[High-pitched warning!] Songs with high notes that are hard to sing
The Japanese music scene is known for having a relatively low emphasis on groove, but an unusually large number of high-pitched songs.
In particular, since Japan has finally started earnestly incorporating overseas music in recent years, the overall level of songs has risen dramatically.
With that in mind, this time we’ve picked out Japanese songs that are on the higher side.
From songs with a wide vocal range, to tracks that have pinpoint high parts, to songs that stay in the high register throughout, we selected from a broad set of perspectives—so be sure to find the tracks that suit you!
- Recommended karaoke songs for male vocalists with high voices
- [Taking on a song with a wide vocal range] An S-class challenge track
- A masterpiece with exhilarating high notes. An enchanting high-tone voice.
- [Feels Great to Listen To!] Popular Songs by Female Artists with Captivating High Notes
- I want to sing songs that use a lot of falsetto—tracks that are also good for practicing falsetto at karaoke.
- Recommended for great singers! A collection of impressive songs if you can sing them
- [If You Can Sing These, You're Amazing!] Cool Karaoke Songs for Women
- Pick out the challenging songs that will earn you respect if you can nail them at karaoke!
- [Karaoke] A roundup of songs that are easy for women to sing!
- Recommended for teenage girls! Easy-to-sing karaoke songs
- [Challenge] A Compilation of Anime Songs with High-Pitched Melodies and High-Tone Vocals
- [For Women] A roundup of enka songs that can score high in karaoke
- Great for karaoke song selection! Recommended easy-to-sing songs for Gen Z women
[High Pitch Warning!] Difficult High Songs to Sing (301–310)
I want to tell you how I feel (my love)aimyon
It’s a simple song, but it’s one that truly shines because of Aimyon’s vocal ability, and it’s one of my favorites too! I always feel that Aimyon’s charm lies in the world she creates with her lyrics and in the beautifully balanced blend of her low and high notes.
In particular, this song has a wide vocal range—from F#3 in the verses and before the chorus to E5 in the chorus—so the pitch differences are extreme, and you’ll want to be careful not to go flat when singing.
The rhythm and breath placement are also quite challenging, but it feels amazing when you can sing it well! I recommend singing it with lots of energy and groove!
The dust on the shade extendszutto mayonaka de ii no ni.
ZUTOMAYO is a band that enjoys overwhelming support from listeners in their teens and early twenties.
They specialize in songs that blend catchiness with emotional depth, and among those, the track I especially recommend is Shade no Hoko-ri wa Enchō (The Dust of the Shade Extends).
It features a large number of mixed-voice sections and very few rests, so it demands strong stamina and precise pitch control in the high range.
Definitely consider adding it to your repertoire.
Rising HopeLiSA
Speaking of LiSA, it’s all about anisongs! She also has an image of singing mostly high-pitched songs, right? Among them, “Rising Hope” is probably one that many people feel is “so fast and so high… great to listen to, but tough to sing!” My students struggled with it, too.
Of course the high notes are challenging, but the tempo is also very fast at 190.
On top of that, there are lots of rap-like and intricate parts, so you want to make sure you don’t get left behind while singing.
Also, for the ends of phrases in the chorus, if you slightly lengthen them and articulate the vowels clearly, it adds to the vibe and sounds cool! There are lots of high notes in succession, but try to keep the sound resonating in your head so the pitch doesn’t drop.
Cinderella BoySaucy Dog
When this song was released, didn’t everyone try singing it? Listening closely, the verses (A and B sections) often sit around the song’s lowest note, E3, so the melody feels relatively calm.
However, the chorus suddenly jumps up to E5, and when you actually sing it, the large interval can be quite surprising.
Pitch control is crucial in that section.
Since the song has an overall bittersweet feel, it might be better not to hold the ends of phrases too long—leave a lingering resonance instead.
Pauses are also important.
Even when you’re not singing, treat the rests as part of the rhythm to bring out the mood.
Give it a try!
A bird that cannot flyyuzu
This song is one where Yuzu’s Iwasawa takes the lead vocals, and it’s quite high-pitched.
The A section sits low and is sung almost like spoken word, so it’s relatively easy and calm, but the pitch shoots up right at the start of the B section.
The highest note is C#5 in the chorus, and there are lots of long sustained notes, so it can be tough unless you’re constantly resonating in the head.
For reference, my student also struggled quite a bit from the B section, but once they worked on a head voice that resonates up top, they were able to sing the whole song.
Because it’s a high song, you might focus only on the high notes, but the surprising pitfall is actually the low parts.
It’s easy for the pitch to sag and turn into a throaty sound, so keep your eyebrows raised even as the melody changes—just like Iwasawa does—when you sing.
Aim for Iwasawa’s crystal-clear voice!
Shout BabyRyokushokushakai
Ryokuoushoku Shakai’s “Shout Baby” has a straightforward build that ramps up from verse (A) to pre-chorus (B) to chorus.
You’ll encounter C5 here and there, with sustained high notes, but the only exception is the very beginning of the bridge, which drops to around D3—a very low range for female singers.
In the repeated section of that same part, it jumps an octave, so be careful not to push with a throaty sound as you go up.
The song itself is very fast at tempo 178, so lean slightly forward and avoid pulling your body back so you don’t fall behind the rhythm.
It’s an anime song, so it’ll really hype the crowd if you can sing it!
This gameSuzuki Konomi
Do you know the anison singer Konomi Suzuki? She’s really cool, so if you like anime songs, you should definitely give her a listen! In “This game,” the notes are extremely high throughout, and it even modulates in the last chorus, making it go even higher.
The overall range of the song is B3 to F5, which is generally on the higher side, and if you try to belt it all in chest voice, your throat will get wrecked (lol).
Suzuki mixes in head voice skillfully.
When hitting notes as high as in “This game,” it’s easier if you focus on resonance rather than just pushing or belting.
That said, it’s not something anyone can do right away, so first try placing a hand on your chest and check that your chest is resonating.
Also, if you forget to breathe, you won’t be able to hit high notes, so take plenty of air through your mouth and line up your breathing with the song’s timing!