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Masaharu Fukuyama’s Most Popular Songs Ranking [2026]
Masaharu Fukuyama has long starred as the lead in dramas as one of Japan’s most prominent actors.
In fact, he originally aspired to be a singer and writes both lyrics and music himself.
He once had a late-night radio segment where he performed solo with just a guitar, and his vocal ability is outstanding.
Here is the ranking of Fukuyama’s popular songs.
Masaharu Fukuyama Popular Songs Ranking [2026] (1–10)
SakurazakaFukuyama Masaharu1rank/position
This ballad delicately portrays the bittersweet emotions of carrying heartbreak while praying for the other person’s happiness.
It holds unwavering love for a ended romance and hopes for the future, and the protagonist’s forward-looking resolve amid sorrow is deeply moving.
Crafted by Masaharu Fukuyama and released in April 2000, the song was used as the theme for the TV show U-nan no Hontoko!’s segment ‘Mirai Nikki V,’ and it sold a cumulative 2,299,000 copies.
Inspired by a real location in Ota Ward, Tokyo, it also became a talking point as many people visited the site at the time.
It’s perfect for nights when you want to look back on past love and sink into nostalgia, or when you wish quietly for someone dear to be happy.
Wrapped in the song’s gentle melody, this masterpiece is one you’ll want to hear as you slowly face your memories.
Let’s become a familyFukuyama Masaharu2rank/position
When you think of Masaharu Fukuyama, it’s his low voice.
Among men who go to vocal training, many say, “My natural voice is low and I can’t hit high notes,” or “I want to be able to sing higher.” “Kazoku ni Narou yo” is a song written for the wedding magazine Zexy’s commercial, and it’s especially popular among students.
Quite a lot of students start with Fukuyama’s songs, and most of them build their foundations with these.
First, it’s important not to sing with your familiar speaking voice, but to turn it properly into a singing voice.
Instead of using your throat, place your hand on the vocal cords located between your collarbones, and practice projecting your voice forward from there.
signpostFukuyama Masaharu3rank/position
Speaking of weddings, we tend to focus first on the entrance music, the cake-cutting, and the ring exchange, but what must not be neglected are the words of thanks to the parents and friends who have supported you in so many ways up to marriage.
When the bride reads her letter or when the groom gives his thank-you speech, if possible, play this song from the very beginning—it will surely move the whole venue to tears.
aspiration; longing; ardent desireFukuyama Masaharu4rank/position
This is a work by Masaharu Fukuyama that portrays a heartrending romance and parting during wartime through delicate emotional expression.
The lyrics carefully weave together feelings for a loved one, a longing for peaceful everyday life, and the inescapable flow of fate, conveying the emotions of people buffeted by the era of war.
The tender vocals depict a yearning for the small joys of daily life and the warm moments shared with someone precious.
Created as the theme song for the film “If Only I Could Meet You Again on the Hill Where That Flower Blooms,” released in December 2023, this piece brilliantly expresses the worldview of the original novel through music.
Despite dealing with heavy themes such as war and separation, it is a song that evokes human warmth and hope, recommended for those who wish to reflect on the bonds with their loved ones and the preciousness of peace.
White lilies on my birthdayFukuyama Masaharu5rank/position
A ballad by Masaharu Fukuyama resonates deeply as a song of gratitude to parents.
Released in April 2013 as his 30th single in a double A-side with “Get the groove,” it was also used as the theme song for the drama Tonbi.
On your own birthday, you say “thank you” to the parents who brought you into the world.
Born from Fukuyama’s habit of sending flowers to his mother every year, this song carefully depicts the immaturity of feeling burdened by family in one’s youth, and the parental love you can truly understand only after you’ve grown.
Even if you feel shy about putting your gratitude into words, this song will help you express your feelings honestly.
HELLOFukuyama Masaharu6rank/position
Released in 1995, “HELLO” became a big hit as the theme song for the Fuji TV drama ‘The Best Unrequited Love: WHITE LOVE STORY.’ Since it’s sung by Fukuyama, the overall vocal range of the song is D#3–F#4, which isn’t very high, so I think it’s easy even for beginners to sing.
However, the tempo is a bit fast, so be careful not to fall behind the rhythm.
The melody is very simple and easy to remember.
In the A and B sections, cut off the word endings and be mindful of the pauses so you don’t rush.
At the start of the chorus, make sure to put your voice firmly into the mic—this should also enhance your expressiveness!
milk teaFukuyama Masaharu7rank/position
Among vocal training students who struggle with high notes, a very common comment is, “Because my voice is low, Masaharu Fukuyama’s songs are easy to sing!” In fact, Fukuyama’s songs often have a wide low range and don’t feature many excessively high notes, so there are plenty of songs you can sing in the original key.
However, one caveat is that if you sing the low notes with your throat as if you’re speaking, even a comfortable range can feel strenuous.
It’s important to vibrate the vocal cords at every pitch, so place your hand in the hollow between your collarbones and try singing while checking that your vocal cords are properly vibrating.
Also, when producing sound, aim your voice as if projecting to a distant point; this helps engage the vocal cords rather than the throat.
Instead of mumbling up close, it’s best to sing as clearly and crisply as possible.
rainbowFukuyama Masaharu8rank/position
It’s a rock tune that portrays the passion of youth and the pursuit of dreams.
Included on Masaharu Fukuyama’s single “Niji/Himawari/Sore ga Subete sa,” released in August 2003, it fired up living rooms across Japan as the theme song for the drama WATER BOYS.
It enjoyed five consecutive weeks at No.
1 on the Oricon charts and has long been loved as a summer-defining hit.
Carrying the message of spreading out a map and moving toward the future, it’s a perfect fit for graduation season.
dearestFukuyama Masaharu9rank/position
Produced in October 2008 as the theme song for the film “The Devotion of Suspect X,” this gem of a ballad portrays deep affection and the ache of parting.
While anticipating farewell to a dreamlike presence, it sings of the fragility and beauty of continuing to love.
The pure love that Tetsuya Ishigami, a character in the story, holds for Yasuko Hanaoka is expressed through the delicate words crafted by Masaharu Fukuyama, and the song was also used in Toshiba’s LCD TV “REGZA” commercial.
As the unit KOH+ with Kou Shibasaki, it reached No.
5 on the Oricon Weekly Singles Chart.
Fukuyama later included his own version on the album “Zankyo.” It is a supreme masterpiece that accompanies adult romance—perfect for quietly savoring a drink in a night lounge.
First LoveFukuyama Masaharu10rank/position
Masaharu Fukuyama’s 25th single, released in December 2009.
Although it was not originally planned to be released as a single, the song drew such a strong response after being used in a commercial for Toshiba’s REGZA LCD TVs that it was hastily put out as a single.
The work’s theme is “beautiful memories,” singing of feelings that can never return but continue to live on in the heart.
The choice to write the title as “Hatsukoi” in hiragana rather than the usual kanji for “first love” suggests Fukuyama’s intent to idealize delicate memories of the past.
With a heartrending melody and arrangements that reflect the beauty of memory, this song resonates deeply—highly recommended for anyone who treasures precious memories.