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Beethoven: A selection of gem-like masterpieces that are easy to play on the piano

Ludwig van Beethoven, one of the greatest composers in the history of music.

Known for leaving masterpieces in a wide range of forms—including 32 piano sonatas, symphonies, chamber music, opera, and sacred music—he remains one of the most beloved classical composers worldwide more than 250 years after his birth.

This time, we’ve selected relatively easy pieces among Beethoven’s works that are more approachable to play on the piano.

We’ve chosen not only pieces originally written for solo piano but also a broad selection including arrangements of symphonies, so please find the one that suits you best and give it a try!

[Beethoven] A Selection of Gemlike Masterpieces That Are Easy to Play on Piano (21–30)

Piano Sonata No. 12 in A-flat major, Op. 26 “Funeral March”Ludwig van Beethoven

Beethoven Piano Sonata No. 12 in A-flat major, Op. 26 “Funeral March” — Backhaus
Piano Sonata No. 12 in A-flat major, Op. 26 “Funeral March”Ludwig van Beethoven

Beethoven’s masterpiece, Sonata No.

12 in A-flat major, Op.

26 “Funeral March.” It’s not as difficult as the “Pastoral,” but for beginners it can be challenging—overall it’s about an intermediate-level work.

That said, the difficulty varies by movement: the first and fourth movements are approachable for new intermediate players.

The second movement is difficult and requires substantial practice.

Fast arpeggios and passages appear in every movement, so you’ll also need exercises to improve finger agility.

Sonatina No. 6, Movement IILudwig van Beethoven

[Recommended for piano recitals] Sonatina No. 6, Movement 2 in F major ♪ Beethoven / Sonatine No. 6 mov. 2 F-Dur, Beethoven
Sonatina No. 6, Movement IILudwig van Beethoven

Beethoven’s famous piece “Sonatina No.

6, Movement II,” written in rondo form.

Like the first movement, its structure is somewhat complex, but the performance difficulty is low, and it is frequently played at piano recitals.

Although it isn’t particularly challenging overall, pedal control and staccato can be tricky spots.

Bringing out clear contrasts in the sound will make the piece shine.

The ending also calls for a degree of improvisatory feeling, making it recommended for beginners who want to enjoy learning the piano.

I love you.Ludwig van Beethoven

Zen-On Piano Solo PP-586 Beethoven: Ich Liebe Dich (I Love You) - Zen-On Music Company Ltd.
I love you.Ludwig van Beethoven

Beethoven’s piece Ich liebe dich, also known as Tender Love, is a well-known solo song with piano accompaniment, commonly referred to as a German Lied, and is occasionally performed at piano recitals.

In terms of difficulty, it is very easy among Beethoven’s works, so even young children can complete it comfortably with practice.

The section where it modulates from G major to C major features the most beautiful melody, so when performing, pay attention to a gentle touch and clear contrasts.

Piano Sonata No. 8 in C minor, Op. 13 “Pathétique,” Second MovementLudwig van Beethoven

Piano Sonata No. 8 “Pathétique” Second Movement – Beethoven — Beethoven – Pathétique Piano Sonata No. 8 Op. 13-2 – Classical Piano – CANACANA
Piano Sonata No. 8 in C minor, Op. 13 “Pathétique,” Second MovementLudwig van Beethoven

Ludwig van Beethoven, a composer who represents the Classical era and created numerous masterpieces.

He is a great composer known to everyone.

Among his works, one of the most famous is the second movement of Piano Sonata No.

8 in C minor, Op.

13, “Pathétique.” Alongside the “Moonlight” Sonata, this piece is widely renowned, and as the title suggests, its sorrowful melody leaves a strong impression.

It has a weighty depth distinct from the Moonlight, so if you like heavier, more somber pieces, be sure to check it out.

Six Ecossaises, WoO 83Ludwig van Beethoven

42nd Prizewinner Commemorative Concert A1 Category [Gold Prize] Ruka Tsugikuni / Beethoven: Six Écossaises, WoO 83
Six Ecossaises, WoO 83Ludwig van Beethoven

Beethoven’s masterpiece “Six Ecossaises, WoO 83,” which incorporates the Scottish dance ecossaise.

Known as a beginner-friendly work, it is often played after “Für Elise” and the first movement of the “Moonlight” Sonata.

The key point of this piece lies in its brisk tempo.

Without solid fundamentals, the sound can become unbalanced, so be mindful of the tempo indications and dynamic contrasts.

With expressive playing, it can sound strikingly impressive—do give it a try.