Masterpieces for Harp: A curated selection of distinguished works featuring noble and delicate tones

Harp Concerto No. 6 in F major, Op. 9Jean-Baptiste Krumpholz

Joh. Baptist Krumpholz (1742-1790) – HARFENKONZERT

Jean-Baptiste Krumpholtz, a leading harpist and composer of the Classical era, left behind a masterpiece that fully brings out the instrument’s allure: Harp Concerto No.

6 in F major, Op.

9.

Elegantly lyrical melodies are exquisitely combined with virtuosic passages, making this work a significant contribution to the development of harp music.

Born in 1742, Krumpholtz composed numerous pieces, including 52 sonatas and six concertos.

He also devoted himself to improving the harp’s construction, and his achievements can be said to have laid the foundation for modern harp music.

A perfect piece for those seeking comfort and healing.

Harp Concerto, Movement IJohann Georg Albrechtsberger

Albrechtsberger. Harp concerto.

A masterpiece by Johann Georg Albrechtsberger whose graceful melody resonates deeply in the heart.

Composed in 1773, this work can be called a representative masterpiece of the transition from the Baroque to the Classical period.

The harp’s crystalline timbre blends beautifully with the orchestra, creating an elegant atmosphere.

Known also as Beethoven’s teacher, Albrechtsberger’s mastery shines throughout this piece, where delicate sensibility and refined technique are seamlessly fused.

It’s recommended for moments when your mind feels unsettled or for a quiet morning.

A perfect track for those seeking healing.

Rondoletto No. 2 for Harp and FluteNicolas-Charles Bochsa

Bochsa: Rondoletto No. 2 (Ellen Huntington, flute; Lillian Lau, harp)

Composed by the 19th-century French composer Nicolas-Charles Bochsa, this piece is a masterpiece distinguished by the beautiful harmony between harp and flute.

Using a famous Rossini aria as its motif and arranged through Bochsa’s own interpretation, the work showcases his outstanding musical sensibility.

Bochsa’s appointment as the court harpist in 1813 lends an added air of refinement to the piece.

Its elegant melodies—woven from the harp’s delicate timbre and the flute’s clear resonance—are sure to soothe the listener.

It is recommended for a quiet morning moment or a relaxing evening.

Concerto in G minor for Harp and OrchestraGeorg Christoph Wagenseil

“Concerto en Sol” de G. C. Wagenseil, Tjasha Gafner, harpe (11 ans)

Andante and Allegro from the Concerto in G minor for Harp and Orchestra by Georg Christoph Wagenseil.

Although he is a relatively little-known composer, it is said that Haydn and Mozart were familiar with his works.

Concerto for Flute and Harp in C major, K. 299, 3rd movementWolfgang Amadeus Mozart

W.A. Mozart – K. 299 for Flute, Harp and Orchestra – mvt. 3

Composed in Paris in 1778 by Wolfgang Amadeus Mozart, a composer emblematic of the Classical era, this work is the only concerto he wrote for flute and harp.

Commissioned by the Duke of Guînes, a flutist, for his daughter, a harpist, it presents a rare combination that skillfully incorporates the harp, which was still developing at the time.

The third movement of this three-movement work is written in a lively rondo form, featuring an impressive, brilliant interplay between the flute and harp.

Its delicate timbres and graceful melodies interweave to create a beautiful harmony that offers a soothing and restorative listening experience.

Sonata No. 1, Op. 14Jean-Baptiste Krumpholz

J. B. Krumpholtz – Sonata “comme scéne dans le style pathètique”

Sonata No.

1, Op.

15 by Jean-Baptiste Krumpholtz, a French composer and harpist from Bohemia.

He left behind harp sonatas and concertos, as well as chamber works for ensembles that include the harp.

Concerto in G major for Harp and OrchestraGeorg Christoph Wagenseil

JANA BOUŠKOVÁ plays WAGENSEIL Harp Concerto

An elegant work by the Austrian composer Georg Christoph Wagenseil, who was active from the late Baroque to the early Classical period.

The delicate timbre of the harp and the rich sonorities of the orchestra weave a beautiful harmony that soothes the listener’s heart and invites a sense of refinement.

Characterized by clear, melodious lines and sophisticated harmony, it skillfully fuses Baroque complexity with Classical clarity.

Composed for the Vienna court from 1739 until his death, this piece fully showcases Wagenseil’s experience and talent.

Highly recommended not only for classical music enthusiasts but also for those seeking calm or a moment of elegance.