Popular Japanese songs among women in their 40s: recommended classics and standard hits
No matter how many years go by or how many times you listen, the songs you loved in your youth always stir something warm in your heart, don’t they?
In this article, we’ll introduce popular Japanese songs that colored the teenage years of women in their 40s.
We’ve gathered a trove of classics perfect for anyone thinking, “I want to hear that song again,” or “I want to sing the songs I sang as a student at karaoke.”
You’re sure to rediscover the tracks you loved back then!
Even if you’re busy every day with work and household chores, why not take a little break and bask in the memories of your youth?
- [2026 Edition] Youth Anthems for Your 40s! A Roundup of Popular Heart-Pounding × Heartwarming Songs
- Easy-to-sing karaoke songs: Classic picks for women in their 40s
- Famous songs we’d like women in their 40s to sing, by age group
- [2026 Edition] Karaoke Songs That Will Get the Crowd Going—Perfect for Women in Their 40s
- Love songs recommended for women in their 40s: classic and popular Japanese hits
- Tear-jerking songs recommended for women in their 40s: classic and popular Japanese tracks
- [40s] Popular Songs Ranking by Generation [2026]
- Nostalgic Japanese Pop Hits That Get 40-Something Men and Women Excited
- Ranking of Popular Japanese Music and J-POP Artists Among People in Their 40s [2026]
- Uplifting songs recommended for women in their 40s
- [40s] Popular Japanese Music / J-POP Rankings [By Generation]
- [For Women] Attractive Songs That Appeal to Men in Their 40s
- Nostalgic Songs Perfect as Driving BGM for People in Their 40s
Popular Japanese songs among women in their 40s: recommended masterpieces and classic tracks (21–30)
For the momentEvery Little Thing
Every Little Thing is an artist that represents the Heisei era.
Some of you might have spent your youth with ELT’s music.
They’re known for a lot of high-pitched songs, but among them, “For the moment” has high notes mainly in part of the chorus, while the rest stays relatively within a comfortable range.
It also has a good groove, making it easier to sing.
In the high notes of the chorus, the melody climbs like steps, so building momentum is very important.
High notes are tough without enough breath, so where you breathe matters, too.
First, look through the lyrics and find where the high notes are.
Once you know the spots, try singing the melody so those parts become the accents.
It should be easier if you keep the rhythm while you sing!
for a long timeKiroro
Nagaira, one of Kiroro’s signature songs released in January 1998.
The overall vocal range is A3 to C5, with F4 used the most, so this calm range should be very singable for women in their 40s.
The high notes come on the syllable “na” in the chorus, which is tricky to pronounce, so you need to project more firmly than you might think.
Try pinching your nose and saying syllables in the “na” and “ma” rows.
When you try it, your voice will usually sound nasal… However, once you can produce a good tone even with that nasal quality, the nasality drops away, and the usually nasal “na” and “ma” sounds become easier to pronounce.
Give it a try!
Wedding bellSuger
Originally formed as a band, Sugar is a three-member vocal group that garnered attention for their beautiful choral work.
Their debut single and signature song, “Wedding Bell,” features an arrangement that leaves an impression, moving from a majestic opening into a bright, pop ensemble.
The lyrics, which portray the complex feelings of being invited to an ex-lover’s wedding, manage to be both cute and shockingly candid.
It’s a timeless classic that we’d love women in their 40s to add to their karaoke repertoire.
I’m proudKahara Tomomi
I remember girls being clearly split into two groups when it came to Tomomi Kahara: those who absolutely loved her, and those who said, “Sorry, not for me.” I think that was because she had a bit of a scandal-prone image.
But lately, seeing her get older and work hard at horseback riding makes me, as someone from the same generation, want to cheer her on—Go, Tomo-chan!
LOVE LOVE LOVEDREAMS COME TRUE
LOVE LOVE LOVE, a famous song by DREAMS COME TRUE released in 1995.
If you’re a woman in your 40s, you’ve probably heard it at least once.
The song’s vocal range is mid1 F# to hi C#, which is relatively narrow for a DCT track.
The tempo is very relaxed, and the melodic movement is gentle, so as long as you’ve memorized the vocal line well, you’re unlikely to go off pitch.
However, because the slow tempo leads to more long notes, it’s advisable to master diaphragmatic breathing to maintain stable vocal production.
Love Story Comes SuddenlyOda Kazumasa
Released in February 1991, this song is a bittersweet yet beautiful love ballad.
As the theme song for the Fuji TV drama “Tokyo Love Story,” it became a massive hit and left a deep impression on many people.
Kazumasa Oda’s gentle vocals and emotionally resonant lyrics are especially captivating.
Boosted by its synergy with the drama, the track became a pivotal work that cemented Oda’s status as a solo artist.
It’s the perfect song for those moments when you want to reminisce about your youth amid the busyness of work and household chores.
It’s also easy to sing at karaoke and a great one to enjoy with people of the same generation.
A Road Bathed in Morning SunlightORIGINAL LOVE
When it comes to quintessential Shibuya-kei, ORIGINAL LOVE stands out.
Their song “Asahi no Ataru Michi,” featuring Takao Tajima’s sultry vocals, is still a truly wonderful track even today.
Shortly after this song, “Primal,” which was provided for a drama starring Kyoka Suzuki, gained attention and won support from women who had previously been outside the Shibuya-kei audience.