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Masaharu Fukuyama’s Most Popular Songs Ranking [2026]

Masaharu Fukuyama has long starred as the lead in dramas as one of Japan’s most prominent actors.

In fact, he originally aspired to be a singer and writes both lyrics and music himself.

He once had a late-night radio segment where he performed solo with just a guitar, and his vocal ability is outstanding.

Here is the ranking of Fukuyama’s popular songs.

Masaharu Fukuyama Popular Songs Ranking [2026] (71–80)

cherryFukuyama Masaharu78rank/position

Masaharu Fukuyama - Soul Request 'Cherry' (with lyrics) 2012.06.02
cherryFukuyama Masaharu

Masaharu Fukuyama, a hugely popular artist, has covered Spitz’s “Cherry.” His self-accompanied version on guitar is wonderful.

Masaharu Fukuyama is incredibly cool, and his vocal ability is outstanding.

Listening to this will surely make many women fall under his spell.

With his excellent guitar skills as well, Masaharu Fukuyama’s “Cherry” is a highly recommended number.

Let me live so that flowers will bloom again and again.Fukuyama Masaharu79rank/position

Masaharu Fukuyama Soul Request: “Let Me Live So That Flowers Bloom Again and Again” (with lyrics) 2015.03.28
Let me live so that flowers will bloom again and again.Fukuyama Masaharu

Masaharu Fukuyama, who is active both as an actor and a singer, performs “Let Me Live So That Flowers Will Bloom Again and Again,” which is included on his 31st single, “I am a HERO,” released in 2015.

The song was used in a Shiseido TSUBAKI commercial.

His rich, subtly rugged voice and the gentle sound of the acoustic guitar are soothing.

The lyrics express a desire to embrace change and grow older with care and intention.

lightFukuyama Masaharu80rank/position

Masaharu Fukuyama – Hikari (30th Anniversary “THE LIVE”) #Shorts
lightFukuyama Masaharu

This is a commercial announcing the opening date of Nagasaki Stadium that conveys the excitement of a new landmark being completed in the city.

While the construction scenes communicate a sense of strength, showing what the surrounding town is like alongside Masaharu Fukuyama’s narration really heightens the desire to visit.

What further accentuates that thrilling feeling of something new beginning is Masaharu Fukuyama’s song “Hikari” (“Light”).

Its structure—layering vocals over a powerful sound—is striking, and the soaring singing voice evokes an energy moving toward the future.

Masaharu Fukuyama Popular Songs Ranking [2026] (81–90)

First loveFukuyama Masaharu81rank/position

Masaharu Fukuyama Full PV <First Love>
First loveFukuyama Masaharu

A renowned song chronicling the heartbreak of Masaharu Fukuyama, who is also active at the forefront as an actor.

Its melody evokes the Showa era, and Fukuyama’s uniquely narrative lyrics convey his distinctive worldview.

As an artist who enjoys strong popularity among men, many of his other songs are also frequently performed.

makeupFukuyama Masaharu82rank/position

Masaharu Fukuyama Soul Request: “Kesho” (with lyrics) 2011.11.03
makeupFukuyama Masaharu

Originally a song by Miyuki Nakajima, it’s also well known for Shota Shimizu’s cover, but Masaharu Fukuyama’s acoustic guitar version highlights his voice and gives it a heartrending finish.

The expressions intertwining the pain of heartbreak with makeup are quintessential Miyuki Nakajima, striking straight to the heart.

Failure StudiesFukuyama Masaharu83rank/position

The Study of Failure [Masaharu Fukuyama]
Failure StudiesFukuyama Masaharu

This song was chosen as the theme for the drama “Seigi no Se.” Its upbeat, lively tempo and the positive message—just as the title suggests, “failure is the path to success”—fit perfectly.

It’s a wonderful track that gives a reassuring push when you’re feeling uncertain.

Let’s become a family / fighting poseFukuyama Masaharu84rank/position

Masaharu Fukuyama - Let's Become a Family (Wedding Ver) (Encore) 2011.08.20
Let's become a family / fighting poseFukuyama Masaharu

Finally, artist and actor Masaharu Fukuyama makes it onto the annual sales ranking at No.

20.

This song became a hit as a movie theme and can be described as a calm, mature piece characteristic of Fukuyama.

It’s still popular at karaoke and elsewhere, so please take the time to listen to it at least once.