RAG MusicClassic
Lovely classics

A poignant classic masterpiece. Recommended classical music.

Introducing heartrending classical pieces in one go!

Even when we say “heartrending classical music,” the moods and styles vary widely.

This time, we’ve picked out a range of moving masterpieces—from piano and violin works to miniatures, chamber music, concertos, and orchestral pieces.

Alongside the classics, we’ve lined up a wide selection that includes lesser-known, more obscure works that even avid classical listeners might not immediately recognize.

Whether you’re just getting into classical music or already deeply immersed, there’s plenty to enjoy—so please relax and read to the end!

Poignant classics: Recommended classical music (41–50)

Symphony No. 5, Fourth MovementGustav Mahler

Mahler: Symphony No. 5 – IV. Adagietto [Naxos Classical Curations #Healing]
Symphony No. 5, Fourth MovementGustav Mahler

This piece is also famous for its striking use in Luchino Visconti’s 1912 film Death in Venice.

It is one of the works Mahler wrote at the height of his career, when he married Alma—20 years his junior—and began associating with various artists.

The piece is said to be a love letter to his newlywed wife, Alma.

Accompanied by a mysterious harp, the violin begins to spin a leisurely, emotive melody.

As its beautiful yet heartrending theme unfolds, the music gradually gains richness and depth, making it a captivating work.

Waltz No. 10Frederic Chopin

Waltz No. 10 (Chopin) – Chopin: Waltz in B minor, Op. 69 No. 2 – pianomaedaful
Waltz No. 10Frederic Chopin

This is Frédéric Chopin’s Waltz No.

10 in B minor, Op.

69-2, whose melancholy melody evokes a tight, heart-wrenching sensation.

Believed to have been composed when Chopin was around nineteen, it is notable for its simple structure and unadorned, rustic melody.

While the main theme overflows with longing, the middle section takes on a warm, blissful air, as if reflecting on happier days gone by.

Yet that respite is brief, and we are drawn back into profound sorrow.

It’s a piece to listen to when you want to linger in wistfulness, or gently work through your sadness.

Second Movement from the Symphony of LamentHenryk Górecki

Gorecki Symphony No. 3 “Sorrowful Songs” – Lento e Largo
Second Movement from the Symphony of LamentHenryk Górecki

Henrik Górecki, a composer from Poland.

This piece was composed based on a poem left on a wall by a Jewish girl during World War II.

It expresses a cry of anguish, and the singing and its lyrics resonate deeply.

It’s a work you’ll want to listen to while reading the lyrics as well.

Etude, Op. 2 No. 1Alexander Scriabin

Horowitz plays SCRIABIN Etude in C-Sharp Minor, Opus 2, No.1
Etude, Op. 2 No. 1Alexander Scriabin

Alexander Scriabin was a late Romantic composer who was called the “Chopin of the Cossacks.” It is said that he composed this piece when he was 14 years old—an astonishing talent.

With its beautiful melody, it is very popular and often performed by renowned pianists.

Why not immerse yourself fully in this classical masterpiece?

Symphony No. 9, From the New World, Second Movement ‘Going Home’Antonín Dvořák

Dvořák Symphony No. 9 “From the New World” 2nd movement Homeward (Goin’ Home) Karajan
Symphony No. 9, From the New World, Second Movement 'Going Home'Antonín Dvořák

Known in Japan as a song often played around the time people head home, “Symphony No.

9, From the New World – II.

Largo (Going Home).” Its melody is beautiful, yet it somehow evokes a feeling of loneliness.

Antonín Dvořák, a Czech composer who gained fame with his Slavonic Dances, completed this piece while living in the United States.

Song of SorrowHeitor Villa-Lobos

Tristorosa (Heitor Villa-Lobos) Piano: Carla Reis
Song of SorrowHeitor Villa-Lobos

Heitor Villa-Lobos, the Brazilian composer.

While he wrote many passionate pieces, he also created mature, gently lyrical works like this, showcasing an impressively wide musical range.

He also produced works for guitar and piano, all crafted with clear melodies that make them approachable.

ZigeunerweisenPablo de Sarasate

Here is a solo violin piece with orchestral accompaniment composed by the Spanish violinist Sarasate and completed in 1878.

In Japan, it’s often used like a sound effect in scenes that convey various kinds of misfortune, so even those who aren’t classical music fans have probably heard it at least once.

It’s also frequently used in figure skating programs.

The piece offers plenty of violin techniques and showy moments, making it a captivating and wonderful work.