RAG MusicClassic
Lovely classics

A poignant classic masterpiece. Recommended classical music.

Introducing heartrending classical pieces in one go!

Even when we say “heartrending classical music,” the moods and styles vary widely.

This time, we’ve picked out a range of moving masterpieces—from piano and violin works to miniatures, chamber music, concertos, and orchestral pieces.

Alongside the classics, we’ve lined up a wide selection that includes lesser-known, more obscure works that even avid classical listeners might not immediately recognize.

Whether you’re just getting into classical music or already deeply immersed, there’s plenty to enjoy—so please relax and read to the end!

Poignant masterpieces of classical music. Recommended classical pieces (81–90)

Symphonie fantastique, Movement I: Dreams, PassionsHector Berlioz

Symphonie fantastique is a piece of music that Berlioz composed based on his own heartbreak.

A morbid young musician, driven to despair by the anguish of love, attempts suicide by taking opium, but does not die; instead, the visions he experiences appear as musical images.

The first movement depicts the joy, passion, and suffering of his thoughts about the woman he loves.

Andaluza from Spanish DancesEnric Granados

Mari Kumamoto: Granados — Andaluza from Danzas españolas (Spanish Dances)
Andaluza from Spanish DancesEnric Granados

A masterpiece by the Spanish pianist and composer Enrique Granados, “Andaluza” from the Spanish Dances.

Although the same theme appears multiple times, it is connected with changes in mood along the way, so it never becomes overly monotonous and remains engaging to listen to.

The return from the soft, gentle melody in the middle section to the Spanish-style main theme is a highlight of the piece, so be sure to listen for it.

EARTHMuramatsu Takatsugu

[Ayako Takagi earth] T. Muramatsu – “earth,” a live performance by Ayako Takagi with pianist Itsuko Sakano.
EARTHMuramatsu Takatsugu

This piece, performed as a flute and piano duo, is a grand work themed around the Earth’s environment and the beauty of nature.

The flute’s gentle melodies and the piano’s rich resonance intertwine exquisitely, evoking the sensation of traveling through the great outdoors.

The structure begins with a quiet introduction, gradually unfolds into a dramatic development, and finally moves toward a tranquil close.

This dynamic contour brings deep emotional expression to the music and captivates listeners.

It’s a recommended piece for those who want to feel their love for nature and the Earth through music, and for anyone who wishes to fully savor the charm of the flute.

Oboe Concerto in A minor, F.7 No.5, RV 461Antonio Vivaldi

Vivaldi: Oboe Concerto in A minor, F.7 No.5, RV 461 / Thomas Indermühle conducting I Solisti di Perugia, Claudio Brizi (organ, claviorgan)
Oboe Concerto in A minor, F.7 No.5, RV 461Antonio Vivaldi

One of Vivaldi’s many oboe concertos.

From a young age, Vivaldi took part in church services and concerts.

The lyrical, gentle expression of the oboe in the middle section perfectly matches the instrument’s distinctive timbre, resulting in a splendid composition.

Waltz No. 12 in F minorFrederic Chopin

Chopin: Waltz No. 12, F. Chopin – Waltz No. 12, Op. 70-2, F minor, performed by SHUMPEI
Waltz No. 12 in F minorFrederic Chopin

This work is the piano piece “Waltz No.

12 in F minor, Op.

70, No.

2,” published after Frédéric Chopin’s death by his friend Julian Fontana.

It is said that the piece was not composed for publication, but rather written for a woman acquaintance.

In triple meter, the piece conveys a range of emotions—from phrases tinged with poignancy to those filled with happiness—making it a very expressive and accessible work, like a letter addressed to a lady.

Ancient Airs and Dances for Lute, Suite No. 3, I. ItalianaOttorino Respighi

Ottorino Respighi – Antiche danze et arie per liuto, Suite No.3 (complete)
Ancient Airs and Dances for Lute, Suite No. 3, I. ItalianaOttorino Respighi

Ancient Airs and Dances for Lute is an arrangement of pieces originally for lute, scored for string orchestra, and the third suite is especially famous.

Its first movement, Italiana, is brimming with the character of medieval Italian music.

The lute’s striking left-hand accompaniment pattern is taken up by pizzicato in the cellos.

In conclusion

This time, we introduced pieces under the theme of poignant classical masterpieces—did you find a favorite? Contemporary music is wonderful, but the bittersweet pieces in classical music often feel even more lyrical and moving, don’t they? If any of these caught your ear, be sure to take your time and listen closely!