Classic Japanese rock songs recommended for women
Japanese rock music captivates us with melodies that embrace the heart and vocals that stir the soul.
From B’z’s catchy sound to back number’s delicate depictions of love and L’Arc~en~Ciel’s spectacular stage presence, each artist weaves a musical world as colorful as a kaleidoscope.
Powerful vocals and deeply relatable lyrics are sure to become that one special song that stays close to your heart.
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Classic Japanese rock songs recommended for women (31–40)
It’s not me unless it’s meGesu no Kiwami Otome.
Gesu Kiwami Otome has caused quite a few stir-ups in various ways, but musically, their themes are solid, and I can see why they became popular.
They’re stoic—maybe surreal—and their lyrics sharply cut through a world that feels constrained and bound in many ways.
I’m honestly impressed by how great they are.
Because I’m me, I can’t be anyone else.Togenashi Togeari
A song by Togenashi Togeari that delicately portrays the feelings of girls searching for their true selves.
Released in April 2024 as the ending theme for the anime “Girls Band Cry,” this track features a refreshing sound that blends pop and rock elements.
The lyrics, which sing of the resolve to walk one’s own path without being swayed by anyone, are sure to resonate with those struggling with their identity.
It’s a song for people in the midst of a journey of self-discovery or those feeling crushed by others’ expectations.
It will surely give you the courage to believe in yourself.
Marunouchi SadisticToukyou Jihen
Tokyo Jihen is a band led by Sheena Ringo.
As the title of this song suggests, it has a sadistic, aggressive band sound, and it has many fans of all genders.
I think there are many women who say, “I love Sheena Ringo’s world.” Their stylish charm is always wonderful to see.
TRAIN-TRAINTHE BLUE HEARTS
The Blue Hearts were the core presence that ignited the punk rock boom at the time.
Their music is incredibly straightforward.
With a mix of wonderful lyrics and punk, they became so popular that fans flocked to their appeal.
I feel like I witnessed a new form of rock that only they could express.
I’d love for everyone—regardless of gender—to listen at least once.
My Past Life, Many Lifetimes AgoRADWIMPS
RADWIMPS, who broke through with the film “Your Name.” Even their pre-major-label songs, when you listen to them, are all deeply moving, and I felt their worldview has remained unchanged since the early days.
The fantastical world woven by their delicate lyrics and brilliant melodies captivates listeners.
Classic Japanese rock songs recommended for women (41–50)
orbitTK from RIN TO SHITE SIGURE
From the very beginning, “orbit” unfolds with a melancholic tone, and you might wonder, “Maybe this song doesn’t have any death growls?”—but sure enough, they come in solidly in the latter half.
The vocal range is A#3–G5, and as you’d expect from TK, the high notes are extremely lofty.
When singing, it’s fine to use mostly falsetto, but the key is to avoid letting it become a weak falsetto.
If you keep singing in a weak falsetto, you’ll run out of breath as you go, and you’ll barely be able to pull off the death growls that come after the stronger falsetto in the second half! It’s actually easier if you project both your falsetto and your death growls more strongly from the vocal cords than you think.
Also, one of TK’s charms lies in the spacing between words when delivering the lyrics.
If you sing each word carefully, the sense of poignancy deepens and your voice becomes even more beautiful.
THE DAYPorunogurafiti
PornoGraffitti is famous for their high vocal range, and I think “THE DAY” is one of their highest songs, especially at the top end.
The tempo is quite fast too, so if you’re going to sing it, it’ll be tough to keep up unless you really memorize the song first.
Also, vocalist Okano mostly uses chest voice and belts the high notes in his natural voice, but the highest note at the end of the chorus, C#5, is in falsetto.
That switch is so cool, isn’t it? Since the song is up-tempo, if you’re not comfortable with high notes, I recommend lowering the key by one or two steps instead of starting in the original key.
Rather than focusing on pitch at first, start by getting used to the speed! You might get caught up in just getting the notes out, but don’t forget to breathe!