[Kyoto Songs] Masterpieces that sing about Kyoto — songs themed on the ancient capital. The enduring heart of our hometown passed down in song.
I’m sure many of you have a song that makes you think, “This is the song for Kyoto!” From pieces that sing of the ancient capital’s elegance and the beauty of the four seasons, to tracks by anime artists and rock bands, each captures Kyoto’s charm from a unique perspective.
In this article, we’ve put together songs set in Kyoto and Japanese tracks that depict Kyoto’s scenery.
It’s a special feature for locals and for anyone captivated by the city of Kyoto! Be sure to read through to the end!
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[Kyoto Songs] Masterpieces That Sing of Kyoto and Songs That Made It Their Theme: The Enduring Heart of Our Hometown (21–30)
And yet you’re going to Kyoto?cherisshu

What’s the song you’ve heard most at weddings? It probably depends on the generation, but for me it’s Cherish’s “Ladybug Samba.” That gentle, cozy melody and the little staged routine where everyone eggs on the kiss are so endearing, aren’t they? And Cherish’s “And Yet You’re Going to Kyoto” was actually this husband-and-wife duo’s debut single.
Lyrics like “You chose Kyoto over me, the one who loves you—tell me, why…” are heartbreakingly sad.
The fact that it never once mentions place names like Gion or Arashiyama somehow makes it even sadder.
The millennial ancient capitalMiyako Harumi

Rather than the emotion that comes from vocal techniques like kobushi and vibrato, Harumi Miyako’s singing feels infused with something like Japan’s primordial landscape.
She has countless hit songs to her name—truly one of the quintessential national singers of the late Showa era.
“Sennen no Koto” is no exception; just listening to it makes you think, “Ah, I’m glad to be Japanese.” The lyrics carry a breeze-like feeling: “People are born and then they pass away; before Kyoto, everything is but a fleeting moment”—lines that, for some reason, I find myself wanting to read over and over.
The composition is by actor Tetsuya Watari.
The quietude of the verse and the power of the chorus make it a song that I hope will be sung for generations.
Even those who don’t usually listen to enka—please give it a try!
[Kyoto Songs] Masterpieces that sing of Kyoto and songs that feature it as a theme: The enduring heart of our hometown (31–40)
Girl from KyotoNaoko Ken

When it comes to songs about Kyoto from the Showa era, many are mellow enka-style numbers, but this one stands out as a pop tune.
This was Naoko Ken’s fourth single, with lyrics by Yū Aku and arrangement by Koichi Morita.
It’s a local-themed song that seems to carry on the momentum of the previous year’s Japanese National Railways campaign, and its lyrics feature numerous famous sightseeing spots in Kyoto.
From DemachiyanagiNakanoshima yuki

The Keihan Railway image song “From Demachiyanagi,” released in 2003, reportedly became a big hit with 10,000 copies sold—quite rare for an image song in this industry.
“Bound for Nakanoshima” is a fictional singer themed after the Nakanoshima Line.
The true identity is Rieko Miura.
Hiei OroshiKeiko Kobayashi

The song Hiei Oroshi was originally released in 1980 by Satoshi Kishida, who had a hit with Kimi no Asa, and it was written and composed by him.
He is also an actor, and apparently he was offered the lead role in the TV drama Mr.
Kinpachi in Class 3-B before Tetsuya Takeda was chosen.
The way the lyrics squeeze in extra syllables gives the song a very cool feel, and many artists have covered it.
Alone in Kyototenchi mari

The song “Kyoto de Hitori” is the B-side of Mari Amachi’s 13th single, “Ai no Album.” Amachi is known for her big hits “Koi Suru Natsu no Hi” and “Hitorijanai no.” The song tells the story of setting off alone to Kyoto after much thought, only to realize she’ll return to you in the end.
It continues the musical direction aimed at moving beyond her idol image.
Sagano, softly rustlingtanpopo

This song was once used as the commercial jingle for a kimono company inspired by Kyoto’s Sagano district, and many people above a certain age have probably heard it at least once.
It was sung and made famous by Tanpopo, a sister folk duo active in the late 1970s.
The lyrics were written by Akira Ito, and the music was composed by Asei Kobayashi.



