Kiyoshiro Imawano’s classic and popular songs

Full-moon nightImawano Kiyoshirō

Mangetsu No Yoru

This is a poignant ballad that layers the frustration of being unable to say what you want to say onto the special moment of a full-moon night.

It offers a different flavor from the usual powerful rock ’n’ roll image—Kiyoshiro Imawano’s delicate and gentle vocals truly resonate.

Written for director Naoto Takenaka’s film “119,” it was included on the album “119 Original Soundtrack,” released in January 1995.

With this film score, Kiyoshiro won the Best Music Award at the 18th Japan Academy Prize, showcasing his talents as a musician in the world of cinema as well.

It’s a song I hope those spending a quiet night without being able to convey their feelings to someone important will listen to.

Under the moonlight, take your time and lend it your ear.

Theme of the TraitorImawano Kiyoshirō

Theme of the Traitor

It seems the lyrics of this song were written based on a real experience of Kiyoshiro’s—one he would rather not remember.

It’s a pretty hard-hitting rock ’n’ roll track and really cool.

I also liked the parody version he did during a live CS TV broadcast right after the album Fuyu no Juujika was canceled for label-related reasons and then slated for release on an indie label.

Japanese personHIS

Nippon No Hito

It’s a masterpiece that transcends genre boundaries like rock and enka, achieving a miraculous fusion! This track is a single released in November 1991 by the unit HIS, consisting of Haruomi Hosono, Kiyoshiro Imawano, and Fuyumi Sakamoto.

Based on a song from Hosono’s album “Coincidental Music,” with lyrics written by Kiyoshiro, it portrays the loneliness of people living in the city and the warmth of hurrying home, resonating deeply with listeners.

It’s also known for being used as the ending theme for programs such as TBS’s “Tetsuya Chikushi NEWS23.” Sakamoto’s expansive vocals and Kiyoshiro’s choice of words are a perfect match, making it a wonderful song to listen to quietly at dusk or on a night you want to spend alone.

CHILDREN’S FACEImawano Kiyoshirō

Children’s Face

A track that epitomizes the early solo career of Kiyoshiro Imawano, with its dry beats recorded in London and standout performances by musicians connected to Ian Dury & The Blockheads! Featured in the latter half of the album “RAZOR SHARP,” released in February 1987, this piece rides a funky rhythm while sharply depicting the lightness of “trust” and “promises” in society.

By turning words that symbolize innocence on their head, the lyrics satirize irresponsible attitudes in a way that cuts deeper the more you listen.

And yet, what’s remarkable about Kiyoshiro is that he doesn’t stop at mere criticism—he transforms even that anger into groove.

When you’re worn down by friction in relationships or work and struggling with unresolved feelings, why not put this track on and let your body move?

IDEAImawano Kiyoshirō

Idea

This “IDEA” is a classic track included on the solo album “RAZOR SHARP,” recorded in London and released in 1987.

While depicting a bleak urban landscape, the lyrics seek a new spark to break through the stagnant air, imbued with Kiyoshiro Imawano’s signature blend of urgency and hope.

The performances by top local musicians—such as members of the Blockheads—are another highlight, with the melody riding a rock beat that resonates deeply.

It was also included on the 1998 compilation “GOODBYE EMI,” and has long been beloved by fans.

When you feel stuck or need a catalyst to break through your current situation, be sure to give this track a listen.

KISSImawano Kiyoshirō

Kiss

This is straight-ahead rock ’n’ roll from Kiyoshiro Imawano, memorable for a phrase that repeatedly chants the title.

Co-written with his close friend Shinji Miyake, it’s brimming with an irresistible urge to make your body move and the warmth that only a handmade production can deliver.

Included on the album “GOD,” released in March 2005, the track was created over the course of about a year at his private studio, the Rock ’n’ Roll Laboratory.

A key highlight is that Kiyoshiro himself plays drums, conveying a hefty, muscular groove.

It has an exhilarating feel that conjures a call-and-response at a live show, making it perfect for when you need a boost or as driving music.

Its very simplicity lets his one-of-a-kind shout hit you straight in the heart.

Coward (Bye-Bye)Imawano Kiyoshirō

Ikuji Nashi (Bye-Bye)

A number by Kiyoshiro Imawano whose message—facing the weakness and timidity within oneself and declaring a clean break—resonates deeply in the heart.

Set to straightforward rock ’n’ roll, its worldview of saying goodbye to the self full of excuses gives listeners a powerful push forward.

It’s also known as a fiery live staple that unites the venue through call-and-response with the audience.

This piece is included on the album “GO GO 2・3’s,” released in November 1992.

It was also featured on the 1998 best-of compilation “GOODBYE EMI,” selected by Kiyoshiro himself, suggesting it was a work of special significance to him.

When you want to change your situation but can’t find the courage, or when you’re ready to take a new step, listening to it will mysteriously fill you with strength.

Be sure to check it out.