Songs with titles starting with 'O' [Great for karaoke and shiritori!]
Songs with titles starting with “O” often feature unique names—like those using characters meaning “dance” or “gold,” as well as Osaka-themed songs.
They also tend to be great for getting everyone fired up when singing! I can’t think of many off the top of my head, so I want to look some up…
This is a list that might come in handy at such times: songs with titles that start with “O.” Use it when you’re wondering, “What songs start with ‘O’?” and also as a prompt for shiritori or when choosing tracks at karaoke.
- Vocaloid songs that start with 'O'
- Masterpieces with titles that start with 'A'
- Songs with titles that start with “wo.” Useful as hints for karaoke and shiritori!
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- Songs with titles that start with 'Ke'
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- A compilation of Vocaloid songs with titles that start with 'wo' (を)
- Songs by Yoshimi Tendo, the songstress born in Osaka, that are easy to sing
- Songs with titles starting with “No” (Perfect for karaoke and shiritori!)
- Songs with titles that start with a number. Useful for karaoke or playlist selection.
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- Songs with titles that start with 'de'. Perfect as hints for karaoke or shiritori!
Songs Whose Titles Start With “O” [Great for Karaoke & Shiritori!] (421–430)
Mount IwakiMiyama Hiroshi
Set against the majestic Mount Iwaki, a famed peak in Aomori Prefecture, this song powerfully portrays a man’s inner emotions.
Hiroshi Miyama’s warm “vitamin voice” addresses Mount Iwaki as it paints a picture of life’s journey and personal growth.
Released in February 2015, it reached No.
13 on the Oricon Weekly Singles Chart, stayed on the charts for 75 weeks, and achieved Gold certification in September of the same year after surpassing 100,000 copies sold.
With lyrics written from a male perspective and Miyama’s expansive vocals, it’s a masterpiece that captured many hearts.
Listeners familiar with enka should be able to fully express the song’s grand worldview.
It’s especially recommended when you want to sing with feelings for your family or someone important to you.
A Man’s WayMiyama Hiroshi
This song by Hiroshi Miyama, a leading figure in enka, is a moving masterpiece that powerfully sings of a man’s way of life and outlook on life.
Since it mainly sits in the low to mid vocal range, it’s structured to be easy to sing even for those who struggle with high notes.
Released in February 2017, it also became a popular hit, reaching No.
1 on the Oricon Weekly Enka/Kayō Single Chart.
The lyrics capture a calm, composed male figure, his views on love, and his feelings for his hometown—making it a perfect track for those moments when you want to quietly reflect on life, like savoring a drink at a bar and looking back on your journey.
Boatwoman’s SongMitsubishi Michiya
When it comes to enka renowned for captivating high notes, you can’t overlook the songs of Michiya Mihashi, whose voice was forged through folk music.
Mihashi, with his rich range from soaring highs to resonant lows, has long captured listeners’ hearts with his expansive, expressive singing.
Released in 1955, this piece is a masterpiece that portrays the poignant feelings of a female boatwoman.
Mihashi’s powerful vocal delivery superbly conveys both the heroine’s strength and sorrow.
Especially noteworthy are the high notes in the chorus, which ring out with power.
The memorable melody line leaves a deep impression on the listener.
Since its release in 1955, it has continued to be loved by many and stands as a towering monument in the enka genre.
It’s a perfect choice for those who want to fully savor the allure of high notes or experience the very essence of enka.
Songs with Titles Starting with “O” [Great for Karaoke & Shiritori!] (431–440)
Okesa migratory birdOka Midori
Back in 2005, anyone who saw Midori Oka performing classic enka flawlessly while wearing a mini-skirt and a midriff-baring outfit must have been surprised—and those who only know her current image would be even more shocked.
Her song “Okesa Wataridori” was her memorable debut as an enka singer, and it drew attention not only for her background as a former idol but also for the fashion mentioned above.
Despite the contrast with her appearance, the song itself has the charm of good old-fashioned enka, featuring enka-style techniques and phrasing throughout.
It opens with a high note at the start of the first verse, and while there’s a fair amount of pitch movement, the overall melody is straightforward and easy to remember.
Be sure to practice the long high notes leading up to the chorus so you don’t run out of breath!
Blizzard of Blossoms of a WomanOka Midori
This is a Reiwa-era life-encouragement song by Midori Oka, renowned for her mysterious enka style, showcasing powerful kindness and brightness! “Onna no Hana Fubuki” is the B-side to “Kami no Tsuru,” released in February 2019, and it’s a masterpiece that lifts your spirits when you’re feeling down.
It’s perfect for wrapping up a karaoke session, as well as for farewell parties or New Year’s gatherings.
It’s classic, straight-down-the-middle enka, so those accustomed to the genre should be able to sing it smoothly.
Overall, the pitch is high and the range is wide, so if you’re new to enka, try breaking it into parts—A melody, B melody, and chorus—and focus your practice on the sections you find most challenging.
Over LoadNakajima Mika
Mika Nakashima’s powerful vocals make this an anthem that resonates with women striving in the city.
Released in May 2009 as the CM song for Lipton Limone by Unilever Japan, it gives you the courage to keep looking forward even amid the rush of daily life.
The lyrics, penned by Nakashima herself, depict how, despite feelings of fatigue and loneliness, the presence of friends and thoughts of one’s dreams become a source of support.
Also included on the album “STAR,” this is a song you’ll want to listen to when you’re worn out from work or relationships, or when you feel like you’re losing yourself.
It’s sure to give you the strength to face tomorrow.
Osaka Love Story ~Won’t You Be With Me?~Nakamura Mitsuko
Mitsuko Nakamura’s classic “Osaka Jōwa ~Won’t You Be With Me?~,” with its memorable Kansai dialect, is a well-known masterpiece in the Osaka enka scene.
In this song, a fairly high falsetto appears in the B section.
That might sound difficult, but the piece itself is very slow in tempo, and on top of that, it contains many rests, allowing you to prepare well before the tricky parts.
Also, the number of kobushi (ornamental turns) is among the fewest in her songs, making it easier to sing in that regard as well.
The vocal range isn’t extremely wide either, so if falsetto is not your strong suit, don’t hesitate to lower the key.
