Songs with satisfying key changes: classic J-POP and Japanese tracks where the mood and impression shift naturally
There’s a technique called “modulation” that’s used when you want to dramatically change a song’s scene or mood partway through.
If we were to explain modulation in depth, it would be enough to fill an entire music theory book, so I’ll skip the details here.
The most common pattern is raising the key for the final chorus to heighten the excitement.
There are also songs that, for example, modulate only in the pre-chorus to catch the listener off guard, as well as songs that skillfully modulate repeatedly while still sounding natural, using subtle modulation techniques.
This time, I’ve picked out a few songs where the modulations feel particularly pleasing or are especially well crafted.
If this article sparks your interest in modulation, please explore further by searching online.
Understanding how songs are put together will surely open up a whole new way to enjoy music!
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Songs with satisfying key changes: classic J-POP and Japanese tracks where the mood and impression shift naturally (11–20)
As a personSUPER BEAVER
SUPER BEAVER is a rock band that has been active since the 2000s.
They’re known for their orthodox rock sound and a consistent musical style throughout their career.
Among their songs, a standout I’d especially recommend for its satisfying key change is “Hito toshite.” The structure is very simple, featuring a modulation that raises the key by one step in the final chorus.
With its extremely catchy melody and orthodox modulation pattern, it’s a great pick for listeners who want a straightforward, unadorned track.
Summertime CinderellaRyokushokushakai
This is Ryokuoushoku Shakai’s seventh single, released in September 2023.
It was written as the theme song for the Fuji TV Monday 9 p.m.
drama “Midsummer Cinderella.” The uptempo feel and vocalist Haruko Nagaya’s high-tone voice make it a refreshing track! There’s an arrangement where the key suddenly rises from the instrumental break to the post-bridge chorus, building excitement toward the final chorus.
I thought the tasteful choice to modulate right after the first phrase of the chorus is sung in the original key was wonderful.
Even after the key goes up, Nagaya’s vocals remain beautifully expansive in the high register—truly outstanding!
The Long and Short FestivalShiina Ringo
A dance number with a lively rhythm reminiscent of Brazilian samba and a mature sensuality.
This duet by Ringo Sheena and Ukigumo of Tokyo Jihen blends autotuned vocals with the energy of a live band to exquisite effect.
The lyrics, which liken a woman’s prime to a fleeting summer gleam, convey a fragile yet powerful vitality.
Included on the single “Nagaku Mijikai Matsuri / Kamisama, Hotokesama,” released in August 2015, it also became familiar nationwide as a Coca-Cola commercial song.
Its sophisticated chord progressions and thrilling developments reveal something new with every listen, and the pleasantly shifting modulations are addictive.
A perfect classic for a humid summer night when you want to enjoy a drive with the windows down.
Love will winKAN
A signature song that left its mark on the Heisei-era pop scene, released in 1991 by KAN, a singer-songwriter who loved the piano and music.
The dramatic intro and the chorus that follows resonate so pleasantly, don’t they? It pays homage to Billy Joel’s beloved “Uptown Girl,” but more than anything, the clever touches that highlight the beauty of its unpretentious, simple melody are wonderful.
The key change that drops in the pre-chorus feels natural, and the gentle lift into the final chorus wraps you in a soft sense of elation.
KAN’s bright, heartfelt message is truly moving.
First LoveUtada Hikaru
It was Hikaru Utada’s third single, released in April 1999.
In addition to being the theme song for the TBS drama “Majo no Joken” (Forbidden Love), it landed several other tie-ins and sold a total of 960,000 copies.
The album of the same name that included this track sold 8 million copies.
The modulation in this song occurs a little after the three-minute mark, with the key shifting up a half step for the final chorus.
This kind of modulation is very effective at making a strong impact!
StoryAI
This is AI’s 12th single, released in May 2005.
The modulation point is around 3:56, where it modulates up a whole step, shifting the key from C major to D major.
By sustaining a long note at the end of the chorus right before the final chorus, the arrangement both softens the abruptness of the key change and contributes to the climactic lift at the end.
It’s a good example that helps you understand how effective use of modulation also requires a singer with strong vocal abilities.
Songs with satisfying key changes: Classic J-POP and Japanese hits where the mood and impression shift naturally (21–30)
My NoteSukima Suichi
In 2023, Sukima Switch celebrates the 20th anniversary of their debut, continuing to captivate listeners as masters of pop craftsmanship.
“Boku Note” is a ballad chosen as the theme song for the film Doraemon: Nobita’s Dinosaur 2006.
Centered on themes of inexpressible feelings and the trial-and-error of everyday life, it resonates with a personal message about “realization.” Remarkably, the song modulates to B-flat in the chorus and stays there until the end, yet thanks to Sukima’s skill, it feels effortlessly comfortable.
Paired with a mellow, wistful synthesizer, it exudes a mysterious charm.