Horses Appear! Recommended Collection of Nursery Rhymes, Children's Songs, and Hand-Play Songs
Do you remember the horse songs you sang as a child? Gentle nursery rhymes and traditional children’s songs like Uma wa Toshi Toshi and Ouma no Oyako come back to us in quiet moments even now that we’re adults.
Here, we’ll introduce a generous selection of nostalgic nursery rhymes and hand-play songs with a horse theme! They’re perfect for singing together as a parent and child, using in childcare settings, and enjoying in many different situations—so take a look.
You’re sure to find that one song that’s stayed in your memory!
Horses Appear! Recommended Collection of Children's Songs, Nursery Rhymes, and Hand-Play Songs (1–10)
All mothersamerika min’yō
This is a song arranged for Japanese audiences from a folk tune that originated in 19th-century America.
Tomoko Nakayama’s Japanese lyrics pose questions like why a horse goes clip-clop as it runs and why a piglet’s tail curls—“no one knows why.” Easy-to-remember onomatopoeia is repeated to the rhythm, making it appealing and well-suited for creating parody verses.
Sung on NHK’s children’s programs, this piece has reached many homes and childcare settings through performances by Yuko Kanzaki and Osamu Sakata.
Combined with fingerplay or marching movements, it’s a perfect nursery song for parents and children to enjoy together.
Playable on easy piano! KusakeibaSakkyoku: Sutiibun Fositā
Composed in 19th-century America, this lively piece depicts a horse’s brisk gallop with a bouncy melody and the rousing cry of “Doo-dah!” Since its publication in February 1850, it has been covered by many artists, including Bing Crosby and Kenny Rogers, and has been featured in the film Blazing Saddles and in Looney Tunes.
In Japan, it was also played during the equestrian performance at the Tokyo 2020 Olympic opening ceremony, making it a familiar tune in a wide range of settings.
There is plenty of beginner piano sheet music available, and because it’s written in C major, mostly on the white keys, even newcomers can enjoy practicing while feeling the sense of speed.
It’s a perfect choice for musical play both in childcare settings and at home!
Chagpon DanceSakushi Sakkyoku: Tada Joji
This song, inspired by Iwate’s traditional event Chagu Chagu Umakko, is a local dance tune that parents and children can enjoy together along with Takizawa City’s official character.
Written and composed by Joji Tada, with choreography by the Iwate Prefectural University dance club, it was first performed on stage at the university festival “Jipusai” in October 2022.
The dance features cute, horse-riding-like movements and simple steps that even young children can easily imitate.
Set to a Vocaloid singing voice, it’s fun to move your body along, and the whole family can dance together while watching the video on the city’s official YouTube channel.
It’s used at local festivals and health-promotion events and is cherished as a song that fosters affection for the hometown.
Adorable foalSakushi: Satō Hachirō / Sakkyoku: Niki Takio
This song warmly portrays the life of a foal and a child, while carrying a curious, poignant sense of the times quietly creeping in.
You dry the foal’s wet mane, run together, and eventually part ways.
Such scenes unfold alongside rhythmic calls and responses.
The lyricist, Hachirō Satō, was active across a wide range from children’s songs to popular music, and the composer, Takio Niki, was a seasoned talent also known for film scores.
The work was released in December 1940 and broadcast nationwide the following January 1941 on NHK’s “National Songs.” It is closely connected to the film “Uma” (Horse), and has long been loved, later even featured in animated films.
Singing it as a family invites reflections on life in earlier times, and in early childhood settings it can be enjoyed as a play activity by imitating a foal’s movements.
Song of the Resounding GrasslandsSakushi: Kubota Yuzuru Sakkyoku: Maruyama Aki
This piece opens a series based on Mongolian folk tales.
Poet Yuzuru Kubota and composer Aki Maruyama joined forces, and it was first unveiled at a premiere concert held at the Nagoya Civic Hall in May 2000.
It was later formally published in September 2002 as the opening number in the score collection Aki Maruyama Song Collection [Supplement]: Suho’s White Horse.
The lyrics weave in images of a steppe where wind and light resonate, and its bright, easy-to-sing melody makes it accessible for children.
It works beautifully in many settings—sung alongside a story reading in schools or preschools, or used as an introductory piece for recitals and concerts.
Spring MeadowSakushi: Sakata Hiroo Sakkyoku: Ichikawa Toshiharu
This is a children’s song by poet-lyricist Hiroo Sakata and composer Toshiharu Ichikawa, a pioneer of educational music, depicting a foal galloping across a pasture.
It sings of a lively young horse running about in the spring breeze, with fresh grasses and flowers sprouting all around.
It has been included for many years in lower-grade music textbooks, featuring a comfortable vocal range and an easy-to-remember melody that thoughtfully draws out children’s natural singing voices.
It is featured in Educational Art Company’s elementary school music textbooks for the 2020 and 2024 school years, with accompanying teacher’s CDs and beginner piano scores available.
Expressing the vibrant feeling of spring through a bright, light rhythm, this piece is perfect for choral singing in early childhood settings as a new season begins, or for family sing-alongs at home.
If your child loves ranches or animals, try singing it together for fun!
horse (childish/affectionate term)Sakushi: Hayashi Ryūha / Sakkyoku: Matsushima Tsune
This piece portrays a foal walking clip-clop alongside its mother, set to a gentle rhythm.
Lyricist Yanaha Hayashi is said to have written the words based on the scene of a mare and foal he saw at the Imperial Stock Farm in Chiba, weaving the affection between animal mother and child in simple language.
Composer Tsune Matsushima aimed for a vocal range and phrasing that are easy for lower elementary grades to sing, and created accompaniment that is easy to play on keyboard or harmonica.
After being included in the February 1941 national school textbook “Uta no Hon, Upper,” it continued to be adopted in textbooks by various publishers after the war, and in 2007 it was selected for the “100 Best Japanese Songs.” It fits naturally into kindergarten and preschool choruses, and it’s easy to incorporate into fingerplay or instrumental ensembles.
If parents and children sing it together, they can have fun imitating the sound of hoofbeats.