[Karaoke] A roundup of easy-to-sing King Gnu songs
King Gnu is a leading band in the Japanese music scene, known for their genre-blending style.
The four-piece group—Satoru Iguchi, Daiki Tsuneta, Kazuki Arai, and Yuki Seki—crafts music that transcends boundaries like rock, jazz, and classical.
With every release—such as “Hakujitsu” and “Ichizu”—they score another hit!
Many people are eager to sing their songs at karaoke.
It can seem tricky to switch between Iguchi’s falsetto and Tsuneta’s low register.
In this article, we’ve picked out some of King Gnu’s relatively easy-to-sing tracks.
Use this as a guide and enjoy your karaoke time!
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[Karaoke] Easy-to-Sing King Gnu Songs (11–20)
Flash!!!King Gnu

This is a track that captivates with its energetic sound and innovative lyrics.
It’s a song where the diverse musicality of King Gnu’s members comes together, primarily rooted in rock while weaving in elements of jazz and electronica.
Released in July 2018 as a digital-only single, it was featured in NTT Docomo’s “5G” commercial, which greatly boosted the band’s recognition.
The lyrics, repeatedly evoking images of flashes and explosions, seem to express the strength of living fully in the present moment.
While the song exudes an overwhelming presence in live performances and may feel a bit challenging with its rapid-fire delivery, the vocal range isn’t particularly high—so listen closely and give it a try!
ruptureKing Gnu

When you think of King Gnu, flashy and complex melodies are striking, but there are also songs with unconventional yet simple and gentle melodies reminiscent of Yura Yura Teikoku.
“Haretsu” is one such piece.
From the beginning through the middle, it maintains a quiet melody, then gradually raises the voltage partway through.
Even so, its calm and ennui-like impression remains unchanged.
While falsetto appears—bringing a certain difficulty—it doesn’t require vocal techniques like breath control or long sustained notes.
humorKing Gnu

King Gnu has released songs across a variety of genres.
While many of their tracks are powerful, they also have groovy, danceable numbers.
One of these is Humor.
As it’s a groove-focused piece, the vocal lines are relatively understated.
Correspondingly, there are fewer tricky vocal passages, making it one of the more singable songs in King Gnu’s catalog.
That said, the overall range sits in the mid-to-high register, so a certain level of vocal range is required.
on the stageKing Gnu

King Gnu’s vocals are primarily handled by Satoru Iguchi, but there are songs where Daiki Tsuneta takes the lead.
One of those is Danjo.
While many of their other tracks feature Iguchi as a co-lead in a twin-vocal setup, this song puts Tsuneta in the spotlight as the lead vocalist.
The melody is somewhat complex, but because the song’s structure is quite orthodox compared to their other works, it should be relatively easy to sing.
Be sure to check it out.
BedtownKing Gnu

If you want to sing King Gnu’s songs, you probably already have a decent level of vocal ability.
Among you, many might be confident in your high notes, right? For those people, I recommend Bedtown.
Since the song features a lot of low-range falsetto, it should be very singable for those who are good at falsetto.
If falsetto isn’t your strong suit, there are many parts that are intentionally sung in falsetto even though they’re within chest-voice range, so feel free to try singing those parts in chest voice instead.
OverflowKing Gnu

Here, I’d like to introduce a lesser-known song by King Gnu: “Overflow.” Although they often produce complex tracks, this one is unusually crafted as a straightforward alternative rock piece.
There are no key changes either, making it one of the easiest to sing among their works.
However, because the song emphasizes a sense of speed, you need to pay close attention to the flow.
It’s a good idea to memorize the phrases as if you were learning a rap.
[Karaoke] A roundup of easy-to-sing King Gnu songs (21–30)
McDonald RomanceKing Gnu

King Gnu, known for their musicality that incorporates a variety of genres such as jazz and funk, present “McDonald Romance,” a work that draws on neo-soul—a genre close to R&B that was trendy in the 1990s.
Neo-soul is less about showcasing vocals alone and more about delivering the entire package, including the instrumentation.
This track shares those characteristics; because there are fewer spotlight moments for the vocals, the overall difficulty is relatively low.


