[For Men] These Songs Will Make You a Better Singer! Tracks That Are Effective for Karaoke Practice
Have you ever found yourself getting better at singing without even noticing, just by belting it out at karaoke? In fact, the songs you choose for practice can make a big difference in how quickly you improve! Songs that help you build vocal fundamentals, songs with easy-to-catch pitches, songs that expand your range, and songs that train your sense of rhythm—each type has its own benefits for practice.
By the way, the reason I learned to hit high notes was simply because I kept singing the same song over and over without giving up! In this article, we introduce a wide range of tracks that are perfect as karaoke practice songs—ones that naturally boost your singing skills while you have fun.
If you’re thinking, “I want to sing better!” be sure to use this as a reference!
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[For Men] These Songs Will Make You a Better Singer! Effective Tracks for Karaoke Practice (181–190)
paprikaYonezu Kenshi
A self-cover version by Kenshi Yonezu of a song he wrote, composed, and produced for Foorin, a unit made up entirely of elementary and middle school students.
The song was featured on NHK’s “Minna no Uta” and received great acclaim.
Likely conceived with a choral-like concept from the outset, the melody is very easy to remember and makes it an easy song to sing.
However, since this is a self-cover, a closer listen reveals several spots where relatively advanced vocal techniques are employed—such as phrasing, vocal production, and nuanced changes in tone quality—more so than in Foorin’s original.
To sing in the style of this Yonezu version, you’ll probably need some fairly advanced vocal skills.
In that sense, it’s an excellent practice piece: a relatively simple melody that can be used to develop higher-level technique.
Listen closely to Yonezu’s performance and practice so you can reproduce it.
You’re My Only Shinin’ StarKadamatsu Toshiki
A song written and composed by Toshiki Kadomatsu and released in February 1988 as a track for Miho Nakayama.
The version I’m introducing here is Kadomatsu’s own self-cover, released in November 1999.
This is basically a textbook example of a stylish ballad (haha).
It features a chord progression based on the Pachelbel canon with a very memorable melody unfolding over it.
In terms of vocal technique, it’s packed with the skills needed to sing rock and pop ballads, and if you master this song, you’ll be able to apply those techniques to many other ballads as well.
Ideally, it’s best to sing it in the original key using a well-controlled mixed voice, but if that’s too hard, try lowering the key and give it a shot.
I’ve always liked you.Saitō Kazuyoshi
It’s Kazuyoshi Saito’s 38th single, released in April 2010.
His vocal tone and phrasing are very appealing, and when you try singing it, you might find that despite the husky voice, the key is surprisingly high—so some people may feel it’s a “difficult song.” However, the composition follows a straightforward rock ’n’ roll framework, with very simple, accessible melody and rhythm.
I think it’s one of the best choices as a practice piece for male beginners learning to sing.
If you’re not used to it, forcing the high notes can risk straining your throat, so if the range feels tough, try lowering the key.
It’ll actually sound cooler if you sing a bit loosely and keep your voice production relaxed!
BOW AND ARROWYonezu Kenshi
Kenshi Yonezu’s new song “BOW AND ARROW.” Rather than the catchy pop tunes he’s known for, this piece leans more toward an artcore vibe.
As a result, the overall tempo is fast, and some phrases demand abrupt pitch jumps.
The chorus, in particular, requires repeatedly switching between falsetto and chest voice, making it quite challenging—be sure to stay mindful of precise pitch control as you sing.
Definitely consider adding it to your repertoire.
Take It slowMeteor
Meteor is a vocal group drawing attention from hardcore music enthusiasts as one of the most sophisticated acts in Japan’s R&B scene.
Though the trio’s identities remain a mystery, their vocal prowess is exceptional—on par with, if not surpassing, many Black artists.
Among their tracks, the one I particularly recommend is Take It slow.
It distills core R&B and soul techniques, making it an excellent choice for anyone looking to build foundational vocal skills in Black music.
studio (apartment)Novelbright
It’s one of the tracks on Novelbright’s first major-label three-song CD single, released in a kind of double A-side format together with “seekers,” which is included on the same disc.
It’s a beautiful ballad with a strikingly symphonic arrangement, and the production lets vocalist Yudai Takenaka’s highly expressive singing roam freely over the grand backing track.
The vocal melody isn’t straightforward, which is another distinctive and very appealing aspect of the song.
Takenaka’s performance here showcases all the elements needed to sing a ballad like this, condensed into one delivery.
As practice material, it’s probably geared toward advanced singers, but by the time you can master this song, there’s no doubt your singing will have leveled up several steps.
MAKAFUKARADWIMPS
This song is included on RADWIMPS’ eighth major-label album, FOREVER DAZE, which was released on November 23, 2021.
It also serves as the theme song for the smartphone game app Gran Saga.
It’s a beautiful piece, arranged in a highly symphonic style and finished as a grand ballad.
The melody is quite challenging to sing, so as a practice piece it might be more suitable for advanced learners.
However, there’s a lot you can learn from it, such as singing high notes without forcing your voice and keeping time within a slow-tempo track.
When you practice, focus on clearly enunciating every word of the lyrics and being mindful of the rests in the melody.
You’ll need a strong voice that can stand up to the grand backing track, but be careful not to let your voice or singing become unruly.
In some parts of the song, the vocal track seems to have effects that evoke a Vocaloid-like quality—please don’t try to imitate that.