Taro Hakase’s famous and popular songs
Taro Hakase is a violinist who has produced famous pieces such as “Jounetsu Tairiku” and “Himawari,” and has been active across the boundaries of classical and pop music.
His distinctive character is also captivating—his trademark, strikingly permed hairstyle and entertainment-rich live performances shatter the conventional image of a violinist.
In this article, we’ve gathered popular and signature tracks for those who are about to listen to Hakase’s music for the first time.
You might even discover, “Wait, this song was by Hakase too?”
Enjoy!
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Taro Hakase’s Masterpieces and Popular Songs (41–50)
Passion Continent CollectionHakasé Tarō
This piece by Taro Hakase, a very famous Japanese musician, is a classic that everyone knows.
Its simple yet profound melody makes it easy even for beginners to play.
In the third movement, the grand treatment of the melody becomes irresistibly cool.
Taro Hakase’s Famous and Popular Songs (51–60)
CsardasHakasé Tarō
At this point, I really want him to share it with the world.
It feels like a new kind of music where he becomes one with the violin.
It’s incredibly cool and absolutely wonderful.
Among his pieces, this combination is one I love a lot—it’s really cool.
I’m in awe.
alm Cuori Appassionati “Between Calm and Passion”Hakasé Tarō
It plays such a heartrending, deeply stirring tone that it makes me want to go to a concert.
It’s so beautiful that I find myself utterly enchanted.
I love this piece so much that it reminded me of the film.
I’m captivated.
Loving LifeHakasé Tarō
It’s a song that makes you think, “Since life is given to everyone, why not enjoy it?” The melody unfolds in HAKASE’s signature D major, shifting from a blue mood to a bright yellow cheerfulness.
Like this piece that ends on a triumphant, soaring note, I want to live each day with strength.
CzardasHakasé Tarō
This is the Czardas that Mao Asada used for her free skate in the 2006–2007 season.
It’s a very dazzling piece and is also known for its virtuosity.
How did this classical piece change through the collaboration between →Pia-no-jaC← and Taro Hakase? Please listen for yourself and find out.
Come fly with meHakasé Tarō
Was something sad on their mind, perhaps? Unusually, this piece is in a minor key.
It starts on the same note as Jonetsu Tairiku, but here the drive is weaker, and a subdued mood surfaces in places.
Pay attention to the guitar solo in the middle section as well.
It conveys the atmosphere of a dark night heavy with sorrow.
MORNING SHOWHakasé Tarō
Close your eyes, listen carefully, and imagine.
Birds flapping busily, people sprinting at full speed.
People bustling with preparations before opening time.
This is the music that signals the curtain rising on a new day.
They insisted on live instruments and kept programmed backing to a minimum.
It seems they took inspiration from the good old days of jazz.