[Piano Recital] A selection of intermediate-level pieces perfect for girls!

Mazurka No. 5 in B-flat major, Op. 7 No. 1Frederic Chopin

Krzysztof Książek – Mazurka in B flat major Op. 7 No. 1 (second stage)

The mazurka is a traditional folk dance of Chopin’s homeland, Poland.

Throughout his life, Chopin wrote more than 50 mazurkas.

One of them, the Mazurka in B-flat major, Op.

7 No.

1, is the first piece in a set of five mazurkas composed between 1830 and 1832.

Frequently featured in TV commercials and often performed at recitals, it is among the most commonly heard of Chopin’s mazurkas.

With its bright and festive character, it is also popular as a recital piece that suits young girls especially well.

Keep the mazurka’s characteristic triple meter in mind, and play with a light touch.

speed carNakata Yoshinao

[Recommended for Piano Recitals] Speedy Car ♫ Yoshinao Nakada / The Speedy Car, Yoshinao Nakada

This piece, often used as a piano practice work, is filled with a crisp rhythm and a lively sense of momentum.

It vividly evokes the feeling of a car speeding down the road, and it’s the kind of music that makes you smile as you play.

The effective use of performance markings such as accents and staccato makes it a compelling piece for learning technical elements like rhythmic precision and varied touch.

It’s a perfect choice for a boy to perform at a piano recital, inviting him to imagine scenes as he plays and capturing the audience’s hearts.

Highly recommended for those who want to create an energetic stage presence or develop expressive power through music.

Two Arabesques No. 1 in E majorClaude Debussy

Debussy / Two Arabesques: No. 1 in E major / Performed by Masako Nakai

A graceful piece in which a gentle triplet melody is elegantly voiced, with striking chords weaving a beautiful sonority within a flowing, relaxed pace.

The polyrhythms between the right and left hands create a sense of vitality, and the middle section is enveloped in a dreamlike atmosphere.

Composed in 1888, this work achieves a splendid balance between light rhythms and lyricism, making it an ideal choice for those aiming to improve their performance technique.

The natural flow indicated by the tempo marking Andantino con moto is sure to captivate audiences at recitals.

Although it features somewhat complex chord progressions and independent motion in both hands, its difficulty level can be mastered with careful practice.

Consider adding it to your repertoire.

Carnival BallWilliam Gillock

[Piano Recital Recommendation] Carnival Ball ♪ Gillock / Carnival Ball, Gillock

This piece is a brilliant, rhythmic work inspired by Brazil’s Carnival, featuring striking samba rhythms and melodies.

Its left-hand syncopation and lively right-hand phrases are captivating, vividly expressing the dynamism of Latin music.

Published in 1969, it conveys a passionate atmosphere despite its simplicity and has an addictive quality that makes both performers and listeners instinctively start to move.

With an energetic, cool character that’s perfect for boys, it’s sure to energize the venue when performed at a piano recital.

Combining a natural flow that masks its technical demands with strong stage appeal that enchants audiences, it’s a superb piece.

Brilliant WaltzGlenda Austin

[Recommended for Piano Recitals] Brilliant Waltz ♫ Glenda Austin / Valse Brillante, Glenda Austin

Set to a brilliant and elegant waltz rhythm, this piece captivates listeners as jazz elements are skillfully interwoven.

While the flowing melodies are enhanced with modern arrangements, the refined character of the music draws out the performer’s expressive abilities.

Glenda Austin’s works are often adopted as teaching materials in piano studios and music education settings, and are frequently chosen for recitals and competitions.

This piece, which values the distinctive feel of the waltz while combining technical challenges with musical enjoyment, is an ideal choice for upper elementary-level learners.

Für EliseLudwig van Beethoven

Für Elise / Beethoven / Für Elise (For Elise) / Beethoven / Piano / Tried playing / CANACANA

A famous work by Ludwig van Beethoven, the German master whom every pianist admires at least once.

Written in April 1810, this piece resonates in the heart with its wistful, beautiful melody.

It begins with a gentle, conversational, and calm theme that instantly captivates the listener.

However, the mood changes dramatically in the middle section, revealing a touch of mature passion and dramatic intensity.

It’s as if a straightforward heart crosses paths with the desire to act grown-up.

Perfect for elementary and middle school students who want to challenge themselves with rich emotional expression and play the piano as if spinning a story.

Imagine the changes in feeling from scene to scene, and perform with expressive nuance!

Habanera on a Summer NightHirayoshi Takeshu

[Recommended for Piano Recitals] Summer Night Habanera ♪ Takekuni Hirayoshi / Summer Night Habanera, Takekuni Hirayoshi

This captivating piece weaves passionate traditional Cuban rhythms with striking melodies.

Over a quietly pulsing, heartbeat-like rhythm in the bass, a brilliant melody unfolds at a relaxed pace.

Like moonlight floating in the night, it carries a beautiful, mysterious aura, offering performers ample room to showcase their sensitivity and expressive range.

Premiered in 1996, it is written for advanced players yet possesses a rich resonance that enchants audiences.

Its graceful melody and dynamic development leave a strong impression, lending it the dignity and brilliance befitting the finale of a recital.

As a work that fully draws out the piano’s expressive potential, it is recommended for upper elementary students who are confident in their performance technique.