[Fauré] Lower Difficulty! Recommended Piano Pieces by a Master of French Music
Gabriel Fauré, the French composer whose style created original works while upholding classical formal beauty, had a profound influence on 20th-century classical composers.
Fauré’s works—ranging from orchestral and sacred music to pieces noted for their flowing beauty, elegance, delicacy, and warmth—have long been loved by classical music fans.
From Fauré’s wide-ranging output, we have selected some of his most popular piano pieces.
Here we introduce relatively accessible works that you can not only listen to but also enjoy performing to experience Fauré’s world for yourself.
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[Fauré] Lower Difficulty! Recommended Piano Pieces (1–10) by a Master of French Music
From ‘Requiem’ in ParadiseGabriel Fauré

Arranged for solo piano from a religious piece notable for its angelic, graceful melody, this work captivates with its gentle, soothing character.
It is a movement from a composition first performed in January 1888 at the Church of La Madeleine in Paris, and many listeners may recognize it from its frequent use in films and television.
The tender, heavenward flow of sound is filled with consolation and hope, showcasing delicate expressions characteristic of the French style throughout.
With few technical demands and a relaxed tempo, it is an enjoyable piece for piano learners to practice.
It is an ideal choice when you wish to calm the mind or perform with a tranquil spirit.
Eight Pieces, Op. 84: No. 3, FugueGabriel Fauré

Despite employing the fugue form, this piece possesses a flowing beauty and delicate depth.
Composed in 1869, it captivates with a tightly interwoven four-voice texture.
The clarity of the subject and the interplay among the voices create the impression of watching an elegant social dance.
The modulation from A minor to A major is striking, and the refined grace characteristic of French music shines through.
At its premiere in April 1903 by Ricardo Viñes, its subtle expressivity was highly praised.
This work is recommended for those who wish to become acquainted with traditional classical forms or who are captivated by the elegance of French music.
Nocturne No. 1 in E-flat minor, Op. 33Gabriel Fauré

Beginning in silence with an introspective melody that unfolds into a passionate middle section, the musical flow feels as if emotions swirling deep within the heart are gradually coming to the surface.
Composed in 1875, the piece opens up a distinctive sonic world woven from wave-like undulating accompaniment and delicate touch.
Especially in the central section, where the surging bass and the treble melody cross, gravitas and clarity fuse in an exquisite balance, powerfully stirring the listener.
The performance time is about 7 to 8 minutes, and it is a work that can be attempted with basic piano technique.
It is an ideal piece for those who wish to experience the elegance of French music or hone their expressive abilities.
[Fauré] Easy Level! Recommended Piano Pieces by a Master of French Music (11–20)
Suite ‘Dolly’ Op. 56 No. 3 ‘Dolly’s Garden’Gabriel Fauré

This captivating piece fashions a new melody from an old piano sonata.
It portrays the tranquility of a garden through a child’s pure perspective, marked by a flowing, beautiful tune and the graceful harmonies characteristic of French music.
Composed as a New Year’s gift in 1895 for a friend’s daughter, it carries a gentle, delicate emotional tone, vividly depicting a child’s innocence and the beauty of nature.
Distinguished by the rich sonority afforded by the piano four-hands format and its soft expressiveness, the ensemble woven by the two pianists is sure to soothe the listener.
A work imbued with the flavor of the transition from Romanticism to Impressionism, it is an ideal choice for those who wish to savor and perform music with an elegant atmosphere.
8 Pieces, Op. 84: No. 1, CapriccioGabriel Fauré

This work, which expresses the delicate beauty of French art songs on the piano, was published in 1902 by the École Niedermeyer in Paris.
The opening features a flowing, light melody that captivates with its bright, exhilarating motion.
As it progresses toward the end, the music unfolds with richly varied harmonic changes, allowing you to savor the refined sonorities characteristic of French music.
Originally written as a sight-reading piece for the Paris Conservatoire, it combines classical formal elegance with originality, grounded in solid theoretical training.
It is recommended for those who wish to experience the allure of French music or enjoy unexpected harmonic progressions within an elegant atmosphere.
Eight Pieces, Op. 84: No. 7, JoyGabriel Fauré

The lively melody created by sixteenth-note triplets marked in 6/8 time gives the impression of expressing pure joy.
Written in C major, this piece was completed in 1902 and premiered the following April at the National Music Society by Ricardo Viñes.
Its beautiful sonority—woven from smoothly flowing lines and delicate harmonic progressions—conveys the elegance and refinement characteristic of French music.
With its warm tone and approachable rhythmic patterns, this work is enjoyable for anyone with a basic foundation in piano performance.
Why not savor its graceful melodies and exhilarating rhythms and experience the charm of French music?
8 Pieces, Op. 84: No. 4, AdagiettoGabriel Fauré

Set in E minor and written in triple meter, this exquisite miniature features a delicately woven melody whose refined beauty, played with gentle intimacy, resonates deeply.
Premiered in 1902 by Ricardo Viñes, it is one of the works included in the album “Eight Pieces, Op.
84.” Unfolding at a slow tempo marked Andante molto moderato, the piece develops through elegant variations centered on a melody placed in the middle voice.
Its calm atmosphere and tasteful harmonic progressions are striking, offering a full taste of the graceful allure of French music.
Because it does not impose excessive technical demands, it is recommended for those who wish to refine their expressive command of French repertoire or explore new horizons in classical music.



