Aimer’s Popular Song Rankings [2026]
Aimyon, a singer-songwriter from Hyogo Prefecture, is a much-talked-about artist whose popularity skyrocketed with the hit “Marigold”! Her straightforward, unadorned lyrics have earned strong support from many young people.
In this article, we’ll introduce her songs—featured as drama theme songs and even performed on the NHK New Year’s Eve music show Kōhaku Uta Gassen—in a popularity ranking format.
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AIMYON Popular Song Rankings [2026] (41–50)
Rhythm 64aimyon50rank/position
Shiseido, best known for cosmetics, also offers supplements and drinks under the concept of creating beauty from within.
This commercial introduces Shiseido’s food products—ROOTINA, The Collagen, TUNE BEAUTE, and BEAUTY WELLNESS.
It features Nana Seino and Mikako Ichikawa, clearly depicting how each incorporates the products into their respective lifestyles.
The CM song that accentuates the film’s gentle atmosphere is Aimyon’s “Rhythm 64.” Written in 2024 as Shiseido’s official song, it’s also included on her album “Neko ni Jealousy.” The rhythm resonates powerfully within its calm mood, leaving a strong impression and conveying a vivid sense of positive energy to live each day with vitality.
AIMYON Popular Songs Ranking [2026] (51–60)
carpaimyon51rank/position
Koi is a heartbreak song themed around the proverb “the one that got away.” It was included on singer-songwriter Aimyon’s 2019 single Harunohi, a release that cemented her nationwide popularity.
Set to a lively ska-style beat, its acoustic guitar and synth tones ring out.
The lyrics portray the sorrow of not ending up with the one you love, depicting someone facing an unbearable reality alone.
With its rhythmic band arrangement contrasted by her emotional vocals, it’s a hidden gem.
Even If the World Ends Tomorrowaimyon52rank/position
Aimyon is a Japanese singer-songwriter.
Hailing from Hyogo Prefecture, she began composing music in middle school, and by 2018 her presence had grown significantly, including her first appearance at the 69th NHK Kohaku Uta Gassen.
This song was used as the theme song for the 2019 feature-length animated film “Even if the World Ends Tomorrow,” directed by Yuhei Sakuragi.
Chibi ○○aimyon53rank/position
Aimyon’s signature song “○○-chan,” memorable for its distinctive title.
If you’re familiar with her early tracks, you’ve probably heard it at least once.
Although it’s an early work, it’s very close to her current musical style—while it hints at rock elements, it’s distilled into a simple vocal line.
The song has high voltage, yet it doesn’t require a wide range or long sustained notes, making it a great choice for those who struggle with vibrato or high notes.
Lucky coloraimyon54rank/position
In this commercial, Ami Toma receives messages of support from friends who live far away.
The way she can’t help but smile at the question, “How have you been?” conveys a deep sense of friendship.
The ad depicts the idea that, just like those messages from friends, the taste of Calpis Water serves as a trigger to help you remember your true self.
The heartwarming CM features “Lucky Color,” a track from Aimyon’s album “Neko ni Jealousy,” released in September 2024, as its background music.
Many people will likely relate to the lyrics, which portray the feelings of a woman in a long-shot, almost hopeless love.
I want to be happy.aimyon55rank/position
This is a song by Aimyon that poignantly portrays the pain of love.
It expresses the feelings of a woman who gives too much, using raw, realistic words.
The protagonist, who bombards her boyfriend with questions, stands out as she seeks her own worth and his love.
Many will likely relate to the way she keeps pursuing happiness despite being hurt again and again.
Frequently performed live and loved by many fans, this piece resonates deeply with those suffering from heartbreak or struggling with love, gently wrapping their pain in its embrace.
On a night when cherry blossoms fallaimyon56rank/position
A song by Aimyon released exclusively for streaming in February 2021, written and composed by herself.
At first listen, it doesn’t seem to demand particularly high notes, but in the latter half of the chorus she skillfully showcases high-register singing.
This section might be where women with higher voices can really shine.
However, in the original recording these high notes are sung in falsetto, so if you plan to follow that approach, please pay close attention to making smooth transitions between registers when you sing.
