Classic and hit songs by nostalgic Japanese idols from the 1970s
In the history of Japanese idols, the 1970s can truly be called the de facto “first year of idols,” a period when numerous legendary singers and groups emerged, creating the blueprint for today’s idol scene.
Many talents from that era are still active across various fields, and the music scene of the 1970s can rightly be called a treasure trove of superstar names that are instantly recognizable.
In this article, we’ll introduce classic songs left behind by these ’70s idols, featuring both male and female artists together.
It’s full of timeless hits you’ve likely heard at least once, so younger generations interested in idol songs from this era—and Japanese pop music more broadly—should definitely check it out!
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Classic Japanese pop idol songs from the nostalgic 70s: Greatest and hit tracks (11–20)
Love Requestaizaki shinya
Released in April 1975, this song is known as one of Shinya Aizaki’s signature tracks.
It also stands as a quintessential example of 1970s idol pop, a classic that portrays the pain of heartbreak and the ache of longing.
The concept of entrusting one’s feelings to a radio DJ skillfully captures the emotions of young people at the time.
Aizaki’s sweet vocals pair perfectly with the light, melodic pop sound, gripping listeners’ hearts.
It’s a must-listen for anyone who has experienced heartbreak or can’t bring themselves to confess their feelings to a crush.
Enjoy the poignant lyrics and melody along with memories of love from those days.
UFOpinku redii
Released in December 1977, this song is known as one of Pink Lady’s signature works.
Its innovative choreography and costumes, along with lyrics themed around a romance with an alien, were distinctive and aligned perfectly with the space boom of the time.
Written by Yū Aku and composed by Shunichi Tokura, the track features a futuristic sound that makes extensive use of synthesizers.
The tight harmonies between Mie and Kei are another draw, captivating listeners.
The song became a massive hit, selling about 1.55 million copies and winning the 20th Japan Record Award.
It was also used in a Nissin Foods commercial and was loved by people across generations.
Highly recommended for anyone interested in 1970s idol pop.
bulldogfoorību su
Four Leaves, a representative group from the early Johnny’s era that left a major mark on the idol scene of the 1970s.
The song they released in 1977 is a particularly popular classic of the idol kayō style, with lyrics by Akira Ito and music by Shunichi Tokura.
With lyrics that put rugged masculinity front and center and a rock-influenced arrangement featuring aggressive guitar sounds, it’s the kind of track that would definitely get the crowd going at karaoke.
You could also call it a killer 70s idol tune that would fit perfectly at DJ events themed around the music of this era.
Cotton HandkerchiefŌta Hiromi
This song is distinguished by its innovative lyrics, which adopt a dialogue format between a man and a woman on the theme of long-distance love.
By bridging folk and kayōkyoku, it has been highly acclaimed as a work that stands apart from conventional idol pop.
Released in 1975, it became a major hit, selling 867,000 copies.
A masterpiece by the duo of lyricist Takashi Matsumoto and composer Kyōhei Tsutsumi, it is known as one of Hiromi Ōta’s signature songs.
The lyrics poignantly convey the heartache of a woman left behind in her hometown, resonating with many listeners.
The words, reflecting the views on romance held by young people at the time, blend exquisitely with Ōta’s clear, transparent vocals.
It’s a recommended track for anyone who has experienced parting from a loved one or is in a long-distance relationship.
sentimentalIwasaki Hiromi
A definitive coming-of-age love song performed by Hiromi Iwasaki, one of the leading female singers of the 1970s.
At just 17, Iwasaki’s powerful yet delicate voice beautifully mirrors and expresses a young girl’s budding feelings of love.
With its lively rhythm and memorable melody, the song charmingly captures the shy excitement and anxious flutter of a girl awakening to romance—standing taller in high heels, curling her hair, and trying to seem grown-up.
Released in October 1975, it topped the Oricon charts and became a massive hit following her debut single “Romance.” As a quintessential anthem of the golden age of Showa-era kayōkyoku, it remains beloved by many to this day.
A City Turning ColorsMinami Saori
This is one of the signature songs by Saori Minami, who gained popularity in the 1970s for her clear, translucent voice and beauty.
It beautifully captures the feeling of autumn and the poignancy of love, and is known as a classic that remains in many people’s hearts.
Released in August 1973 as Minami’s ninth single, it was also included on the album “20-sai Mae,” which became the best-selling record of her career.
Created by the duo of Kyohei Tsutsumi and Mieko Arima, the song delicately portrays the complex emotions felt at the end of one’s teenage years.
Gently singing of heartbreak, the joy of growing up, and self-discovery during life’s transitional moments—feelings everyone experiences—this is a track you’ll want to savor on a quiet autumn evening.
A Boy Riding a DolphinShiro Michiru
Released in December 1973 as a debut single, this classic became a major hit, selling 500,000 copies.
It is the signature work of Michiru Jō, who drew attention for a pure image and strong vocal ability, and it centers on themes of love, hope, and harmony with nature.
The poetic lyrics portray human emotions through the beauty of the sea and the natural world.
The song also won the New Artist Award at the 16th Japan Record Awards in 1974.
It catapulted Michiru Jō to top idol status and helped launch his career as a member of the so‑called “New New Big Three.” It’s a recommended track for those seeking peace of mind—why not listen when you want to be soothed by gentle melodies and lyrics?
You’re not alone.tenchi mari
Released in 1972 as Mari Amachi’s third single in total, this was her biggest hit and is said to have established the concept of the “female idol.” With this song, she made her first appearance at the 23rd NHK Kōhaku Uta Gassen, and at the time she was extraordinarily popular, reportedly living a life where image was the top priority.
I’m not afraid of wolves at all.Ishino Mako
It was released in 1978 as the first single by Mako Ishino, who made her entertainment debut after passing the audition program “Star Tanjō!” on Nippon TV.
Aki Yuu, seeking a different direction from other idols, asked Takuro Yoshida to compose the song, and the jacket photo was shot by Kishin Shinoyama.
As long as the sun is in the skynishikino akira
It was released in 1971 as Akira Nishikino’s third single.
It became a huge hit, reaching No.
3 on the Oricon charts, and became one of his signature songs.
Since then, he has been affectionately known as “Star Nishikino” on variety shows and has continued to be active.