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[For Men] These Songs Will Make You a Better Singer! Tracks That Are Effective for Karaoke Practice

Have you ever found yourself getting better at singing without even noticing, just by belting it out at karaoke? In fact, the songs you choose for practice can make a big difference in how quickly you improve! Songs that help you build vocal fundamentals, songs with easy-to-catch pitches, songs that expand your range, and songs that train your sense of rhythm—each type has its own benefits for practice.

By the way, the reason I learned to hit high notes was simply because I kept singing the same song over and over without giving up! In this article, we introduce a wide range of tracks that are perfect as karaoke practice songs—ones that naturally boost your singing skills while you have fun.

If you’re thinking, “I want to sing better!” be sure to use this as a reference!

[For Men] These Songs Will Make You a Better Singer! Effective Tracks for Karaoke Practice (181–190)

Pale BlueYonezu Kenshi

Kenshi Yonezu – Pale Blue / Kenshi Yonezu
Pale BlueYonezu Kenshi

Kenshi Yonezu’s 11th CD single, released on June 16, 2021.

It was selected as the theme song for the TBS Friday drama Rikokatsu.

Over a somewhat classical arrangement, Yonezu’s wonderful vocals unfold freely across the track.

I believe that practicing this song for karaoke will help you acquire a wide range of essential singing skills.

From the very beginning, the vocals feature a very soft high tone achieved by skillfully switching between mixed voice and falsetto, while the chorus contrasts this with a powerful chest-voice high tone—truly a “showcase of high tones.” Be sure to practice so you can recreate it.

paprikaYonezu Kenshi

A self-cover version by Kenshi Yonezu of a song he wrote, composed, and produced for Foorin, a unit made up entirely of elementary and middle school students.

The song was featured on NHK’s “Minna no Uta” and received great acclaim.

Likely conceived with a choral-like concept from the outset, the melody is very easy to remember and makes it an easy song to sing.

However, since this is a self-cover, a closer listen reveals several spots where relatively advanced vocal techniques are employed—such as phrasing, vocal production, and nuanced changes in tone quality—more so than in Foorin’s original.

To sing in the style of this Yonezu version, you’ll probably need some fairly advanced vocal skills.

In that sense, it’s an excellent practice piece: a relatively simple melody that can be used to develop higher-level technique.

Listen closely to Yonezu’s performance and practice so you can reproduce it.

You’re My Only Shinin’ StarKadamatsu Toshiki

Toshiki Kadomatsu – You’re My Only Shinin’ Star (25th Anniversary)
You're My Only Shinin' StarKadamatsu Toshiki

A song written and composed by Toshiki Kadomatsu and released in February 1988 as a track for Miho Nakayama.

The version I’m introducing here is Kadomatsu’s own self-cover, released in November 1999.

This is basically a textbook example of a stylish ballad (haha).

It features a chord progression based on the Pachelbel canon with a very memorable melody unfolding over it.

In terms of vocal technique, it’s packed with the skills needed to sing rock and pop ballads, and if you master this song, you’ll be able to apply those techniques to many other ballads as well.

Ideally, it’s best to sing it in the original key using a well-controlled mixed voice, but if that’s too hard, try lowering the key and give it a shot.

I’ve always liked you.Saitō Kazuyoshi

Kazuyoshi Saito – I’ve Always Loved You [Music Video]
I’ve always liked you.Saitō Kazuyoshi

It’s Kazuyoshi Saito’s 38th single, released in April 2010.

His vocal tone and phrasing are very appealing, and when you try singing it, you might find that despite the husky voice, the key is surprisingly high—so some people may feel it’s a “difficult song.” However, the composition follows a straightforward rock ’n’ roll framework, with very simple, accessible melody and rhythm.

I think it’s one of the best choices as a practice piece for male beginners learning to sing.

If you’re not used to it, forcing the high notes can risk straining your throat, so if the range feels tough, try lowering the key.

It’ll actually sound cooler if you sing a bit loosely and keep your voice production relaxed!

CheersNagabuchi Tsuyoshi

This is a renowned song that has continued to resonate with many as an anthem celebrating life’s new beginnings.

Originally released in September 1980 on the album “Kampai,” it vividly depicts a celebratory scene lit by candlelight and carries a warm message of encouragement for a friend taking their first step forward.

Tsuyoshi Nagabuchi’s powerful vocals deliver hope and courage for the future.

In 1988, it was re-recorded and released as a single, becoming a major hit that reached No.

1 on the Oricon charts.

In the early 1990s, it was also featured in commercials for Kirin Lager Beer, further boosting its recognition.

To this day, it remains a timeless song passed down through the years, often chosen to convey heartfelt feelings to loved ones at important milestones in life, such as weddings and graduation ceremonies.

Bridge of Gloryyuzu

Eikou no Kakehashi – Yuzu (Full)
Bridge of Gloryyuzu

This song sings about the hardships and setbacks in life and the journey of overcoming them to grasp hope.

It beautifully depicts the light that awaits beyond tears no one sees and the sweat shed in silence, woven with melodies and words that resonate deeply with listeners.

Released by Yuzu in July 2004, the song was chosen as NHK’s official theme for the Athens Olympics and became etched in many people’s memories alongside the men’s team gymnastics gold medal moment.

Loved as an anthem cheering on everyone striving toward their goals, it delivers a powerful, heartfelt message that accompanies life’s pivotal moments—whether you’re taking steady steps toward your dreams or facing the walls that stand in your way.

Take It slowMeteor

【Meteor】6th single 『Take It slow』full ver.
Take It slowMeteor

Meteor is a vocal group drawing attention from hardcore music enthusiasts as one of the most sophisticated acts in Japan’s R&B scene.

Though the trio’s identities remain a mystery, their vocal prowess is exceptional—on par with, if not surpassing, many Black artists.

Among their tracks, the one I particularly recommend is Take It slow.

It distills core R&B and soul techniques, making it an excellent choice for anyone looking to build foundational vocal skills in Black music.