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Masaharu Fukuyama – Squall (WE’RE BROS. TOUR 2014 in ASIA)

One of Masaharu Fukuyama’s signature songs, which continues to captivate fans across Japan.

Released in 1999 as a double A-side single with “HEAVEN,” the song, true to its title that evokes a sudden passing shower, vividly portrays both the joy and the bittersweet sorrow of love.

Fukuyama’s alluring baritone voice beautifully conveys the delicate emotions of a woman falling in love.

The track has become a staple at many live shows and concerts and remains highly popular among fans.

It’s a recommended listen for anyone experiencing the joys and pains of love or harboring a tender, aching affection.

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Masaharu Fukuyama / HELLO [PV]

The song “HELLO,” which evokes the feeling that a romance is about to begin, was released by Masaharu Fukuyama in 1995.

It was the theme song for the drama “The Best Unrequited Love,” making it a perfect fit for anyone experiencing one-sided love.

The lively acoustic guitar and up-tempo rhythm give it a rock ’n’ roll vibe.

If you sing this song while thinking of your crush, it’ll definitely lift your spirits.

When someone makes your heart skip a beat and you start to think you might like them, listening to this track might give you strength.

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mutō

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Masaharu Fukuyama – Sakurazaka (Full ver.)

This is the 15th single by Masaharu Fukuyama, a singer-songwriter from Fukuoka Prefecture who is highly acclaimed both for his acting and his music.

Based on his own real-life experiences, the lyrics are filled with bittersweet feelings for a former lover.

The happy days have become memories, and even though they are now apart, the feelings that remain unchanged convey a kind of heartache that’s different from ordinary unrequited love.

With arpeggiated acoustic guitar and a gentle singing voice that tenderly envelops the heart, it’s a masterpiece that resonates deeply with a man’s emotions.

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Hoshino Takashi

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[PV] milk tea (with lyrics) / Masaharu Fukuyama (Video Clip)

“milk tea” is Masaharu Fukuyama’s 21st single, released in 2006.

Since it had been selected as a tie-in for a program targeting a female audience, the lyrics were written from a woman’s perspective rather than a man’s.