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[Piano Pieces] Easy for Children to Play! A Roundup of Simple Classical Works

One of the reasons children who have just started piano lessons lose interest is that they begin to feel, “Piano is hard…” If reading music is difficult and practice doesn’t progress, or if their fingers don’t move the way they want and they can’t get a passing mark from the teacher, they tend to develop negative feelings toward the piano they started with such excitement.

In this article, we’ll introduce easy classical pieces that are approachable even for children.

There are always individual differences in how difficult something feels and how quickly one progresses, but please pick pieces that suit your child so they can feel, “Piano is fun!”

[Piano Pieces] Easy for Kids to Play! A Roundup of Simple Classical Works (81–90)

Album for the Young, Op. 68 No. 35 “Mignon”Robert Schumann

It captivates with its delicate, poetic character, inspired by the girl Mignon from Goethe’s novel.

Included in Album for the Young, Op.

68, this piece was composed by Schumann in 1848 for his daughter Marie’s seventh birthday.

Its warm E-flat major sonority and gentle harmonic progressions create a serene, introspective atmosphere.

Though the melody is approachable, it demands nuanced touch and phrasing, making it ideal for piano learners looking to deepen their expressiveness.

It’s a piece through which one can feel the connection between literature and music while exploring the distinctive emotional expression of the Romantic era.

Simple yet profoundly moving, it offers a chance to experience Robert Schumann’s characteristically warm musical world.

French Suite No. 1, BWV 812: SarabandeJ.S.Bach

Bach French Suite No.1 “Sarabande” P. Barton, FEURICH 133 piano
French Suite No. 1, BWV 812: SarabandeJ.S.Bach

For those who admire Baroque music but struggle with complex counterpoint, this piece is recommended.

Composed around 1722, it appears in Anna Magdalena Bach’s Notebook, indicating that it was intended for approachable, domestic performance.

It’s a slow dance in triple meter, characterized by simple harmonic progressions and beautiful ornamentation.

The tempo is leisurely, and there are no difficult phrases or virtuosic passages, so beginners to Baroque music can learn to play it quickly with practice.

Since tone color, expression, and dynamics are emphasized, play while exploring a beautiful sound.

French Suite No. 2, BWV 813 – Minuet IIJ.S.Bach

J.S. Bach: French Suite No. 2 in C Minor, BWV 813: VI. Menuet II (BWV 813a)
French Suite No. 2, BWV 813 – Minuet IIJ.S.Bach

This is an elegant dance from the French Suites, brimming with the beauty of Baroque music.

Composed around 1722, it masterfully fuses the solemnity of the key of C minor with the dignified rhythm characteristic of the minuet, allowing you to fully savor the polyphonic world Bach constructed.

Because the technical difficulty is relatively modest, it serves as an ideal piece for those wishing to venture into Baroque repertoire or learn the expressive use of ornamentation.

The work is structured in ABA form and reveals a wide range of character depending on the performer’s interpretation and phrasing choices.

You can also enjoy exploring tonal colors when playing the original harpsichord piece on the piano.

Gavotte from French Suite No. 4, BWV 814J.S.Bach

Bach French Suite No. 4 in E-flat Major BWV 815 Gavotte Piano Tutorial
Gavotte from French Suite No. 4, BWV 814J.S.Bach

Here is a Baroque masterpiece that lets you savor the light, buoyant rhythms of the French dance style.

Composed between 1722 and 1725, it is known as the fourth movement of a suite and is structured as a clear, dynamic dance in 2/4 time.

It features the repeated use of a concise motif built from consecutive two-note figures, showcasing a superb fusion of Bach’s distinctive contrapuntal beauty with the elegance of a courtly dance.

Although originally written for harpsichord, it is commonly performed on the piano today, demanding a crisp sense of rhythm and a delicate touch.

Recommended for those who want to explore Baroque music or experience the charm of dance forms.

French Suite No. 5, BWV 816: SarabandeJ.S.Bach

For those who want to take on classical music or try playing an elegant dance, how about a beautiful sarabande excerpted from a Baroque suite? The third movement of the French Suite No.

5 in G major, BWV 816, is one of the most approachable works among the six suites composed between 1722 and 1725.

Written in a gentle triple meter, it features an ornate right-hand melody interwoven beautifully with a left-hand accompaniment.

Although originally a dance of Spanish origin, it exemplifies the sarabande as a refined form that took shape in France and Germany during the Baroque era.

With its deep expressiveness and serene beauty, this movement is recommended for those looking to refine their musicality, as it calls for thoughtful interpretation of ornaments and careful phrasing.

Musette in D majorJ.S.Bach

[Grade B Baroque] Anonymous (attributed to J.S. Bach): Musette in D major, BWV Anh. 126 (2025 PTNA Competition Required Piece) pf. Tomoyo Umemura
Musette in D majorJ.S.Bach

This piece, born from the Notebook for Anna Magdalena Bach, where one can fully savor the charm of Baroque-era domestic music, is notable for its left-hand accompaniment pattern that imitates bagpipes.

Structured in ternary form, its bright and approachable melody moves between D major and A major, featuring rhythmically dance-like motion.

Compiled as part of the 1725 notebook and written with home music education in mind, it is not overly virtuosic and is easy to play.

It is especially recommended for those interested in Baroque music or for pianists looking to tackle a classical work.

The piece is also used in the anime Curious George, which likely explains why its familiarity continues to be loved today.

[Piano Pieces] Easy Even for Kids! A Roundup of Simple Classical Works (91–100)

Dance of the SwineherdBartók Béla

RCM Piano 2015 Grade 8 List D No.2 Bartok Swineherd’s Dance Sheet Music
Dance of the SwineherdBartók Béla

Motivated by Hungarian folk dances from the album For Children, this piece is one that especially highlights a boy’s cool, striking presence when performed.

The combination of lively, rhythmic keystrokes and a bouncy melody captivates the audience every time it’s played.

Although originally released in 1908 as an educational piano work, it also possesses a stage-ready brilliance and dynamism.

Because it is based on dances actually performed in rural Hungary, rhythm and expressiveness are essential.

It’s an ideal piece for a boy who has just awakened to the charm of the piano to cultivate his musicality through performance.