fast tempo means beginner bassists need to pay attention to keeping the rhythm steady for each phrase.
Additionally, the bass is responsible for outlining the harmony during sections like the interlude, so be sure to practice thoroughly.
TRUE BLUELUNA SEA

Formed in 1989, LUNA SEA is a band that created numerous legends in the 1990s music scene, transcending the so-called visual kei framework.
Although they disbanded in 2000, after regrouping they gained many fans among younger generations as well, and today they are a living legend, earning overwhelming support not only from music fans but also from fellow musicians.
J, LUNA SEA’s bassist, is one of the figures who shattered the stereotypical image of the bassist as “somewhat a subdued position,” and even now in the Reiwa era, there are surely many people who started playing bass because they admire him.
J’s bass playing can either remain firmly supportive as the foundation or move around like a lead instrument.
For beginner bassists, the recommended song is the classic TRUE BLUE.
Composed by J himself, it’s an aggressive, uptempo track characteristic of his style, yet the bass line is largely built on root notes and kept relatively simple.
It’s a great piece to challenge yourself with to get accustomed to fast tempos.
For pick players, it also serves as practice for precise alternate picking, and in the accent hits, be sure to lock in tightly with the drums for a crisp, tight performance.


