If you’re unsure what to pick, you should definitely sing these! Recommended songs by female artists for karaoke
What kind of songs do you sing when you go to karaoke?
Many people probably have a go-to song they always sing.
Your song choices may also change depending on the situation—like when you go with women of the same age, or when you go with coworkers or your boss.
But when it comes to picking songs that are different from your usual choices—and that also match the situation—it can be surprisingly hard to come up with ideas.
So in this article, we’ll introduce classic karaoke songs by female artists that are easy to sing in any situation, especially for women who struggle with choosing what to sing.
We’ll focus on trending female artists while covering various eras, so use this as a reference when you want to sing something different from your usual lineup!
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If you’re unsure what to pick, these are a must-sing! Recommended songs by female artists for karaoke (21–30)
Excuse me for intruding.aimyon
This is a guitar-forward track by Aimyon, released on October 22, 2025, as a coupling song with “Venus Belt.” It’s neither fast nor slow, and once you learn it, it should be very easy to groove to! The chorus sits in a key that’s comfortable for women to sing, so even if you think you’re tone-deaf, you’ll probably be able to sing it! If you sing with a blank expression, it’s harder to hit the right pitches, so lift those facial muscles and have fun singing.
Also, swaying side to side while you sing makes it easier to keep the rhythm and fits the accents nicely, so it’s just right.
It’s a perfect vibe for karaoke too, so definitely give it a try!
Because you are hereUru
Uru, whose delicate, heartrending yet strikingly memorable voice captivates listeners at first hear, has been drawing a growing number of fans.
Her song “Anata ga Iru Koto de” was used as the theme song for the popular drama “Theseus no Fune,” which aired from January 2020.
The lyrics and overall atmosphere match the drama’s story perfectly, and when it played over the ending, it was truly moving.
Wouldn’t it be wonderful to sing this at karaoke? It’s a number I’d love to see you perform while crafting your own unique world.
On this day of goodbyeaimyon
In 2018, “Marigold” became a massive hit, propelling Aimyon to the forefront of the Japanese music scene.
Her firm, powerful vocals are captivating, and her simple melodies are charming.
By now, her songs have become karaoke staples that many people love to sing! With the spread of streaming services, her music—both old and new—is being widely listened to, and you can hardly go wrong choosing from her catalog.
This song is especially recommended for women with lower voices, and many will find it easy to sing.
SURREALHamasaki Ayumi
It was released in 2000 as Ayumi Hamasaki’s 17th single.
It was used as the CM song for Fuji Beauty (Takano Yuri Beauty Clinic) “Koisuru Shirohada,” and it reached No.
1 on the Oricon Weekly Singles Chart.
With lyrics written from Ayumi Hamasaki’s distinctive perspective, it has become a masterpiece that captivates the heart.
Queen of KabukichoShiina Ringo
It was released in 1998 as Ringo Sheena’s second single.
The song is set in Kabukicho, Shinjuku in Tokyo, with the theme of the sex industry, and its lyrics are entirely fictional.
Starting in September 1999, it was used as the CM song for Suntory’s “The Cocktail Bar: Mimosa (Cracker version),” and it is one of Ringo Sheena’s signature tracks.
Unchanging ThingsOku Hanako
Okuda Hanako’s classic song “Kawaranai Mono” (“The Unchanging”).
Released in 2006, it’s well known as an insert song for the film The Girl Who Leapt Through Time, and its orthodox J-pop ballad style has garnered support from many listeners.
The song’s vocal range spans mid2 A# to hi C#, which is a very comfortable and relatively narrow range for female singers.
While the final chorus features a solid development, there’s no key change, so you’re unlikely to struggle with vocal height.
In terms of range, pitch movement, and rhythm, it’s an easy song overall—definitely give it a try.
Surely more than anyone else in the worldNagayama Miho & WANDS
This is a very famous song and one of Miho Nakayama’s signature tracks.
I imagine many people sing it.
The collaboration with the rock band WANDS is also very special.
The overall vocal range is F#3–B4, and since the chorus uses the top note B4 frequently, it’s an easy key for those who are good with high notes.
If you feel it’s “too high” while singing, don’t force it—try lowering the key by one or two steps.
If belting in chest voice is difficult for you, adding clear accents in the high parts will help the sound come out more easily.
You can probably sense where the high sections are as you sing, so try aiming for those spots and pronouncing just “ah” there to target them precisely at first.
Also, for pronunciations with the vowel “i,” pulling the sound too wide horizontally creates tension.
Try to keep some space inside your mouth and avoid overemphasizing the “ee” sound.