A roundup of popular ONE OK ROCK songs that are easy to sing for everyone, regardless of gender!
ONE OK ROCK is one of the leading forces in Japan’s rock scene.
Formed in 2005, they made their major debut in 2007 and have become a powerhouse band active overseas as well.
Their hallmark is a dramatic, epic sound—sometimes fierce, sometimes beautiful.
Many people probably admire vocalist Taka’s soaring voice.
We often hear, “ONE OK ROCK’s songs are too high for me to sing,” but this time we’re introducing tracks that are relatively easy to sing at karaoke! Give it a try as if you were a member of ONE OK ROCK yourself!
A roundup of popular ONE OK ROCK songs that are easy to sing for everyone, regardless of gender! (1–10)
Unfinished SymphonyONE OK ROCK
The song “Mikansei Symphony” is included on the 2010 album Niche Syndrome.
Although this track features shouts throughout, its vocal range is not very wide, spanning from mid2A to hiC.
However, since it starts at mid2A, many listeners may find the original key quite high.
There is ample room to lower the key, so this issue can be addressed by adjusting the key.
While the overall difficulty is not high, the frequent shouts and numerous phrases close to the hiccup singing technique mean you will need a certain level of technical skill.
Party’s OverONE OK ROCK
Although ONE OK ROCK is strongly characterized by emo and hardcore influences, some of their works feature distinctly Japanese-style development.
Among these, the one I especially recommend is “Party’s Over.” It’s a fascinating piece that blends genres like metal and hard rock with phrases that evoke enka or kayōkyoku.
There’s vocalization close to screaming, which can be a challenging part, but aside from that, the range isn’t particularly wide, so it’s surprisingly singable.
Youth Group Filled with DesireONE OK ROCK
It’s a track included on the acclaimed album Zankyo Reference, released in November 2007.
An emotional rock number themed around youthful conflict and growth, it’s characterized by a powerful band sound and Taka’s impassioned vocals.
Created during the period when the band was transitioning from indie to major, the song embodies their feelings about both their past and their future.
It was also performed at their live show held at Yokohama Stadium in September 2014, captivating fans.
Packed with the best of early ONE OK ROCK, it remains a fan favorite.
Its catchy melody makes it a great choice to try singing at karaoke!
mayflyONE OK ROCK
This song, included on the album Zeitakubyo, is a piece that gives voice to the bittersweet feelings of youth.
It conveys the pain of unrequited love and the difficulty of self-expression through delicate lyrics and an energetic sound.
Featured on ONE OK ROCK’s first album, released in November 2007, it’s a track that captures the band’s early momentum.
It’s also a staple at their live shows and enjoys strong support from fans.
If you’re looking for a song to sing at karaoke, this one is highly recommended.
Try channeling Taka’s soaring vocals and sing it with feeling at karaoke.
Tiny PiecesONE OK ROCK
Speaking of ONE OK ROCK, they’re also known for having many songs with English lyrics.
English lyrics can often seem intimidating, but that’s not the case with “Tiny Pieces.” While the vocal range is fairly wide—from mid1F to hiD—the song features very few long sustained notes.
The high notes are also momentary, so the chance of going off-pitch after a high phrase is relatively low.
That said, shouts appear as a matter of course, and the vocal lines sometimes change more like ad-libs than standard melodic movements, so a certain amount of practice will still be necessary.
Let’s take it somedayONE OK ROCK
The piece “Let’s take it someday,” included on the 2011 album Zankyō Reference.
While ONE OK ROCK often leans heavily into emo and hardcore elements, this track stands out for its catchy, quintessential J-rock melody.
Despite its fairly wide vocal range from mid1 D# to hi D#, the pitch movement is surprisingly gentle.
If you carefully adjust the key and decide whether to glide through the high phrases in falsetto or tackle them with mixed voice, it’s not an especially difficult song to sing.
Re:makeONE OK ROCK
The classic song “Re:make,” released as ONE OK ROCK’s sixth single.
While ONE OK ROCK now showcases a wide range of musical styles, back then their sound was characterized by straight-ahead rock with touches of emo and hardcore.
This track falls into the latter category, featuring intense shouts in the chorus.
Although the range is fairly broad (mid1 B to hi B), the highest notes can be handled with a shouty mixed voice, so delicate vocals aren’t required.
The low notes only appear in a few spots, so it often feels narrower than the actual range.
However, there isn’t much room to lower the key, so the most important thing is to accurately identify your own optimal key.
DystopiaONE OK ROCK
The 2024 release “Dystopia.” Its vocal range is mid2A to hiD, which is quite high for male singers, but likely just right for female singers.
Since the lowest note is mid2A, there’s ample room to lower the key, so men should adjust the key with a focus on ease of producing the highest notes.
There’s a shouted long note near the end of the chorus, so be careful not to cough or let your voice get too thin at that point.
Kimisidai TrainONE OK ROCK
Kimisidai Ressha, the track that closes the fifth album Zankyo Reference—produced under the concept of further evolving the band—was re-recorded in the studio as a rearranged version of an unreleased live track previously available only on a venue-exclusive CD.
With a tight rock-ensemble intro and a B-melody that hints at irregular meter, its hook-laden arrangement really sticks in your ears.
Although the melody is complex and spans a wide range, the key is relatively low for a ONE OK ROCK song, so it may be easier to sing.
If it still doesn’t fit your vocal range, try adjusting the key settings on the karaoke machine.
Yume YumeONE OK ROCK
As a ONE OK ROCK song, the masterpiece “Yume Yume” stands out with a quite unusual melody.
Lately, it’s been drawing renewed attention after politician Shinji Ishimaru publicly declared it one of his favorites.
The track is a rap-rock piece with a slightly jazzy vibe, and it stays within a narrow vocal range throughout.
The flow in the rap sections is simple, and the chorus is monotonous; as a result, it can come off somewhat mechanical.
To counter that—especially for female vocalists—be mindful to add solid shouts in the mid-to-high range.