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If you’re unsure what to pick, you should definitely sing these! Recommended songs by female artists for karaoke

What kind of songs do you sing when you go to karaoke?

Many people probably have a go-to song they always sing.

Your song choices may also change depending on the situation—like when you go with women of the same age, or when you go with coworkers or your boss.

But when it comes to picking songs that are different from your usual choices—and that also match the situation—it can be surprisingly hard to come up with ideas.

So in this article, we’ll introduce classic karaoke songs by female artists that are easy to sing in any situation, especially for women who struggle with choosing what to sing.

We’ll focus on trending female artists while covering various eras, so use this as a reference when you want to sing something different from your usual lineup!

If you’re unsure what to pick, these are must-sing songs! Recommended tracks by female artists for karaoke (71–80)

Feverish Demonzutto mayonaka de ii no ni.

ZUTOMAYO (Zutto Mayonaka de Iinoni.) “Warmth Fever Demon” MV (ZUTOMAYO – Warmthaholic)
Feverish Demonzutto mayonaka de ii no ni.

The vocal range is A#3 to E5, and the song is generally on the higher side, but if you basically sing gently with a falsetto-like tone, it should be easier to hit the pitches and you might even aim for a perfect score! If you use only falsetto you might get wobbly and tired, so be sure to focus on diaphragmatic breathing and core support to keep your voice steady.

The rap-like part before the chorus might not even have a pitch bar, but it’s a cool section, so enjoy singing it while riding the rhythm! It’s a bit of a fast song, so don’t forget to breathe, and do your best with the falsetto!

AriaAina ji Endo

Aina the End – Aria [Official Music Video]
AriaAina ji Endo

Aina the End is known for her husky, slightly nasal voice, but if you’re not used to this singing style, imitating it can make it very difficult to stay on pitch.

To score 100 points, first focus on matching the pitch accurately using a voice that’s natural and comfortable for you.

At the end of the C melody, there’s a high note at C5; make sure to take a breath mid-phrase and place the note properly.

Also, the chorus uses a lot of scoops as a technique, but you don’t need to worry about that at first.

Start by getting familiar with the melody!

Blooming at nightHoshimachi Suisei

As of June 2025, the average score on JOYSOUND karaoke scoring seems to be around 90.35, giving the impression that the average is on the higher side.

Indeed, among Hoshimachi Suisei’s songs, this one doesn’t have an especially high range and is fairly compact, so it’s easier to hit the pitches compared to her other tracks.

Also, the rhythm is very easy to grasp, so once you learn it, it’s a song that’s easy to sing! If you sing while clearly keeping a 4/4 beat, your timing will match more easily and you’ll line up with the pitch bar perfectly.

Once you’re comfortable, it might be a good idea to add techniques like vibrato!

If you’re unsure what to pick, these are must-sing songs! Recommended tracks by female artists for karaoke (81–90)

believeYamaguchi Yuko

It was released in 1999 as Yuko Yamaguchi’s 14th single.

The song was used as an insert track in the Fuji TV drama “Over Time,” and it reached No.

7 on the Oricon Weekly Singles Chart.

It’s a very heartrending song that often played during the drama’s sad and poignant scenes.

It’s the kind of song that can make you cry when you sing it after a breakup.

ETERNAL WIND ~A Smile in the Shining Wind~Moriguchi Hiroko

Hiroko Moriguchi – ETERNAL WIND ~A Smile in the Shining Wind~
ETERNAL WIND ~A Smile in the Shining Wind~Moriguchi Hiroko

Released in 1991 as Hiroko Moriguchi’s ninth single, it served as the theme song for the 1991 anime film Mobile Suit Gundam F91 and was also used as an insert song.

Written and composed by Yui Nishiwaki, it has been carried on as one of Moriguchi’s signature songs.

She made her first appearance at the NHK Kōhaku Uta Gassen in 1991 with this song.

I’m here saying nothingYaita Hitomi

Hitomi Yaida – I’m here saying nothing
I'm here saying nothingYaita Hitomi

Released in 2001, this was Hitomi Yaida’s third single.

Her performance singing while playing guitar was memorable.

Despite having no tie-in, it became a hit, reaching No.

4 on the Oricon chart.

It’s a difficult song, but if you can sing it well, it’s very stylish.

vip?Nisshoku Natsuko

Nisshoku Natsuko – ‘vip?’ Official Music Video
vip?Nisshoku Natsuko

Nisshoku Natsuko is known as a singer-songwriter who accompanies herself on piano.

Her appeal lies in a worldview that, while grounded in lyrics that feel like slices of everyday life, also carries a touch of Ghibli-like fantasy in its melodies.

Among her works, the one I especially recommend is “vip?”.

It’s a very languid piece with a fairly narrow vocal range; although there are many long tones in the vocal line, the pitch movement itself is gently contoured.

It’s basically an easy song, but the voltage rises a bit in the C section, so be sure to carefully determine the appropriate key.