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Beethoven: A selection of gem-like masterpieces that are easy to play on the piano

Ludwig van Beethoven, one of the greatest composers in the history of music.

Known for leaving masterpieces in a wide range of forms—including 32 piano sonatas, symphonies, chamber music, opera, and sacred music—he remains one of the most beloved classical composers worldwide more than 250 years after his birth.

This time, we’ve selected relatively easy pieces among Beethoven’s works that are more approachable to play on the piano.

We’ve chosen not only pieces originally written for solo piano but also a broad selection including arrangements of symphonies, so please find the one that suits you best and give it a try!

[Beethoven] A Selection of Gem-like Masterpieces Easy to Play on the Piano (11–20)

Piano Sonata No. 19, Op. 49-1, First MovementLudwig van Beethoven

L. V. Beethoven / Piano Sonata No. 19, Op. 49-1, Movement I | Kobayashi Music School (Tokyo)
Piano Sonata No. 19, Op. 49-1, First MovementLudwig van Beethoven

A gentle and approachable piece, it is said to have been written around 1797 for Beethoven’s pupils and friends.

Consisting of two movements, the first is marked by a calm, tender mood with a soothing melody, while the second is bright and lively, its buoyant 6/8 rhythm delightfully resonant.

It can be enjoyed without demanding advanced piano technique, allowing children, adults, and music lovers alike to fully appreciate Beethoven’s charm.

It is an ideal work for music enthusiasts and beginning pianists as a first encounter with Beethoven’s compositions.

Six Ecossaises No. 3Ludwig van Beethoven

Beethoven, 6 Ecossaises for Piano, No 3, WoO 83
Six Ecossaises No. 3Ludwig van Beethoven

A dance piece characterized by a lively 2/4 meter and an appealing Scottish flavor.

Composed in Vienna in 1806 for social dancing, it features a bright, energetic melody that leaves a strong impression.

Its accessible structure makes it easy for anyone to enjoy, with numerous touches designed to integrate smoothly into piano practice.

It has even been selected as a Grade 3 piece for the ABRSM exams, underscoring its educational value.

Imagining the atmosphere of a dance party while playing will make the performance even more enjoyable.

It’s an ideal piece for those just starting the piano or beginning to take an interest in classical music.

Seven Ländlers, WoO 11 No. 3Ludwig van Beethoven

Based on the Austrian folk dance “Ländler,” this piece is a charming piano work featuring a bright and lively melody.

Premiered in Vienna in 1799, it is characterized by simple, approachable harmonies and melodies, and it enjoyed popularity at contemporary balls.

While it carries a triple meter and the rustic atmosphere of the Alpine region, it also conveys a refined musicality.

It is recommended for those who want to develop expressive piano playing or explore classical music, and it also shines as a concert piece.

Selected as a Grade B Classical required piece for the 2023 PTNA Piano Competition, its appeal remains undiminished today.

11 New Bagatelles for Piano, Op. 119 No. 8 in C majorLudwig van Beethoven

This short piece in C major unfolds a rich musical world within just 20 measures.

The balance between melody and accompaniment is exquisite, and the smooth harmonic progression creates a pleasant atmosphere.

Unexpected harmonic shifts are woven into the work, bringing a fresh sense of wonder to the listener.

Composed between 1820 and 1822, it is characterized by an accessible melody and a simple structure.

It is recommended for those who want to practice legato and staccato expression, or refine their musicality with a short piece.

It’s a perfect choice for moments when you want to enjoy music in a calm, relaxed mood.

Six Écossaises No. 5Ludwig van Beethoven

Beethoven, 6 Ecossaises for Piano, No 5, WoO 83
Six Écossaises No. 5Ludwig van Beethoven

This graceful dance in E-flat major leaves a striking impression with its bright, lively atmosphere.

Published in 1807, the piece incorporates elements of Scottish folk dance, and despite its short performance time of about 30 seconds, it fully brings out the piano’s distinctive tone and expressive range.

The elegant sound world woven by the 2/4 meter and sprightly melody captivates listeners.

While it includes technical elements such as left-hand leaps and turns, it also retains the accessibility of salon music, making it an ideal study piece for piano learners.

It is a charming work that can draw out the performer’s expressive abilities.

Piano Sonata No. 20, Op. 49 No. 2, Second MovementLudwig van Beethoven

Ludwig van Beethoven / Sonata Op. 49 No. 2, Movement II / Performed by Kyoko Nakagawa
Piano Sonata No. 20, Op. 49 No. 2, Second MovementLudwig van Beethoven

This piece is notable for its graceful and approachable melody in triple meter.

Composed around 1795–1796, it features a warm character written for friends and pupils.

Adopting the minuet form, it exudes a delicate and tranquil atmosphere.

Its melody was later reused in the Septet, Op.

20, suggesting that the composer himself was fond of this musical idea.

Renowned pianists such as Daniel Barenboim and Boris Giltburg have performed it, drawing out new charms through varied interpretations.

With its calm mood and familiar melody, it is recommended for a wide range of players, from those just beginning piano practice to advanced performers.

[Beethoven] A Selection of Gemlike Masterpieces That Are Easy to Play on Piano (21–30)

Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 “Moonlight,” I. AllegrettoLudwig van Beethoven

Moonlight Sonata 1st Movement Piano Sonata / Beethoven / Moonlight Sonata (1st Movement) / Classic Piano / Classical / CANACANA
Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 “Moonlight,” I. AllegrettoLudwig van Beethoven

Beethoven’s masterpiece, Piano Sonata No.

14 in C-sharp minor, Op.

27 No.

2 “Moonlight,” first movement, is particularly easy to play for beginners.

While the third movement is fairly challenging, the first movement is known for its relatively low difficulty, making it approachable even for newcomers.

The key feature of this piece is its triplet accompaniment.

Because the triplets continue from start to finish, maintaining a steady sense of rhythm is essential.

It’s not a piece where the melody stands out prominently; rather, its function is strongly pattern-based, so be sure to become thoroughly comfortable with the triplet feel.