Songs with satisfying key changes: classic J-POP and Japanese tracks where the mood and impression shift naturally
There’s a technique called “modulation” that’s used when you want to dramatically change a song’s scene or mood partway through.
If we were to explain modulation in depth, it would be enough to fill an entire music theory book, so I’ll skip the details here.
The most common pattern is raising the key for the final chorus to heighten the excitement.
There are also songs that, for example, modulate only in the pre-chorus to catch the listener off guard, as well as songs that skillfully modulate repeatedly while still sounding natural, using subtle modulation techniques.
This time, I’ve picked out a few songs where the modulations feel particularly pleasing or are especially well crafted.
If this article sparks your interest in modulation, please explore further by searching online.
Understanding how songs are put together will surely open up a whole new way to enjoy music!
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Songs with satisfying key changes: Classic J-POP and Japanese tracks where the mood and impression shift naturally (91–100)
AWAYOKUBA – SlashUVERworld

This is UVERworld’s 20th single, released on March 28, 2012.
Over a heavy band sound, instruments like saxophone and strings are used abundantly and effectively, resulting in a very dramatic arrangement.
A key change in the chorus is used to great effect in enhancing that dramatic feel.
Because the modulation in the chorus is executed so smoothly, many listeners might not notice it at first listen.
If you’re interested, try studying the chord progressions used in the song.
paprikaFoorin

Released in August 2018, this song by Foorin—a unit composed of elementary and junior high school members—was composed, arranged, and produced by Kenshi Yonezu.
A version sung by Yonezu himself has also been released.
In this track as well, modulation is skillfully used to shift the musical scenes, leaving a strong impression.
The chords used throughout, the chord progressions incorporating key changes, and the melodic writing all showcase Yonezu’s outstanding sense for composition and arrangement.
Songs with satisfying key changes: classic J-POP and Japanese tracks where the mood and impression shift naturally (101–110)
Furisodationkyarī pamyu pamyu

Released in 2013 as Kyary Pamyu Pamyu’s fourth single.
It was used as the CM song for TV Dogatch’s “Mame-shi Pamyu Pamyu,” and was created to commemorate Kyary turning 20 on January 29.
The lyrics express the feelings of “becoming an adult from a child” and “gratitude for being born,” making it essentially a coming-of-age song.
Stand By YouOfisharu Higedan Dism

The hugely popular band Official HIGE DANDism released the track “STAND BY YOU” in 2018.
Its skillful rhythmic work pulls listeners right into their groove.
The vocalist, Mr.
Fujihara, delivers crisp, clear vocals that leave a stylish impression.
The high notes in the bridge are especially a must-hear.
From there, it moves into the final chorus, where the key changes.
It shifts up by a half step, giving the song a more open, expansive feel.
It’s a track you’ll want to play when you’re ready for a powerful boost!
Bird’s PoemLia

At first glance it seems to repeat the same straightforward progression, but in reality this song features quite advanced key changes.
AIR began as a PC game and, thanks to its popularity, expanded into various media.
This is Tori no Uta, sung by Lia, which was used as the theme song for the anime adaptation.
It’s dance music graced by the beautiful timbre of strings, with Lia’s ethereal vocals shining throughout.
It’s one of the reasons AIR is known as a “nakige,” a tear-jerker game.
Despite modulating multiple times, the song never loses its overall sense of cohesion—that’s what’s so impressive about it.
Happy Summer WeddingMōningu Musume.

It was released in 2000 as Morning Musume’s ninth single.
The lyrics express feelings toward one’s parents at the time of marriage, and the song is often used as entertainment at wedding receptions.
With an oriental-style arrangement, it topped the Oricon Weekly Singles Chart and became a million seller.
ZEROB’z

It was released in 1992 as B’z’s 11th single.
Serving as the lead single from their sixth album, RUN, it was a non-tie-in track.
Markedly different from their previous pop-oriented style, it features a strong funk-metal rock flavor and is the song most frequently performed live.


