Aimer’s Popular Song Rankings [2026]
Aimyon, a singer-songwriter from Hyogo Prefecture, is a much-talked-about artist whose popularity skyrocketed with the hit “Marigold”! Her straightforward, unadorned lyrics have earned strong support from many young people.
In this article, we’ll introduce her songs—featured as drama theme songs and even performed on the NHK New Year’s Eve music show Kōhaku Uta Gassen—in a popularity ranking format.
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AIMYON Popular Song Rankings [2026] (61–70)
tipsyaimyon61rank/position
Aimyon carries on Japanese folk music that has continued since the 1970s.
A hidden gem where you can savor her folk sound is Horoyoi.
The bittersweet, gritty instrumentation and catchy vocal line really stand out.
Perhaps because the song is from a male perspective, there are parts where it’s fine to sing a bit rough, which makes it easier to perform.
Although the song leans somewhat toward higher notes, if you’re not comfortable with falsetto, it’s also recommended to deliberately sing it in chest voice.
swayingaimyon62rank/position
It’s a masterpiece that fully showcases Aimyon’s exceptional songwriting, which sits somewhere between folk and J-pop.
“Yurayura” holds the position of a coupling track to the 2020 smash hit “Hadaka no Kokoro,” but it’s also been performed in concert, with footage available on her official YouTube channel—definitely worth checking out.
Structurally, the song uses a very simple chord progression with an easy-to-follow melody, making it very singable without any particularly difficult parts.
If you keep a bouncy rhythm in mind as you sing, it will sound even better, so give it a try.
night busaimyon63rank/position
Aimyon’s song “Night Bus” features a striking, fast-paced melody.
Rather than the calm folk-inspired style she’s known for today, this track leans more toward classic Japanese rock.
Its familiar chord progression for Japanese listeners makes it easy to sing.
Despite its high energy, the song is confined to a relatively narrow vocal range.
The vocal line unfolds in the mid to upper-mid range, making it very accessible and singable for any gender.
Give it a try.
I’ve always admired it.aimyon64rank/position
Among Aimyon’s songs, “Akogarete Kitanda” stands out for its uniquely striking sound quality.
By deliberately avoiding a perfectly polished master, it embraces the clipping that occurs on long sustained notes and turns it into a virtue.
In this track, the vocal line is notably rough compared to her other songs.
The range is just a bit wider, but thanks to the roughness, precise vocal control isn’t required.
Recommended for those who want to sing loudly, almost shouting.
I hate mornings.aimyon65rank/position
Aimyon’s classic “Asa ga Kirai” is striking for its simple performance.
While the melody itself isn’t in a minor key, the tempo gives the song a somewhat downbeat impression.
Even so, the vocal line is crafted into a highly catchy ballad.
The A and B sections sit in the lower range, and the chorus features falsetto several times, so the overall range is fairly wide.
However, because there aren’t rapid, dramatic jumps in pitch at a fast tempo, anyone who can produce a normal falsetto should be able to sing it without issue.
Cat (Live at Ueno Onshi Park Outdoor Stage on 2018-10-07)aimyon66rank/position
“Neko,” one of DISH//’s signature songs.
It’s also well-known that Aimyon wrote the lyrics and composed the music, and this is her self-cover.
Sung in a female voice, the song takes on a different expression.
The choice of words feels very Aimyon-like, and it’s a heartbreak song that brings a rush of emotions to your chest.
It likens the ex-girlfriend who left to a cat—an emblem of capriciousness.
While the lyrics portray her as the embodiment of whim, they gradually convey a longing to see that “cat” no matter what, along with hopes of what to do if they meet again—making it an even more tear-jerking track.
Mr. MonsterHirai Ken feat. Aimyon67rank/position
An unconventional collaboration number by Ken Hirai and Aimyon! With the two artists’ usual styles and fan bases being completely different, their team-up is packed with an irresistible allure that makes you want to listen and find out what kind of world they create.
The lyrics, which Ken Hirai wrote with Aimyon in mind, express the wish to stop having a crush—yet being drawn to every little move of the person you like, capturing the hazy confusion of unrequited love.
It’s a male-female duet song, but since Ken Hirai’s key is high, two women can sing it as a duet without any problem!
I don’t want to turn 19.aimyon68rank/position
Aimyong’s masterpiece “I Don’t Want to Turn 19” beautifully captures the hearts of young people.
While she had many aggressive lyrics in her early days, starting around this work her expressions became more emotional.
One of the most singable aspects of this song is the scarcity of long sustained notes.
Since it’s not a track that requires belting, it’s welcoming to a wide range of singers.
If the chorus feels a bit high, this song doesn’t have many low parts, so don’t hesitate to lower the key.
Figureaimyon69rank/position
A heartwarming love song with Aimyon’s gentle voice resonating softly.
It’s included on the album “Falling Into Your Eyes Record,” released in August 2022.
The lyrics, which depict the couple’s special days, tenderly express everyday, simple happiness and the way they overcome quarrels.
It’s recommended for those who want to cherish memories with their partner or share beautiful moments on Instagram Stories.
Filled with Aimyon’s unique perspective and emotional expression, this work will surely bring out the feelings you have for someone special.
Let’s do something niceaimyon70rank/position
Aimyon’s early work “Let’s Do Something Good.” Her early musical style tends to feature strong rock elements.
This piece, too, isn’t the folk music she’s known for today, but rather pop with a strong rock essence.
One of the most singable aspects of this song is, above all, its narrow vocal range.
Since it’s not the kind of track that soars in the chorus, the verses, pre-chorus, and chorus all maintain a calm vocal line without belting.