Songs with titles that start with “Go”
Are there any songs that come to mind when you’re asked for titles that start with “go” (ご)? Titles that begin with a voiced consonant can be hard to recall, but in fact there are plenty of song titles that start with the numeral “5,” or with words like “GO,” “gozen” (morning/a.m.), “gogo” (afternoon/p.m.), or “gomen” (sorry)—all of which make for easy-to-use song titles.
In this article, we’ll introduce songs whose titles start with “go” (ご).
There are many songs with titles that include words like “gozen” and “gogo,” and we’ll highlight hits and well-known tracks among them.
Let’s get started!
- Collection of Vocaloid songs with titles starting with “Go”
- Songs with titles that start with “Go”
- Songs with titles starting with “Ko” [Great for karaoke and shiritori, too!]
- Useful for song-title shiritori! Songs with titles that start with “ga”
- Songs with titles that start with “Gu.” Great for your karaoke selection!
- Vocaloid songs that start with “Gu.” Packed with lots of popular tracks!
- A Compilation of Vocaloid Songs Whose Titles Start with “Gi”
- Songs with titles starting with “To.” A selection from popular tracks across generations!
- Karaoke songs popular with women that they want men to sing
- Songs with titles that start with a number. Useful for karaoke or playlist selection.
- Summary of Vocaloid songs with titles that start with “Ga” (が)
- Songs with titles that start with “ge”
- Compilation of Vocaloid songs with titles starting with 'Ge'
Songs with titles starting with “Go” (21–30)
Go Go Ghost ShipYonezu Kenshi

It’s a song by Kenshi Yonezu, the hitmaker behind numerous popular tracks, that you’ll want to play during the Halloween season! It’s an early work from when he shifted from releasing music under the name “Hachi” to using his real name in earnest, and its pop yet slightly warped, experimental sound is incredibly addictive.
The lyrics liken the lonely feeling of not fitting into society to a “ghost,” creating a mysterious atmosphere.
The track is included on Diorama, a seminal album from his indie era released in May 2012.
For many listeners, this was the song that got them hitting repeat.
Its distinctive sense of speed and eerie mood are a perfect match for Halloween TikTok videos featuring costumes and makeup!
Good job.kocchi no kento

Released in August 2025 to mark Kocchi no Kento’s third debut anniversary, this work is a heartwarming anthem born from his own experience of repeatedly losing to himself.
Even if you can’t become your ideal self, the lyrics affirm that this, in fact, is your true self—an encouraging message that will likely resonate with many in today’s world where comparisons are hard to avoid.
The playful sound, highlighted by a jaunty three-three-seven whistle rhythm, adds extra charm.
It’s a track filled with Kocchi no Kento’s gentle warmth.
Songs with titles starting with “Go” (31–40)
God knows…Nishikawa Susumu

Shin Nishikawa, who has supported the works and live performances of illustrious artists like Ringo Sheena, CHAGE, and Ikimono-gakari on guitar, is from Omihachiman City in Shiga Prefecture! After debuting in a band in 1986, he went on to thrive as a studio musician.
He took part in Ringo Sheena’s landmark album Muzai Moratorium, and his searing guitar on Gibbs, which symbolizes her early sound, left a powerful impact on many listeners.
He also handled the arrangement for Mirai Wakusei on Ikimono-gakari’s album Hajimari no Uta, and the album’s win of the Japan Record Award for Best Album speaks to his skill.
Calling himself an “emotion-direct” guitarist, he’s a consummate craftsman indispensable to Japan’s music scene, known for a performance style that unleashes raw feeling.
Sorry, fingers crossed.Nogizaka 46

A complex state of mind—saying goodbye while wishing someone luck—lies at the heart of this 27th single, released in June 2021.
It’s a strikingly cool track with a brisk, driving arrangement that really stands out.
The lyrics blend a resignation akin to saying “I’m sorry” to a relationship that drifted apart with the strength to hope for the other person’s future.
Despite being their first non-tie-in single in a while, it won the Excellence Award at the 63rd Japan Record Awards.
This farewell song isn’t just sad; its positive side may give listeners the courage to move forward.
GOLDEN BUDDY feat. Kurumaraisan

Reisan is a band fronted by Saaya from the comedy duo Lalande.
Their hip-hop–rooted sound has gained popularity, and they’ve already churned out multiple hit songs.
This track is a sophisticated number that fuses band sounds with rap, featuring guest vocals by Kuruma Takahira from Reiwa Roman.
The story it portrays is a chemical reaction: two people who were like water and oil come to recognize each other and evolve into the ultimate buddy duo.
Its lavish arrangement, spotlighting a horn section, is sure to bring cool flair to any party scene with friends.
Released in October 2024, it was chosen as the theme song for the Amazon Original show “The Ultimate New Duo Championship: THE Golden Combo,” and it’s also included on the album “SOME BUDDY,” released in February 2025.
It’s the perfect track for those moments when you want to push yourself higher alongside a rival.
To Marie on Fifth AvenuePedoro & Kapurishasu

Pedro & Capricious is a music group that, despite several changes of lead vocalist, has consistently remained popular.
They’ve produced many famous singers, but perhaps the most memorable era is when Mariko Takahashi served as the vocalist.
“To Mari on Gobangai (Fifth Avenue)” is a wonderfully heartwarming song sung by Mariko Takahashi.
Although the lyrics are bittersweet, the melody is relaxed and bright, making it a perfect piece for looking back on memories and creating a lively, nostalgic mood.
GOAT!kuro usagi

Kurousagi’s “GOAT!” is a piece where the distinctive voices of Ci flower, KAFU, and Kasane Teto intertwine.
Released in July 2025, the tuning was handled by Kisara, yasai31, and Null.
The lyrics depict a protagonist who turns away from reality yet insists, “This is where I belong,” choosing to stay.
Even though they realize there’s no point in remaining, they can’t bring themselves to leave—an emotion many listeners may find themselves relating to.
It’s a track that leaves a profound afterglow long after it ends.


