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Aimer’s Popular Song Rankings [2026]

Aimyon, a singer-songwriter from Hyogo Prefecture, is a much-talked-about artist whose popularity skyrocketed with the hit “Marigold”! Her straightforward, unadorned lyrics have earned strong support from many young people.

In this article, we’ll introduce her songs—featured as drama theme songs and even performed on the NHK New Year’s Eve music show Kōhaku Uta Gassen—in a popularity ranking format.

Aimyon Popular Song Ranking [2026] (71–80)

Chikaaimyon71rank/position

Aimyon – Chika [OFFICIAL MUSIC VIDEO]
Chikaaimyon

A track included on Aimyon’s third album, “Heard There’s Delicious Pasta,” released in September 2020.

It’s a lively mid-tempo number with a very catchy vocal melody, making it perfect for having fun singing at karaoke.

In the A-melody sections, Aimyon’s slightly relaxed vocal style really shines.

It contrasts nicely with the parts in the chorus where she sings with a bit more power, resulting in a great overall feel.

Since the rhythm has a slight bounce, be sure to keep that light, breezy feel when you sing it at karaoke.

cigaretteaimyon72rank/position

Aimyong’s signature style explodes in her classic song “Cigarette.” This work, which distills the musicality she excels at—an orthodox J-pop foundation infused with folk elements—carries a happy yet slightly wistful mood throughout.

The song as a whole stays within a narrow vocal range.

Falsetto appears at the end of the chorus, but the pitch is low enough that some people can sing it in chest voice, so even women with lower voices can sing it without any problem.

Not okayaimyon73rank/position

Aimyon – Not Okay [OFFICIAL MUSIC VIDEO]
Not okayaimyon

Aimyon’s hit song “Not Okay,” which gained popularity with its slightly Showa-style melody, is a masterpiece.

It opens with a tone reminiscent of dark 1970s folk music, gradually raising the voltage as it goes, and features a structure where elements of Black music emerge in the chorus.

Although the piece steadily builds in intensity, its vocal range is relatively narrow, making it easy for anyone—regardless of gender—to sing.

Consider adding it to your repertoire.

Persona’s Memoryaimyon74rank/position

Aimyon’s hidden gem “The Memory of Persona.” Unlike the folk songs she’s known for, this piece leans more toward a rock-influenced melody.

Of course, it’s not full-on rock—the foundation is pop—so there aren’t any parts that are hard to sing.

There’s a brief high note in the chorus, but it’s within range even without falsetto, so those who aren’t confident in their vocal range should be able to sing it without issue.

The spoken-word section shortens the sung portion as well, which is a nice touch for people who aren’t comfortable with singing.

Art of Todayaimyon75rank/position

Aimyon’s classic “Today’s Art” stands out for its cool, groove-driven bassline.

While she’s known for melodies with a distinctly J-pop flavor, the bassline in this track hints at elements of American pop-rock.

One of the most singable aspects of the song is its narrow vocal range.

Although the track carries high energy, the vocal line itself is very restrained, so even those who struggle with higher notes can sing it comfortably.

The pitch is easy to grasp as well, making it a great choice for anyone who feels unsure about their singing—give it a try.

imposteraimyon76rank/position

The work “Nisemono” stands out for its calm, emo-tinged musicality.

While it’s a bright, major-key song, the lyrics are somewhat pessimistic, and that contrast is part of its appeal.

The most singable aspect of the piece is, above all, the rhythm.

There are no complex rhythms, and the melody doesn’t rise and fall dramatically, so it’s basically easy to sing.

However, there are a few long notes and some simple falsetto parts in places, so you’ll need to pay attention to those sections when singing.

Please understand me.aimyon77rank/position

“Wakatte Kureyo” is one of Aimyon’s earliest songs, included on her first indie mini-album “tamago,” released in 2015.

The lyrics from a male perspective are striking, and apparently Aimyon actually wrote this song in her mid-teens.

With a subtly Japanese-flavored piano intro, the song has a distinctly Aimyon, 2000s-style medium-tempo ballad vibe, and it’s amazing to think she wrote it as a teenager—her exceptional talent as a singer-songwriter really shines.

Beyond the singable melody line, the overall pitch sits on the lower side, so a man with a higher voice could likely sing it in the original key.