In 1991, when Japan was shaken as the bubble economy began to collapse, music continued to soothe people’s hearts amid anxieties about changing times, and a stream of hit songs was born.
In this article, we’re spotlighting Japanese songs that became hits in 1991! From timeless ballads cherished across generations, to positive anthems that encouraged the Japanese people, to poignant love songs that tug at the heart, we’ll cover a wide range.
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1991 Japanese Hit Songs | A collection of timeless classics loved across generations! (1–10)
ALONEB’z

B’z’s ninth single is a rock ballad that sings of the preciousness of love that shines brightest in loneliness.
Chosen as the theme song for the drama “Hotel Woman,” it topped the Oricon charts for two consecutive weeks and became a million seller.
The poignant feelings of a man who can only yearn for someone he cannot meet truly hit home.
The grand sound incorporating piano and synth, along with the emotive, tear-evoking guitar phrases, is unforgettable.
It’s a masterpiece that stays close to your heart when your feelings for someone special grow stronger.
Legendary GirlMizuki Arisa

The debut single, released in May 1991, is a mid-tempo song written and composed by Ami Ozaki.
Depicting a girl who dreams of one day becoming the heroine of a sparkling story, the track features vocals mature beyond her 14 years and a graceful melody, earning the New Artist Award at the 33rd Japan Record Awards.
As the theme song for Kirin Beverage’s Chasse commercial, it became a household talking point and peaked at No.
5 on the Oricon charts.
Marking a confident first step as a singer, this work remains an enduring anthem that continues to encourage all who chase their dreams.
Love Story Comes SuddenlyOda Kazumasa

A monster single selected as the theme song for the smash-hit drama “Tokyo Love Story,” starring Yuji Oda and Honami Suzuki, selling over 2.5 million copies.
It set a new record for single CD sales in Japan at the time.
This representative work by Kazumasa Oda portrays a heartrending, mature romance.
Even decades after its release, it remains a timeless classic with undiminished popularity.
I’m glad I met you.Koizumi Kyoko

This is a song by Kyoko Koizumi, who was so popular in 1991 that it wouldn’t be an exaggeration to say she was the top-selling female artist and idol of the time.
It was used as the theme song for the drama “Papa to Nacchan,” in which Koizumi starred and delivered a powerful performance as the daughter opposite Masakazu Tamura.
Although she had long been associated with a delicate idol image, this song showcases her presence as a fully fledged artist.
In the Sun and the DustCHAGE and ASKA

Released in January 1991, this is a single cut from the album SEE YA.
ASKA wrote and composed it with the desire to create an anthem to youth, expressing the struggles of young people chasing dreams and hopes through a dramatic melody.
It was used as the CM song for Nissin Cup Noodles Red Zone and as the ending theme for Fuji TV’s TIME3, reaching No.
3 on the Oricon weekly chart and selling over 500,000 copies.
Blending exhilaration with a touch of poignancy, this song will gently give you a push forward when you want to keep moving ahead despite hitting walls.
Don’t forget.DREAMS COME TRUE

This is the 10th single by DREAMS COME TRUE, released in October 1991.
It was also included on the album MILLION KISSES, released the following month, which became a huge hit and was certified 2× Million by the Recording Industry Association of Japan.
The lyrics dwell on lingering feelings for a former lover, and the heartfelt plea—“Even if you hate me, please don’t forget me”—is deeply moving.
It’s a ballad that gently wraps the pain of parting.
KISSPRINCESS PRINCESS

Released in May 1991 as PRINCESS PRINCESS’s 11th single, this song features lyrics co-written by Kyoko Tomita and Kanako Nakayama, with composition by Kaori Okui.
Chosen for Suntory Foods’ “Kōcha no Ki” commercial, it reached No.
1 on the Oricon weekly chart and became their final number-one hit.
Certified Platinum with sales exceeding 400,000 copies, the track stands out for its brisk rhythm and liberating, anthemic chorus—an irresistible blend of rock and pop.
In an era shadowed by anxieties over what was being lost, their bright, exhilarating song offered encouragement to many.


