RADWIMPS' classic and popular songs
Let me introduce some songs by RADWIMPS, a rock band that represents the “Rockin’ On” scene.
Their lyrics are literary with a unique worldview, and their straightforward, catchy tunes—classic J-rock without quirks—are incredibly appealing.
The guitarist-vocalist Yojiro Noda grew up abroad, while the other members studied at music vocational schools or conservatories, making their English-language lyrics and high level of musicianship part of their charm as well.
If you were born in the early ’90s, chances are many of the songs you listened to in high school are included in this playlist.
Give it a listen and let it take you back to your youth.
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RADWIMPS's classic and popular songs (21–30)
One Man LiveRADWIMPS

It’s a powerful song that asks what music can do when you stand before someone who’s been hurt.
Released in March 2009 and included on the acclaimed album “Altocolony no Teiri,” which reached No.
2 on the Oricon charts, this track is a rock tune whose urgent words pierce deeply, carried by the dynamics of a full band sound.
In 2013, it was performed as the opening song at the outdoor one-man show “Ao to Mememe” held in Tohoku after the earthquake, a story that has become a legend among fans; many remember it alongside the miraculous clearing of the weather that day.
Though it’s an album track, it has been featured at pivotal moments in live shows, renewing its meaning each time.
When you need strength to face the reality in front of you, listening to it will surely give you a powerful push of courage.
Pinky swearRADWIMPS

The song Yubikiri Genman, included on RADWIMPS 4: Okazu no Gohan, is a hidden gem that portrays the sweetness and cruelty inherent in making promises, captured through Yojiro Noda’s uniquely sharp perspective.
Featured in the latter half of the album released in December 2006, the track also stands out for its playful production—like the actual finger-snapping recorded in the studio.
Many listeners will likely feel their hearts tighten at the contradictory emotions: while promises should offer reassurance, they end up binding both sides.
Though it never had a major tie-in, it has remained a beloved and important number, even being performed on their 2023 tour.
On a night when you’re struggling with a relationship and want to pause and reflect, immerse yourself in its world and listen closely.
Kanata HarukaRADWIMPS

A number written as the theme song for director Makoto Shinkai’s film Suzume.
It plays over the end credits, an expansive ballad that gently envelops the emotion of the story.
The lyrics—blending Yojiro Noda’s signature, original metaphors with straightforward feelings for “you”—are truly wonderful.
Included on the album Suzume released in November 2022, the music from the film, including this piece, is also known for winning Best Music at the 46th Japan Academy Film Prize.
While it skillfully weaves emotions of romance into words, the sense of release in the chorus is irresistibly captivating.
It’s perfect not only for lingering in the afterglow of the film, but also for moments when you want to reaffirm your deep love for someone special.
Song SevenRADWIMPS

RADWIMPS, who continue to captivate countless listeners with their unique worldview.
Featured on their 2009 masterpiece Altcolony no Teiri, this song is especially striking for its structure, opening with a grand, gospel-like chorus.
Despite its six-and-a-half-minute length, the dramatic arc—from a quiet, storytelling tone to a chorus that erupts with emotion—never fails to stir the heart with each listen.
Lyrics by Yojiro Noda that affirm fate and express love for family—like “Oton to Okan” (Dad and Mom)—are surely etched deeply into the hearts of many who spent their youth with this music.
It’s a number that creates moving, unifying moments across entire venues at live shows, so give it a listen on a night when you want to forget the bustle of daily life and immerse yourself in music.
Ten Thousand Cheers, A Thousand ChantsRADWIMPS

RADWIMPS is a rock band that enjoys overwhelming support from a wide range of listeners.
Among their songs, Banzai Senshou stands out for its sheer intensity and celebratory spirit that shakes the listener to the core.
Included on their December 2018 album ANTI ANTI GENERATION, this piece was written specifically for NHK’s “RADWIMPS 18 Festival.” During the broadcast in October 2018, it was performed together with 1,000 members of the 18-year-old generation, leaving a profound impact.
Its powerful message—pushing forward despite personal struggles—combined with the grandeur of the choral arrangement is truly breathtaking.
When you’re close to losing heart, or when you want to unite with your friends as one, listening to this song will surely give you a boost.
Be sure to feel that energy for yourself.
I miss youRADWIMPS

This ballad was produced in March 2021, a major milestone marking ten years since the Great East Japan Earthquake.
RADWIMPS, who have continued to release works every March 11 with thoughts for the affected areas, placed this song at the end of their concept album “2+0+2+1+3+1+1 = 10 years 10 songs,” which serves as a culmination of those prayers.
The simple yet profound longing that Yojiro Noda reached after many years presses upon the heart, carried by delicate melodies of piano and strings.
Although it has no specific tie-in, it can be described as a number that gently stands beside those who carry feelings beyond words.
Please give it a listen on nights when you want to quietly recall someone dear, or when you want to face the emotions deep within your own heart.
leap day personRADWIMPS

Written for the album “The Last 10 Years ~Original Soundtrack~,” released in March 2022, this piece is a grand ballad woven from piano and orchestral arrangements.
While it grapples with the heavy theme of death, its lyrics beautifully portray the miracle of meeting a loved one and the preciousness of life, moving listeners to the core.
Created as the theme song for the film “The Last 10 Years,” starring Nana Komatsu and Kentaro Sakaguchi, it also reflects deep immersion in the work—Yojiro Noda reportedly read the script nearly a hundred times before completing it.
It’s perfect not only for lingering in the film’s afterglow but also for those moments when you want to reaffirm the irreplaceable tenderness of everyday life; take your time and listen closely.


