[For Beginners] A Collection of Gamelan Masterpieces [Introductory Guide]

Taruna Jaya

Gamelan Sekar Jaya | Taruna Jaya Part 1

Gamelan, where bronze percussion instruments interweave in complex layers to usher listeners into a mystical sonic realm.

Taruna Jaya is one of the quintessential dance pieces in the Gong Kebyar style, and true to its name, which means “Victorious Youth,” it brims with youthful energy and dynamism.

Its intensely rhythmic drive and dynamic sonorities, rooted in the North Balinese Gong Kebyar tradition, convey a force that feels like life itself bursting forth.

In terms of significance, it’s widely recognized as a representative work in Balinese dance—often cited in academic literature.

It’s the perfect number for when you want to escape the everyday and soak in an exotic atmosphere, or when you’re in the mood for something energizing.

CendrawasihI Nyoman Windha

111112 concert: 05. Tari Cendrawasih by I Nyoman Windha

A gamelan work by Indonesian composer I Nyoman Windha, renowned for bringing innovation to Bali’s traditional music.

Taking the bird-of-paradise as its theme, the piece vividly portrays a mated pair’s graceful dancing and playful vitality through music.

It brilliantly fuses the shimmering sonorities of bronze percussion with flowing melodic lines influenced by Western music.

Created in 1987 as a collaboration with I Wayan Bratha, it was first performed as a Balinese dance piece in February 1988.

You can hear it on albums such as Gamelan Tunas Mekar’s “Kembali Ke Bali.” It’s a perfect track for immersing yourself in a grand, mystical sound world or stepping away from the everyday to free your mind.

Kebyar Ding

Tabuh Kreasi Kebyar Ding

“Kebyar Ding” is a historically important work, among the earliest pieces within Gamelan Gong Kebyar—a renowned style of Balinese gamelan music that emerged in the early 20th century.

Its intricately interwoven structures and rhythmic patterns, along with overwhelming dynamics, invite listeners on a meditative journey.

It’s also included on the CD “Recordings in Bali 1928 VOL.

1,” released in Japan in 2009, which lets you experience the sounds of Bali as they were first captured for commercial release in 1928.

Be sure to check it out.

Kaneda’s ThemeGeinō Yamashirogumi

AKIRA – Kaneda’s Theme

Perhaps this is the most famous gamelan piece in Japan.

It’s a track used in the 1988 animated film AKIRA.

Geinoh Yamashirogumi is a Japanese performance collective that focuses primarily on ethnic music, and they were responsible for all of the film’s music.

Margapati

Margapati — Tari Bali

“Margapati” is one of the most renowned pieces in Balinese gamelan music, said to have been created in 1942 by I Nyoman Kaler.

The theme of the work is the “King of the Forest,” famed for its valor in Balinese dance.

The swirling layers of resonant bronze percussion evoke the king’s majesty and vitality, drawing listeners into the heart of a mystical ritual.

The sight of women performing in male roles is strikingly sensual, powerful, and beautiful, and even the music alone is perfect for moments when you want to step away from the everyday for an otherworldly trip, or when you wish to immerse yourself in creative work.

Gendhing JawaNyi Tjondrolukito

Gendhing Jawa – Nyi Tjondrolukito

Nyi Tindrolkito is a pesindhen from Java.

A pesindhen is a solo singer who performs with a gamelan orchestra.

Within Indonesia, she is regarded as a legend of 20th-century Javanese arts and offers truly magnificent singing.

Udan Mas

Udan Mas

This is a traditional Javanese piece with the beautiful name “Golden Rain.” In contrast to its dazzling title, its somewhat wistful, heart-piercing melody is striking.

It is often performed as a finale to mark the end of rituals or dances, evoking the quiet after lively festivities and a nostalgia for time gone by.

The mysterious resonance of bronze percussion instruments seems to transport listeners to another world.

The performance included on the landmark 1971 recording Javanese Court Gamelan, compiled by scholar Robert E.

Brown, is known as a representative recording of this work.

It’s a perfect piece for opening the door to the ethereal world of gamelan music.

I recommend immersing yourself in its sound in a quiet space.