Songs with titles that start with “ge”
How many songs can you instantly recall when asked for tracks whose titles start with “ge” (げ)?
In word games like shiritori, things suddenly get tricky when voiced consonants become the theme, don’t they?
この記事では、タイトルが「ge(げ)」で始まる楽曲を紹介します。
You might think you can’t come up with many, but once you look, you’ll find plenty you know and go, “Oh right, that one too!”
Why not use this for song-title shiritori and other word games?
- Compilation of Vocaloid songs with titles starting with 'Ge'
- Songs with titles that start with 'Ke'
- Songs with titles that start with 'gi'
- Songs with titles that start with “Gu.” Great for your karaoke selection!
- Songs with titles starting with “E” [Great for karaoke and shiritori, too!]
- A roundup of Vocaloid songs with titles that start with “Ke”
- Useful for song-title shiritori! Songs with titles that start with “ga”
- Summary of Vocaloid songs with titles that start with “Ga” (が)
- Songs with titles that start with “Go”
- A Compilation of Vocaloid Songs Whose Titles Start with “Gi”
- Collection of Vocaloid songs with titles starting with “Go”
- Vocaloid songs that start with “Gu.” Packed with lots of popular tracks!
- A roundup of Japanese songs whose titles start with “ji,” from buzzworthy tracks to popular hits.
Songs with titles starting with “Ge” (1–10)
Cheer up!Takeuchi Mariya

Released in 1984.
It’s well-known as a song provided to Hiroko Yakushimaru, and Mariya Takeuchi’s own self-cover is also popular.
The overall melody is simple and centered in the mid-range, making it a relatively accessible key for most people to sing.
Since the song starts on the “na” sound, it can be hard to come in casually, so preparing your voice is very important! Hum along from the intro as if you’re already singing, and then, the moment the melody begins, project your voice with a quick burst of energy.
If the opening note comes out cleanly, you can keep singing with that momentum.
In general, singing with stronger accents might suit the mood of the song well.
Gerlende Funky LoveFirosofī no Dansu

A winter tune by Philosophy no Dance, produced by the “Queen of Winter,” Kōmi Hirose.
It’s their 11th single, released in December 2025 to mark the group’s 10th anniversary, and every track is themed around winter.
The groovy sound rooted in funk and soul blends perfectly with Hirose’s signature, exhilarating melodies.
The lyrics paint vivid ski-slope scenes while sprinkling in contemporary words like oshi-katsu (supporting your fave) and social mobile games, depicting romance in the Reiwa era with flair.
You can feel the members’ passion in the high-difficulty vocals that modulate up in key mid-song.
Put it on during a winter drive or on the way to a ski trip, and your energy will soar—no question.
Highly recommended if you’re looking for a number that makes you want to dance in the cold season.
GeGeGe no KitaroAdo

Ado has covered the theme song of a beloved national anime that has been cherished from the Showa era through Reiwa.
Marking the 10th anniversary of Shigeru Mizuki’s passing, the song was released in May 2025 as the opening theme for Fuji TV’s “GeGeGe no Kitaro: The Generations of GeGeGe I Loved.” The arrangement was handled by Vocaloid producer Maiqo Hanyu.
This marks the first version in the TV series to feature a female vocalist.
Ado’s singing—shifting expression with every phrase—is simply irresistible.
Since it’s a song everyone knows, it’s perfect for bringing people together across generations.
Songs with titles starting with “Ge” (11–20)
Moonlight FlowerJanne Da Arc

It features a bittersweet melody and dramatic lyrics.
Janne Da Arc is famous for their wide and high vocal range, so this song is recommended for those confident with high notes.
In fact, the range of Gekkouka is D#3 to B4, and the chorus is indeed on the higher side.
To aim for a high score in karaoke, the key points are to stabilize the high notes in the chorus and convey emotion through dynamics.
There are also sections with long sustained notes, so you’ll need to pay attention to the pitch bar and hold them properly.
Be careful not to strain on the high notes—aim for an easy, resonant chesty sound!
How are you?adieu

This song was used alongside an animation created to celebrate the 70th anniversary of Kanro Ame, which portrays an unchanging desire to be gentle.
Set to an acoustic sound, the song calmly speaks its feelings, and its vocals convey a unique sense of weightlessness.
The lyrics depict the loss of time spent with a loved one, and the floating, somewhat unreal sonic expressions evoke an inability to accept the present reality.
The lines about feelings refusing to fade and lingering in the heart also heighten the sense of poignancy.
Get Along Together -Because I Want to Give You My Love-Yamane Yasuhiro

A signature song by Yasuhiro Yamane released in 1993, it was born as a wedding song and has since become a celebrated ballad widely sung as a graduation song and chorus piece.
In karaoke, it’s especially popular among men in their 50s, and singing it with emotion can really liven up the room! While the overall range is relatively calm, there’s a sudden rise in pitch in the chorus, so watch out for that part.
In particular, the “na” consonant line tends to have a nasal pronunciation; when this overlaps with high notes, it can be hard to hit them even if you sing normally.
Be sure to take a good breath and project your voice.
Singing more firmly than you think will help your voice come out comfortably!
moonlightASIAN KUNG-FU GENERATION

A four-piece band, ASIAN KUNG-FU GENERATION, who built a new standard for Japanese rock on a foundation of emo and alternative rock.
This track appears on their 2006 album “Fanclub,” and is notable for its piano intro that quotes a classical masterpiece.
Though it runs over six minutes and twenty seconds, its dramatic structure—shifting from silence to intense sound—draws you in so completely that it never feels long.
The lyrics, which evoke the stillness after a sudden downpour and the loneliness of harboring feelings that don’t reach their destination, seep deeply into the listener’s heart.
Embracing a sense of loss while striving to live on, the song is imbued with earnest emotion.
If you sing it with feeling in its subdued atmosphere, it’s sure to leave a profound afterglow in the air.


