Songs whose titles start with 'I'. Masterpieces that begin with 'I'.
I’m going to introduce songs with titles that start with “i” (the Japanese syllable pronounced ee)!
When you think of “i,” words like ichigo (strawberry), iruka (dolphin), and iro (color) come to mind, so it’s not a particularly tricky letter even in shiritori, right?
But what about when it comes to song titles?
Actually, there are plenty of songs whose titles start with “i”!
In this article, I’ve gathered a variety of Japanese songs—both old and new—whose titles begin with “i.”
You might even find some you listen to regularly.
Feel free to use this as a reference when playing song-title shiritori and the like!
- A compilation of Vocaloid songs with titles that start with “I.”
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- Songs with titles starting with “Ki” [Great for karaoke & shiritori!]
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- Masterpieces with titles that start with 'A'
- [Moving] Tear-jerking cheer song. A roundup of popular motivational anthems that resonate with the heart!
- Songs with titles that start with “Chi.” Useful as hints for word-chain games!
- Songs with titles starting with “E” [Great for karaoke and shiritori, too!]
- [Classic and Contemporary Hits] Emotionally Stirring, Heart-Touching Songs
- A compilation of Vocaloid songs with titles that start with “Ki”
- Songs with titles that start with 'Ke'
Songs whose titles start with “I.” Masterpieces that begin with “I” (91–100)
Yes-manNiru Kajitsu
This is a super cool piece of VocaRock with stylish shading and a dry groove! It’s by Vocaloid producer Nirukajitsu, known for tracks like “Traffic Jam,” and it was released in June 2020.
The duet by v flower and Hatsune Miku pierces right into emotions steeped in conformity and self-preservation—it’s absolutely gripping! Co-arranged with Nanashi Hachiya, this track is also included on the July 2020 album “SHIMNEY,” where it’s received very high praise from Vocaloid fans.
The venom laced into the lyrics and the explosive power of the repeated chorus lines are incredible! You’ll find yourself wanting to move your body as you listen.
When you’re a bit worn out by the atmosphere of society, why not immerse yourself in this irony-soaked world?
Color · White BlendNagayama Miho
Buoyed by the warmth of spring, this is a bright pop tune that makes you want to break into a spontaneous step.
Written and composed by Mariya Takeuchi, it was released as a single in February 1986 and became her first hit to surpass 200,000 copies sold.
It aired in living rooms across Japan as Shiseido’s spring campaign song, and many were surely captivated by Miho Nakayama shining from the other side of the TV screen.
Nobuyuki Shimizu’s urban, sophisticated arrangement vividly brings out the excitement of the changing seasons.
Takeuchi herself also recorded a self-cover on her album “REQUEST,” letting you enjoy the distinct charms of each version.
It’s the perfect song for those moments when you want to feel your heart flutter with the anticipation of love, or to play with the windows down on a sunny day’s drive!
even ifHirai Ken
A singer-songwriter who leads Japan’s R&B scene, Ken Hirai continues to captivate many fans with his strikingly chiseled features and sweet, soulful voice.
Do you know the famous ballad he has cherished and kept singing as the theme song for his concept live series, “Ken’s Bar,” which he considers his life’s work? Its lyrics, like a solitary monologue at a bar counter while tilting a glass, confess an unbreakable longing for someone who loves another—immersing you in a heartache that feels like watching a love film.
Originally a phantom track performed only at live shows, it was released in December 2000 as a limited-time single in response to fervent fan requests.
Some listeners may have felt their hearts tighten at its portrayal of a forbidden love.
With its mellow atmosphere, it’s the perfect song to revisit on a night when you want to reflect on past romances.
IlluminationSEKAI NO OWARI
A song that paints the glittering scenery of winter with a unique sense of color.
Instead of bold hues like red or blue, it gently affirms the beauty of a lingering, blended gray—and that kindness really touches the heart.
Fukase’s warm vocals and the wintry, shimmering strings softly wrap around a chilled heart.
Released in October 2018, the track was created as the theme song for the TV Asahi drama “Legal V: Ex-Lawyer Shoko Takanashi,” and was later included on the album “Lip.” With lyrics that balance strength and tenderness, it’s perfect for times when you want to love someone just as they are.
An ideal song to sink into during the cold season while feeling someone’s warmth.
front-facing camerawacci
A heartwarming love song by wacci, who vividly capture everyday scenes.
Centered on the casual photos of the two of them left on a smartphone, it reminds us of the happiness found not in special events but in daily life.
The lyrics’ worldview, which makes even poorly taken photos feel precious, overlaps with the feeling of seeking a lover’s warmth in the cold winter.
This track appears on the album “Dressing,” released in January 2025.
It also drew attention for using footage shot on a smartphone in its music video.
Why not listen to it with someone special, while savoring the unadorned beauty of everyday life?
Even though it’s fine.sumika
The vocalist Kenta Kataoka, who isn’t good with the cold, created this as a warm song he himself wanted to listen to! It’s a slight departure from their usual poppy, bright style, but you can feel the affection for someone close, and it’s a fan favorite.
The tempo isn’t too fast, so it’s recommended for those who want to calmly follow the lyrics.
The repeatedly used phrase in the chorus is the key message.
From the very first line, use strong accents and pronounce clearly! Lift your facial muscles and sing with the image of projecting your voice directly to the person you want to reach.
equalsumika
Lyrics and composition were handled by vocalist Kenta Kataoka.
The song is used as the opening theme for the TV anime MIX, and as a sign of respect for Mitsuru Adachi, the original creator, words like “Touch” and “Mix,” which are titles of his works, are included in the lyrics.
One of my students has actually been practicing it in vocal training, and struggled with the overall articulation and the part in the C melody where the pitch rises.
If you sing it too plainly, it loses punch and your diction suffers.
Exaggerating the rhythm works just right—if you’re counting in 4/4, putting a strong accent on the first beat seems effective! If you can carry that into the C melody as well, you’ll build momentum and your chest voice will come out more easily.