A poignant classic masterpiece. Recommended classical music.
Introducing heartrending classical pieces in one go!
Even when we say “heartrending classical music,” the moods and styles vary widely.
This time, we’ve picked out a range of moving masterpieces—from piano and violin works to miniatures, chamber music, concertos, and orchestral pieces.
Alongside the classics, we’ve lined up a wide selection that includes lesser-known, more obscure works that even avid classical listeners might not immediately recognize.
Whether you’re just getting into classical music or already deeply immersed, there’s plenty to enjoy—so please relax and read to the end!
A poignant classical masterpiece. Recommended classical music (1–10)
Pavane for a Dead PrincessMaurice Ravel
This piece was composed by the French composer Maurice Ravel in 1899 as a work for piano, and later arranged by the composer himself for orchestra in 1910.
Judging by the title alone, it may seem like a piece dedicated to a deceased princess, but in fact it portrays a pavane such as a little princess might have danced at the Spanish court long ago.
It isn’t a showy piece, but it’s a delicate and lovely work that evokes the atmosphere of the court in those days.
It’s also enjoyable to compare the piano version with the orchestral version.
Symphony No. 6 “Pathétique,” Fourth MovementPyotr Tchaikovsky
Tchaikovsky’s final symphony, the Pathétique.
The subtitle “Pathétique” was given by Tchaikovsky himself.
Although the piece maintains an atmosphere of solemn sorrow throughout, it is marked by flashes of intensity and beauty.
It is striking how, after the climax, the work closes heavily and quietly.
The symphony premiered under Tchaikovsky’s own baton, but he contracted cholera and died five days later.
A memorial concert was held after his death, at which this piece was also performed.
SicilianoGabriel Urbain Fauré
Gabriel Fauré was a French composer who was active in the late 19th century.
At the time, there was a trend in France to create music that was distinctly French.
In response, composers sought to produce new sonorities by incorporating elements of the Baroque era into their works.
This Sicilienne was born in that climate.
A “Sicilienne” is a type of music that was popular from the 17th to 18th centuries, characterized by its pastoral quality and distinctive rhythm.
By drawing on features of Baroque music to create fresh sonorities, this piece fashions a beguiling, dreamlike atmosphere.
Piano Sonata No. 8 in C minor, Op. 13 “Pathétique,” Second MovementLudwig van Beethoven
This is a work composed in his youth by the great master of classical music, Ludwig van Beethoven.
Published in 1799, this piece is known as a representative example of Beethoven’s early period.
An ambitious attempt to express the sorrows of youth through music, it is characterized by a dramatic tone and beautiful melodies.
The second movement is particularly popular, with a gentle, songlike melody that moves the listener’s heart.
Although it coincides with the period when Beethoven’s hearing began to deteriorate, one can also sense the strength with which he sought to overcome the pain and sadness.
It is a highly recommended piece for those just beginning to take an interest in classical music.
Like a melodyJohannes Brahms
We present a gem among lieder by Johannes Brahms, a master of Romantic music.
Published in 1886, this work is characterized by a beautiful melody sung with piano accompaniment.
Brahms pursued harmony between poetry and music, placing great importance on delicate emotional expression.
Beginning in A major, it skillfully conveys changes in feeling through modulations.
The lyrics explore how melody evokes inner emotions and memories, reflecting the inner world of Brahms in his later years.
This is a recommended piece for those seeking the deep savor of classical music.
Enigma Variations, Variation IX “Nimrod”Edward Elgar
“Enigma” is a Greek word meaning “riddle,” “puzzle,” or “conundrum,” and the composer Elgar is said to have embedded two enigmas in this set of variations.
“Nimrod” is a nickname Elgar gave to a close German friend who worked for a music publishing company, and it seems to depict his character as well as a night the two spent strolling and discussing Beethoven.
Morgen !Richard Strauss
A gem of a song from the great master of classical music, Richard Strauss.
Composed in 1894 as a wedding gift for his wife Pauline, this work elegantly portrays a vision of tomorrow filled with love and hope.
The poem, woven together with serene melodies, overflows with warmth as it gazes toward the couple’s happy future.
Strauss’s delicate musical expression sublimely elevates the poem’s worldview.
Brimming with the rich sentiment of the Romantic era, this piece remains a beloved classic among music lovers—one to be shared with someone dear.
From Violin Concerto, First MovementFelix Mendelssohn
Mendelssohn’s Violin Concerto—affectionately known by the nickname “Meso-con”—is such a masterpiece that, together with the violin concertos of Beethoven, Brahms, and Tchaikovsky, it is counted among the “Four Great Violin Concertos.” Mendelssohn’s music possesses a pure, mystical resonance, and his musicality led to his being hailed as a prodigy from a young age.
Although this piece opens with power and intensity, it also features Mendelssohn’s characteristically flowing melodies throughout.
It is a work in which poignancy, beauty, and passion are intricately woven together.
AdagioTomaso Albinoni
Adagio in G Minor by Albinoni, a piece that made a striking impression in the 1963 film The Trial, is said to have been composed by the 20th-century Italian musicologist Remo Giazotto, who discovered fragments of a manuscript by the Baroque composer Tomaso Albinoni and based this work on them.
It preserves hallmarks of Baroque music, such as the interplay of melodies that seem to converse with a bass rhythm reminiscent of a heartbeat.
Its wistful, sentimental melody for organ and strings leaves a particularly strong impression.
Oboe Concerto in D minor, Second MovementAlessandro Marcello
Although now known as an indispensable instrument in the orchestra, the oboe enjoyed its most dazzling prominence as a solo instrument in the 18th century.
This piece, composed by the 18th-century Italian composer Marcello, is considered one of the earliest concertos written for the oboe.
Carried by a softly rendered accompaniment of strings and harpsichord, the oboe weaves a floating melody that leaves a poignant and beguiling impression.
The work also gained attention for its use in the 1971 film The Anonymous Venetian.