Songs with titles that start with “ge”
How many songs can you instantly recall when asked for tracks whose titles start with “ge” (げ)?
In word games like shiritori, things suddenly get tricky when voiced consonants become the theme, don’t they?
この記事では、タイトルが「ge(げ)」で始まる楽曲を紹介します。
You might think you can’t come up with many, but once you look, you’ll find plenty you know and go, “Oh right, that one too!”
Why not use this for song-title shiritori and other word games?
- Compilation of Vocaloid songs with titles starting with 'Ge'
- Songs with titles that start with 'Ke'
- Songs with titles that start with 'gi'
- Songs with titles that start with “Gu.” Great for your karaoke selection!
- Songs with titles starting with “E” [Great for karaoke and shiritori, too!]
- A roundup of Vocaloid songs with titles that start with “Ke”
- Useful for song-title shiritori! Songs with titles that start with “ga”
- Summary of Vocaloid songs with titles that start with “Ga” (が)
- Songs with titles that start with “Go”
- A Compilation of Vocaloid Songs Whose Titles Start with “Gi”
- Collection of Vocaloid songs with titles starting with “Go”
- Vocaloid songs that start with “Gu.” Packed with lots of popular tracks!
- A roundup of Japanese songs whose titles start with “ji,” from buzzworthy tracks to popular hits.
Songs with titles starting with “Ge” (61–70)
Genkai ShibukiIkeda Teruo

An ambitious work that powerfully stirs the heart like the rough waves of the Genkai Sea, depicting a man’s melancholy and pride.
This piece by Teruo Ikeda was released by King Records in May 2025.
A stellar team has come together: composed by his longtime ally Hideo Mizumori, with lyrics by Kyosuke Kuni and arrangement by Tatsuya Nango.
In Ikeda’s signature style—his sweet yet resonant voice—he portrays the life of a man of the sea.
A must-listen for those who long for their hometown shores and for anyone seeking enka that truly resonates.
GET MY LOVE!MAX

This Eurobeat-style track, released in October 1996, is characterized by driving four-on-the-floor beats and dazzling synths.
MAX’s powerful vocals blend perfectly with the dynamic rhythm, gripping listeners from the first moment.
The song was used in a commercial for Casio’s light-seal word processor “Princié” and also served as the image song for InterTEC.
It was included on the album “MAXIMUM” and reached No.
4 on the Oricon Weekly Singles Chart.
A club-oriented house remix was produced as well, earning widespread support across audiences.
It’s especially exhilarating on the road; paired with MAX’s beautiful harmonies, it invites you into an extraordinary musical experience.
get backNakamura Kaho

A J-pop ballad infused with sophisticated jazz elements that fully showcases Kaho Nakamura’s musical allure.
Her distinctive improvisational vocal technique and the intricate yet fluid melodic lines—blending jazz, R&B, and electronica—leave a strong impression.
Included on her November 2018 album AINOU, this track became one of the key songs that brought wider recognition to her talent.
Later, her role providing Belle’s voice and singing in the film Belle (Ryū to Sobakasu no Hime) introduced her to an even broader audience of music fans.
It’s an ideal song for nighttime relaxation or when you want to savor a calm, mature atmosphere.
Even listeners unfamiliar with jazz will be drawn into its unique world and expressive power.
detoxkomedawara

This work is striking for its guitar sound and emotional vocals.
Composed by Komedawara, it was released in April 2025.
The arrangement masterfully switches between acoustic and electric guitars, showcasing a wide dynamic range—from a quiet atmosphere to intense emotional expression.
The lyrics portray the complex feelings of hating someone yet being unable to truly hate them, wanting to leave the relationship but being unable to break free, drawing listeners in.
Many people will likely resonate with this world.
Limit LoversSHOW-YA

This song resonates with the heartfelt desires of a woman seeking passionate, exhilarating love, carried by a powerful heavy metal sound.
Featuring commanding vocals and fierce guitar work, it was released as a single in February 1989, peaking at No.
13 on the Oricon charts and selling over 300,000 copies.
It was also used in a commercial for Showa Shell Sekiyu and became one of SHOW-YA’s signature tracks.
Embracing both the strength and vulnerability of women, it speaks to anyone who wishes to rediscover their true self, and is sure to strike a chord.
GAME OVER?AAA

It was featured as the commercial song for “Puyo Puyo!! Quest.” With distinctive electro sounds reminiscent of video game music, it’s an irresistibly upbeat track themed around challenge and the drive to pursue one’s goals.
Third Block of EscapismAge Factory

You think it’s going to blast off from the intro, but then it suddenly shifts into a solo with guitar arpeggios… an unpredictably structured track with Age Factory’s signature style in full force.
It’s insanely cool.
The guitar, bass, drums, and vocals are all razor-sharp, like beasts, delivering the kind of overwhelming power only a three-piece band can.
This song races by in a flash—fierce like the reckless energy of youth, yet somehow beautiful in its sense of detachment.
It’s included on the 1st mini album “Asahi Motomachi.”


