Songs with titles that start with “ge”
How many songs can you instantly recall when asked for tracks whose titles start with “ge” (げ)?
In word games like shiritori, things suddenly get tricky when voiced consonants become the theme, don’t they?
この記事では、タイトルが「ge（げ）」で始まる楽曲を紹介します。
You might think you can’t come up with many, but once you look, you’ll find plenty you know and go, “Oh right, that one too!”
Why not use this for song-title shiritori and other word games?
- Compilation of Vocaloid songs with titles starting with 'Ge'
- Songs with titles that start with 'Ke'
- Songs with titles that start with 'gi'
- Songs with titles that start with “Gu.” Great for your karaoke selection!
- Songs with titles starting with “E” [Great for karaoke and shiritori, too!]
- A roundup of Vocaloid songs with titles that start with “Ke”
- Useful for song-title shiritori! Songs with titles that start with “ga”
- Summary of Vocaloid songs with titles that start with “Ga” (が)
- Songs with titles that start with “Go”
- A Compilation of Vocaloid Songs Whose Titles Start with “Gi”
- Collection of Vocaloid songs with titles starting with “Go”
- Vocaloid songs that start with “Gu.” Packed with lots of popular tracks!
- A roundup of Japanese songs whose titles start with “ji,” from buzzworthy tracks to popular hits.
Songs with titles starting with “Ge” (11–20)
Get OverDream
This is the first opening theme of the popular anime Hikaru no Go, which passionately portrays the world of Go.
The song is by the female dance and vocal group dream, released in November 2001 as their 11th single.
It was also included on the following year’s album, Process.
Characterized by a trance-like, fast-paced beat and distinctive synth sounds, the track stands out.
The lyrics express a strong resolve to move toward the future by overcoming anxiety and hardship, perfectly mirroring the protagonist Hikaru’s coming-of-age story and making a powerful impact.
It’s an energetic masterpiece that gives you courage every time you listen.
Get A Life～Again～twenty4-7
This song is by twenty4-7, a female duo based in Osaka known for the captivating interplay between MIKA’s rap and ME’s vocals.
Centered on themes of the meaning of life and the preciousness of living, the track gently tells us that it’s okay not only to act tough but also to acknowledge our vulnerability and lean on someone when we need to.
The powerful rap and embracing vocals intersect to create a sweeping ballad that gives listeners a push forward.
It was released as a single in February 2009.
This is a remade version produced as the theme song for the film “Yomei,” starring Yasuko Matsuyuki, and its warm message—aligned with the film’s worldview—resonated with many.
It’s a soul-stirring piece you’ll want to hear when you feel like you’re losing yourself or when you want to rely on someone but can’t quite be honest about it.
Get Back (feat. JUMADIBA & Watson)ralph
Ralph is a rapper from Yokohama, Kanagawa, with an Indian father.
He’s a key figure in bringing heavy sounds like UK drill and grime to Japan.
He ramped up his activity around 2017, and tracks like “Selfish” from the EP BLACK BANDANA went viral.
His biggest turning point came in October 2020, when he won the popular show Rap Star Tanjou (Birth of a Rap Star).
He rose to the top from a record 1,416 entrants, earning high praise from the judges—proof of his genuine talent.
His low, robust voice—often described as “Japanese drill”—and lyrics infused with his roots and anger are electrifying and cool.
He also stands out for work beyond hip-hop, such as collaborations with the band Crossfaith.
If you want to feel raw, powerful energy, dive into his world!
get luckyTakaneru Rui
This track, released in October 2025 by Takane Lui from hololive’s 6th generation, is a dance number that passionately sings about luck and game sense with a gambling theme.
Featuring lyrics and composition by KIRA and Sena Kirin, it’s characterized by cool electronic sounds and a powerful beat.
The lyrics depict strategies like seizing the initiative and a protagonist who shrewdly draws the winning line, conveying the thrill of competition just by listening.
If you listen to it before taking on a new challenge, it’ll give you a push forward!
Gekisou Sentai CarrangerShigetaka Takayama
The opening theme of the 1996 tokusatsu drama “Gekisou Sentai Carranger” is a high-velocity Super Sentai song themed around cars and speed.
Takayama Naritaka’s clear vocals intertwine with brassy horns and rock guitar to push the listener forward.
The lyrics are by Yukinojo Mori, with composition and arrangement by Takashi Shoji.
From the words, you can feel a fiery message to dash through at full throttle and the courage of heroes who face hardships together with their teammates.
The first single was released in February 1996, and a “Full Accel” version with reinforced arrangement followed in May of the same year.
The ending theme “Tengoku Samba” is also performed by Takayama Naritaka.
When you want to lift your spirits or need a push before taking on a challenge, why not listen to this work and sprint ahead at full power?
Get No Satisfied !JAM Project feat.BABYMETAL
A collaboration between a titan of the anison world and the trailblazers of kawaii metal.
It’s the opening theme for the third season of the anime One-Punch Man, which aired from October 2025.
Written and composed by Hironobu Kageyama, the song powerfully captures the spirit of a hero who never knows satisfaction and keeps fighting on.
Fusing JAM Project’s hot-blooded anison flair with BABYMETAL’s metal idol melodies, it boldly transcends genre boundaries.
When you need the courage to face hardships, give this track a listen.
Songs with titles starting with “Ge” (21–30)
on stageYOASOBI
This song was released in October 2025.
It is the theme song for the Fuji TV drama “If This World Is a Stage, Where Is the Green Room?” and was created based on a short story by screenwriter Koki Mitani.
By likening life to a stage, the theme portrays people living as actors, resonating deeply with listeners.
Notably, it adopts a dual-vocal format featuring Ayase on vocals, and the interplay between the two voices brings a new charm to YOASOBI.
Give it a listen whenever you feel you’re losing sight of yourself in everyday life.