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Beethoven: A selection of gem-like masterpieces that are easy to play on the piano

Ludwig van Beethoven, one of the greatest composers in the history of music.

Known for leaving masterpieces in a wide range of forms—including 32 piano sonatas, symphonies, chamber music, opera, and sacred music—he remains one of the most beloved classical composers worldwide more than 250 years after his birth.

This time, we’ve selected relatively easy pieces among Beethoven’s works that are more approachable to play on the piano.

We’ve chosen not only pieces originally written for solo piano but also a broad selection including arrangements of symphonies, so please find the one that suits you best and give it a try!

[Beethoven] A Selection of Gem-like Masterpieces Easy to Play on the Piano (11–20)

Piano Sonata No. 25, Op. 79, Second MovementLudwig van Beethoven

Beethoven: Piano Sonata No. 25, Op. 79 – II. Second Movement, Pf. Masaru Okada
Piano Sonata No. 25, Op. 79, Second MovementLudwig van Beethoven

In the richly colored second movement, an elegant and gentle Russian-style melody flows, unfolding beautifully as if weaving a quiet tale.

The melody, played at a relaxed Andante tempo, carries a deeply affecting expressiveness that brings a sense of peace.

Even so, it does not require excessive virtuosity, making it a piece that readily draws out the piano’s expressive power.

Composed in 1809, this work, though brief, is filled with Beethoven’s lyrical musicality.

It is a masterpiece I highly recommend to those who prefer calm and approachable music, as well as to anyone who wishes to savor the wonders of classical music.

11 New Bagatelles for Piano, Op. 119: No. 1 in G minorLudwig van Beethoven

Although a simple piano miniature, it is a richly expressive work composed over three years from 1820.

Despite its brevity, it contains ample musical expression, including delicate, slur-shaped phrases and a striking modulation from G minor to G major.

It is widely used as teaching material for piano learners, and at an intermediate level of difficulty it offers a full appreciation of Beethoven’s musical world.

The piece strongly reflects the style of his late period, embedding deep musical insight within its simplicity.

From start to the quiet ending, it is a captivating piece filled with musical discoveries.

11 New Bagatelles for Piano, Op. 119 No. 9 in A minorLudwig van Beethoven

We present a particularly sparkling gem from a collection of piano miniatures.

Lively yet gentle in character, this piece is both fun to play and heartwarming.

Its light, buoyant rhythm combined with delicate melody lets you savor the full charm of solo piano.

Though set in A minor, the sonorous, rich harmonies leave a strong impression, brimming with the deep musicality characteristic of a work first published in 1820.

From beginners to seasoned players, it’s a piece that lets you feel the wonder of music.

With its relatively short duration, it’s easy to include in a recital program, and it promises a performance that will captivate any audience.

7 Ländler WoO 11 No. 4Ludwig van Beethoven

This is a bright, lively dance in triple meter that delightfully captures the rustic dances once enjoyed by Austrian peasants.

Though only about a minute long, the piece is peppered with Beethoven’s characteristic harmonic ingenuity and rhythmic variety, keeping the listener engaged throughout.

Composed in 1799, it offers a glimpse into Vienna’s dance culture of the time, with an appealingly gentle atmosphere and approachable melodies.

While making full use of the piano’s expressive range, it achieves a high level of artistry within its simplicity.

Frequently performed at piano recitals and competitions, it conveys its joy to listeners when played with a keen sense of rhythm and a bright, spirited feeling.

Piano Sonata No. 20, Op. 49 No. 2, Second MovementLudwig van Beethoven

Ludwig van Beethoven / Sonata Op. 49 No. 2, Movement II / Performed by Kyoko Nakagawa
Piano Sonata No. 20, Op. 49 No. 2, Second MovementLudwig van Beethoven

This piece is notable for its graceful and approachable melody in triple meter.

Composed around 1795–1796, it features a warm character written for friends and pupils.

Adopting the minuet form, it exudes a delicate and tranquil atmosphere.

Its melody was later reused in the Septet, Op.

20, suggesting that the composer himself was fond of this musical idea.

Renowned pianists such as Daniel Barenboim and Boris Giltburg have performed it, drawing out new charms through varied interpretations.

With its calm mood and familiar melody, it is recommended for a wide range of players, from those just beginning piano practice to advanced performers.