Hit songs and fan favorites by Shinsei Kamattechan
Formed in 2008, they gained popularity through posting their original songs and music videos on YouTube and Nico Nico Douga, as well as through live streams, and made their major debut in 2010.
Their style—turning unvarnished lyrics about dark school-day memories and experiences of being bullied into songs, delivered in a near-scream—drew attention early on.
Their self-produced music videos are also a must-see.
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Shinsei Kamattechan’s Best and Popular Songs (31–40)
Shinjuku StationShinsei Kamattechan

This song is included as the lead track on the fourth track of Shinsei Kamattechan’s sixth album, “Hero Syndrome.” Kamattechan often have two types of songs: ones brimming with madness, and ones that are breezy yet somehow bittersweet.
This song leans toward the latter.
My BluesShinsei Kamattechan

This is a track included on the first album, “Everybody Die.” With a bluesy rhythm and melody, it has a slightly different feel from the other songs.
The lyrics and worldview carry the straightforward, dark vibe characteristic of Kamatte-chan.
dandelionShinsei Kamattechan

This is a track from Noko’s punk band Shinsei Kamattechan—formed in 2008 in Chiba Prefecture—featured on their first major-label mini-album “Natsu.
Install,” released in 2016.
With a solid melodic line intertwined with the sound of violin and Noko’s emotional cries that resonate in the heart, it’s a highly impactful song.
modern kidsShinsei Kamattechan

Their eccentric world is very unique, and they have many devoted young fans—like a cult following.
It might be a bit intense for middle schoolers, but I think you can make exciting new discoveries by checking out different bands, so I definitely recommend watching their music videos at least once.
drugs, Nee-koShinsei Kamattechan

The band “Shinsei Kamattechan,” well-known for their on-air mishaps.
People say it’s best to listen to music that matches your mood at the moment, and there are probably times when anyone feels completely drained—so please listen in moderation, not to the point where it becomes like a drug.
We can’t take responsibility for any side effects from over-listening.


