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Songs that make you sound good at karaoke

Since the 2020s, the vocal skills demanded in Japan’s music scene have advanced dramatically, and most hit songs have become quite challenging.

Many people may feel that even if they want to sound good at karaoke, it’s hard to find the right songs.

So this time, we’ve picked out songs that make you sound great at karaoke!

Focusing mainly on Japanese music, we’ve selected a wide range from timeless classics to the latest hits.

Because these are songs that tend to “sound good,” we’ve centered our picks on tracks that are easy to sing—perfect even if you’re not confident in your vocal ability.

Songs That Make You Sound Good at Karaoke (41–50)

Before our feelings overlap…Hirai Ken

Ken Hirai “Before Our Feelings Overlap…” MUSIC VIDEO
Before our feelings overlap…Hirai Ken

From the very beginning, Ken Hirai’s beautiful singing voice resonates in this song.

It’s a 2004 track that was used in a TOYOTA Corolla Fielder commercial and also served as the theme song for the Fuji TV drama “The Truth of Tsugumi Kuzushi.” The lyrics make it a ballad that feels both like singing and like speaking to someone, so it’s a song you can really get into and sing calmly.

I often point out Ken Hirai’s singing characteristics to my students, so please use them as a reference! First, while it’s memorable that he sings with his eyes closed, in reality, closing your eyes can cause unnecessary tension and make it harder to stay on pitch.

However, Hirai raises his eyebrows and uses his hand to track the pitch while he sings.

He compensates in other ways so that singing becomes more natural and easier.

This gesture also makes it much easier to produce falsetto, so definitely give it a try!

ActorIkuta Rira

This song, written and composed by Rira Ikuta, is used as the ending theme for the TV anime SPY×FAMILY Season 3.

Rira Ikuta, known as the vocalist of YOASOBI, is famous for her clear, translucent voice.

“Actor” features a melody line that isn’t too difficult and a range that isn’t overly high.

It’s easier to memorize and sing compared to other songs! When you listen to it, the verse sits quite low… I recommend opening your throat with a slightly surprised expression and singing as if you’re letting the breath flow.

In the chorus, it might work to sing mostly in head voice/falsetto.

However, since it’s a bright-sounding song, you’ll want to avoid a weak falsetto.

Try to sing with the image of constantly resonating in the head and firmly projecting your breath as voice!

HOLY NIGHTEXILE

EXILE – HOLY NIGHT(EXILE LIVE TOUR 2007 EXILE EVOLUTION LIVE VIDEO BOX)
HOLY NIGHTEXILE

The classic song “HOLY NIGHT,” included on their 21st single “Everything.” This piece, which conveys the Boys II Men-inspired vibe they respect, is crafted as a gentle, R&B-style ballad.

While the vocal range spans quite wide from mid1A to hiA#, the vocal line itself is orthodox, so for those who can use falsetto without issue, it can be considered an easy song.

The falsetto in the chorus sits a bit low, so if you find it hard to produce, we recommend boldly raising the key by one semitone.

HappinessAI

Released in December 2011, this song was once used for Coca-Cola’s Christmas campaign.

The opening bell sound really evokes winter and Christmas! I’m sure many of you have heard it before.

The song itself has R&B elements, with a groove that makes you move your body, and the rhythm is a bit unique.

If you try singing it without preparation, you might feel a slight rhythmic mismatch, so some practice is recommended.

Also, the song’s highest note, D#5 right before the last chorus, has tricky timing—make sure to nail it! There are lots of chorus parts too, so singing it as a duo with harmonies will sound really cool.

It’s a song that portrays “everyday love” and a “sense of happiness.” Enjoy it at karaoke!

366 daysHY

HY – 366 Days (Official Music Video)
366 daysHY

HY’s classic song “366 Days.” This track is beloved across a wide range of ages, from younger listeners up to people in their 40s.

It’s a karaoke staple, so many of you have probably sung it at least once.

Its vocal range spans from mid1 E to hi G#, which is very wide, making it a bit challenging to sing without adjusting the key.

However, apart from the extremely high falsetto ad-libs in the final chorus, if you can handle the light falsetto in the B section, you can try arranging the ad-lib part in your own way.

Doing so will significantly narrow the required range, which is recommended.