RAG MusicKARAOKE
Lovely karaoke song

Easy-to-sing songs by Masaharu Fukuyama. A must-see for men with low voices!

Masaharu Fukuyama is a singer-songwriter who is also active as an actor.

In addition to his signature songs like “Sakurazaka” and “Kazoku ni Narou yo,” he has produced numerous other classics and is an indispensable presence in the J-pop scene.

One of his biggest charms is his distinctive, alluring low voice.

In this article, we introduce some of Masaharu Fukuyama’s songs that are relatively easy to sing.

There are plenty of tracks especially recommended for men with lower voices, so feel free to use this as a reference when choosing songs for karaoke.

Fukuyama Masaharu’s easy-to-sing songs. A must-see for men with low voices! (11–20)

That’s all.Fukuyama Masaharu

A pop number that sings about straightforward feelings of love, “That’s Everything.” Released in 2003 as part of a triple A-side single alongside “Niji” and “Himawari,” this song also drew attention for being featured in a Pocari Sweat commercial.

One of the reasons it’s easy to sing is its catchy melody that lets everyone get excited and sing along.

Another charm is how memorable it is, thanks to that melody and its simple, straightforward lyrics.

You’ll need to pay attention to the rap part in the middle, but overall it’s a song you can sing relaxed and have fun with!

MELODYFukuyama Masaharu

Masaharu Fukuyama – MELODY (Full ver.)
MELODYFukuyama Masaharu

MELODY is a song that straightforwardly expresses the desire to always stay with the important person right in front of you, even if you sometimes pass each other by.

It was released in 1993 as a double A-side single together with BABY BABY.

Its friendly, easy-to-remember melody makes it an easy song to sing.

Since the key is a bit on the higher side, it may be easier for those who struggle with low notes.

Conversely, if your voice is lower, dropping the key just a little will make it more comfortable to sing.

Enjoy singing it while soaking in the song’s refreshing vibe!

So there was one in Tokyo, too.Fukuyama Masaharu

Masaharu Fukuyama – There Was One in Tokyo (Full ver.)
So there was one in Tokyo, too.Fukuyama Masaharu

“Tokyo ni mo Attanda” portrays someone who moved to Tokyo with a goal, gazing at the beautiful scenery they found there while thinking of a loved one back home.

Released in 2007 as a double A-side single alongside “Muteki no Kimi,” the song was used as the theme for the film “Tokyo Tower: Mom and Me, and Sometimes Dad.” Although the chorus includes some slightly higher notes, the song overall lets you showcase the charm of a low voice, making it recommended for people with lower vocal ranges.

Its relaxed tempo and easy-to-remember melody also make it approachable for those who aren’t used to singing.

IT’S ONLY LOVEFukuyama Masaharu

Masaharu Fukuyama – IT’S ONLY LOVE (Full ver.)
IT'S ONLY LOVEFukuyama Masaharu

Set to a refreshing melody, IT’S ONLY LOVE sings of an unforgettable, heartrending romance.

Released in 1994, this song came out as a double A-side single together with SORRY BABY.

Its gently flowing, easy-to-remember melody and lyrics make it easy to sing, though the sections with a slightly wider pitch range will take some practice.

If you’re comfortable with lower notes, it might help to lower the key a bit.

If you’re good with higher notes, try singing freely while feeling the breadth of the melody.

HELLOFukuyama Masaharu

Masaharu Fukuyama – HELLO (Full ver.)
HELLOFukuyama Masaharu

Released in 1995, “HELLO” became a big hit as the theme song for the Fuji TV drama ‘The Best Unrequited Love: WHITE LOVE STORY.’ Since it’s sung by Fukuyama, the overall vocal range of the song is D#3–F#4, which isn’t very high, so I think it’s easy even for beginners to sing.

However, the tempo is a bit fast, so be careful not to fall behind the rhythm.

The melody is very simple and easy to remember.

In the A and B sections, cut off the word endings and be mindful of the pauses so you don’t rush.

At the start of the chorus, make sure to put your voice firmly into the mic—this should also enhance your expressiveness!