[Piano Recital] A selection of intermediate-level pieces perfect for girls!

Songs Without Words, Book V, Op. 62, No. 6 “Spring Song”Felix Mendelssohn

Spring Song (Mendelssohn) – Lieder ohne Worte, Op. 62, No. 6 in A major – Spring Song

When it comes to Felix Mendelssohn’s piano works, they’re characterized by graceful, pleasing melodies.

Among them, “Spring Song” from Songs Without Words is beloved across generations for its delicate yet memorable tune.

Despite its elegant, serene atmosphere and the thrilling sense of welcoming spring from the heart, the piece is actually more challenging than it sounds—especially the left-hand leaps, which quietly torment performers.

Even so, it’s undeniably perfect for a recital that will impress listeners, so why not take it on as a chance to polish both your expressiveness and your technique?

Impromptu, Op. 90 No. 2Franz Schubert

Impromptu in E-flat major, Op. 90 No. 2 (Schubert) – Schubert: Impromptu in E-flat major, Op. 90 No. 2

One of the four Impromptus left by Franz Schubert, Impromptu Op.

90 No.

2, is a striking work characterized by its unceasing triplet scales.

This piece demands both the technique to render the passagework beautifully and the expressive ability to convey the contrasting atmospheres of the major-key theme and the minor-key middle section.

It is brilliant, highly effective in performance, and perfect for recitals! Its flowing melody exudes a feminine elegance, making it especially recommended for girls.

Solid finger exercises are essential to play the scales beautifully.

After delivering a fine recital performance of this piece, students will surely feel their own technical growth.

Waltz, No. 1 from the Suite “Masquerade”Aram Khachaturian

Masquerade “Waltz” (Khachaturian) Pianist Yuki Kondo / Khachaturian: “Masquerade” Waltz, Piano Solo, Yuki Kondo

Waltz (No.

1 from the Suite Masquerade) is a famous piece by Aram Khachaturian that has frequently been used in films and on television.

It also drew attention when figure skater Mao Asada used it for her program music.

Although it is a waltz in triple meter, its distinctive rhythm and melodic beauty are captivating, and the folkloric elements woven throughout the piece create Khachaturian’s unique sound world—another key point to note.

Combining a bright, brilliant character with a structure that allows performers to display rich expressiveness, it is an ideal work for recitals.

Waltz No. 6 in D-flat major, Op. 64 No. 1 “Minute Waltz”Frederic Chopin

Chopin “Minute Waltz” (Puppy Waltz) - Mai Morimoto

Frédéric Chopin’s Waltz No.

6 in D-flat major, Op.

64-1 captivates with a lively yet somehow nostalgic character.

Known as the “Minute Waltz” or “Little Dog Waltz,” its bright and charming motif, repeated throughout the piece, is said to depict a puppy spinning in circles as it chases its tail.

When performing this work, aim for a clear tone while preserving the piece’s playful innocence, balancing the light right-hand melody with the left hand’s broken chords.

With steady practice and careful attention to the intricate passages, you’ll deliver a performance worthy of a glittering stage.

12 Variations on “Ah! vous dirai-je, Maman” in C major, K.265 (Twinkle, Twinkle, Little Star Variations) by MozartWolfgang Amadeus Mozart

Twinkle, Twinkle, Little Star Variations – Mozart – Piano

Composed around 1778 by Wolfgang Amadeus Mozart, the Twelve Variations on “Ah, vous dirai-je, Maman,” K.

265 is a work beloved by many piano students under the title “Twinkle, Twinkle, Little Star Variations.” The piece is based on the French folk song we know as “Twinkle, Twinkle, Little Star,” and its simple melody is beautifully elaborated.

The opening section is easy to play, but the difficulty rises steadily as the variations progress.

Combining girlish charm with Mozart’s characteristic refinement—and offering plenty of practice value—it is truly an ideal piece to tackle for a recital.

Waltz No. 1 in E-flat major, Op. 18 “Grande valse brillante”Frederic Chopin

Nobuyuki Tsujii plays Chopin’s Waltz No.1 “Grande valse brillante”

Composed in 1833, Frédéric Chopin’s Waltz No.

1 in E-flat major, Op.

18 “Grande valse brillante,” is one of the most popular among his waltz works.

As its title suggests, it is a piece distinguished by its brilliant melody and is frequently performed at recitals.

Dedicated to Laura Horsfall, one of Chopin’s pupils, this waltz combines dazzling flair with elegance—making it a perfect piece for girls.

By focusing on beautiful tone color and practicing diligently, you can shape a captivating performance that will enchant listeners.

The Alps at sunsetTheodor Oesten

Alpenglow of the Alps (Oesten) – Alpenglühen (Alpine Glow) Op. 193 – pianomaedaful

Alpenglühen (Alpine Sunset) by the German composer Theodor Oesten is, as its title suggests, a piano piece that depicts the beautiful Alpine twilight in music.

Characterized by its delicate and graceful melody, the work is often performed at recitals and, like Oesten’s signature piece Dolls’ Dream and Awakening, has remained a staple in the repertoire.

This piece, which expresses the Alps’ magnificent evening scenery in a dreamlike way, is perfect for girls who want to showcase their expressiveness with a beautiful and dazzling piece! If played with heartfelt emotion, it is sure to offer the audience a soothing moment.