[High-pitched warning!] Songs with high notes that are hard to sing
The Japanese music scene is known for having a relatively low emphasis on groove, but an unusually large number of high-pitched songs.
In particular, since Japan has finally started earnestly incorporating overseas music in recent years, the overall level of songs has risen dramatically.
With that in mind, this time we’ve picked out Japanese songs that are on the higher side.
From songs with a wide vocal range, to tracks that have pinpoint high parts, to songs that stay in the high register throughout, we selected from a broad set of perspectives—so be sure to find the tracks that suit you!
- Recommended karaoke songs for male vocalists with high voices
- [Taking on a song with a wide vocal range] An S-class challenge track
- A masterpiece with exhilarating high notes. An enchanting high-tone voice.
- [Feels Great to Listen To!] Popular Songs by Female Artists with Captivating High Notes
- I want to sing songs that use a lot of falsetto—tracks that are also good for practicing falsetto at karaoke.
- Recommended for great singers! A collection of impressive songs if you can sing them
- Cool If You Can Sing! Popular Karaoke Songs Recommended for Women
- Pick out the challenging songs that will earn you respect if you can nail them at karaoke!
- [Karaoke] A roundup of songs that are easy for women to sing!
- [Challenge] A Compilation of Anime Songs with High-Pitched Melodies and High-Tone Vocals
- [For Women] A roundup of enka songs that can score high in karaoke
- Great for karaoke song selection! Recommended easy-to-sing songs for Gen Z women
- [Karaoke] Songs That Make It Easy to Score High | From Classics to the Newest Hits
[High Pitch Warning!] High songs that are difficult to sing (221–230)
RE RESCUEREOL
Reol’s new song “RE RESCUE.” She always delivers razor-sharp electropop, but this track ranks among the most challenging in her catalog.
There are various tricky sections, with the chorus being especially difficult.
The intense shifts in pitch force repeated transitions between chest voice and falsetto, and on top of that, it demands strong volume.
Because it requires precise pitch control and unwavering breath support and vocal production, it’s an ideal piece for building fundamental singing skills.
Marshmallow dayMr.Children
Among Mr.Children’s songs, “Marshmallow day” is one of the most challenging.
Its vocal range is quite wide, from mid1C to hiF.
While the high notes tend to draw attention, the mid1C section is actually quite tough, and the A melody sits very low with little room to lower the key, making it tricky to adjust.
If you’re good at high notes but struggle with low ones, one option is to sing the A melody an octave higher.
Since falsetto appears in the bridge, be mindful not to shout too much in the choruses beforehand so your voice doesn’t get worn out.
AitsumugiJonan
This is Minami Kizuki’s debut song, rooted in Amami folk “shima-uta.” The lyrics by Yuka Kawamura are outstanding, as expected.
Her effortless, unstrained vocals, backed by solid singing ability, make her a top recommendation among soothing female vocalists.
She has appeared frequently on NHK and in films, and her non-urban vibe may well be her strength.
It’s also very easy to sing as a karaoke song and is perfect for those who can shine in the high register.
First love is cryingaimyon
This is Aimyon’s 13th single, released on June 8, 2022.
It was selected as the theme song for the Monday 10 p.m.
drama “Who Needs True Love?” While many people might not think of Aimyon as a high‑tone singer, the powerful chest‑voice highs you can hear mainly in the chorus are quite remarkable.
If you try singing it in the original key at karaoke, you’ll really feel it.
Be sure not to strain your throat—sing it openly and resonantly to show off your skills to everyone around you! The contrast with the low notes in the non‑chorus sections is also crucial in this song, so make sure you can sing those parts with a well‑resonant chest voice that vibrates through the thoracic cavity.
ultra soulB’z
As you may know, this is a B’z song released on March 14, 2001 as their 31st single.
Some might wonder, “Why recommend a male-vocal song in a list for women?” But B’z vocalist Inaba is incredibly compelling when singing in high tones, and he shows that off to the fullest in this track—especially in the chorus where the title appears in the lyrics.
That’s why it’s a song I’d love for women who are good at high-tone singing to try, even if their natural speaking voice is lower and more masculine.
If you can deliver it even cooler than the original male vocal, you’ll definitely draw attention! That said, it is still a male-vocal track, so if a woman is singing it, you might want to raise the key a little.
New meYOASOBI
YOASOBI’s new song “New me.” When you think of YOASOBI, sparkling pop tunes come to mind, but this track, while retaining that flavor, features smooth vocals that incorporate elements of city pop.
Musically, it has frequent key changes and falsetto, with pronounced jumps in pitch.
It doesn’t demand powerful vocals, but it does require impeccably precise pitch control, almost like a Vocaloid.
Be sure to add it to your repertoire.
[High Pitch Warning!] High songs that are hard to sing (231–240)
If you want to make me your girlfriendKoresawa
Singer-songwriter Koresawa, who keeps her appearance private in the media, has garnered overwhelming support from women of her generation for the relatable world of her lyrics.
“Atashi wo Kanojo ni Shitai Nara,” included on her first album Korekara, is a pop tune that was selected as the ending theme for the music program Buzz Rhythm.
It doesn’t require any special technique, but you should be careful because the melody in the chorus drops sharply from a high pitch, making it easy to go off key.
In karaoke, you can draw attention not only by featuring the high notes but also by singing with expressive dynamics in a cute style, so if you can manage it, keep that in mind.
