Antonín Dvořák Popular Songs Ranking [2026]

Slavonic Dances, Book I: No. 3Antonín Dvořák50rank/position

Dvorak danza slava n 3 op 46 Delogu 2010

We present a selection of works by the great master of classical music, Antonín Dvořák.

While incorporating Czech folk music, Dvořák built a distinctive musical world.

His talent blossomed from an early age, and beginning with a public performance in Prague in 1872—and with the recommendation of German composer Johannes Brahms, counted among the three great Bs—he established an international reputation.

This piece is a lively work that showcases the characteristics of the Bohemian folk dance, the polka, while being enriched by Dvořák’s own original melodies.

Composed in 1878, it is beloved in both its piano four-hand and orchestral versions.

Offering a full taste of the charm of diverse Slavic dances, this work is also an excellent recommendation for newcomers to classical music.

Slavonic Dances, Series I: No. 4Antonín Dvořák51rank/position

A. Dvorak Slavonic Dances op. 46 – 4

Slavonic Dance No.

4 in F major, Tempo di Minuetto (at the speed of a minuet).

A minuet conveys the sense of a relatively slow courtly dance.

It combines poised, affected sections with more brilliant passages.

Performed as a piano duo by Ms.

Gelwikh and Mr.

Gonzalez.

Slavonic Dances, Series I, No. 7Antonín Dvořák52rank/position

A. Dvorak: Slavonic dances No.7, Skocna, c moll, Sawallisch

Among the works of Dvořák, the celebrated Czech composer, this piece is surely one of the most approachable.

Composed in 1878, it is a lively dance in duple meter based on the Bohemian folk dance “Skočná.” Its clear, captivating main theme—where multiple melodies unfold in a canon-like chase—leaves a strong impression on listeners.

Dvořák began studying the violin at the age of six, and his talent soon blossomed.

His music strongly reflects national elements, and this piece is a prime example.

Evoking the Czech national spirit, it is recommended both for those interested in classical music and for anyone seeking a buoyant, heart-lifting piece.

Slavonic Dances, Book I: No. 8Antonín Dvořák53rank/position

Antonin Dvorak, Slavonic Dance op.46 n.8 – Gilberto Serembe, conductor

Slavonic Dance No.

8 in G minor, Presto (very fast).

A fast-tempo furiant, featuring both powerful, dynamic passages and gracefully flowing sections, it is a passionate, vibrant, and highly captivating work.

Performed by I Pomeriggi Musicali, conducted by Gilberto Serembe.

Slavonic Dances, Series II No. 2 (No. 10)Antonín Dvořák54rank/position

Dvořák: Slavonic Dance No. 10 (Piano four hands: Kosuke Kawaguchi and Tomoki Kawaguchi)

Slavonic Dance No.

10 in E minor, Allegretto grazioso (somewhat fast and graceful).

Its calm triple-meter, lyrical and elegant melody is very popular and has been featured on TV programs and commercials.

The piano four-hands performance is by Kosuke Kawaguchi and Tomoki Kawaguchi.

Cello Concerto, Movement IAntonín Dvořák55rank/position

Dvorak Cello Concerto mvt 1 (1st part) -Julian Steckel

When it comes to famous cello concertos, Antonín Dvořák’s Cello Concerto in B minor, Op.

104, is often cited.

Dvořák left many works that incorporate Bohemian folk music, carrying on Smetana’s nationalist approach.

Composed between 1894 and 1895, the piece is said to have been inspired in part by Niagara Falls.

It blends elements of Bohemian folk dance and African American spirituals, creating a distinctive atmosphere.

It also reflects Dvořák’s feelings for a woman he loved in his youth, infusing the music with deep melancholy and personal emotion.

Considered one of the greatest cello concertos, it is a vital part of the cello repertoire.

This masterpiece fully showcases Dvořák’s gift for rich, memorable melody.

Cello Concerto, Second MovementAntonín Dvořák56rank/position

Truls Mork – Dvorák Cello Concerto in B minor, Op. 104 – II. Adagio

Cello Concerto, Second Movement: Adagio ma non troppo (at a relaxed tempo, but not overly so).

It begins with a tranquil melody that is then passed to the solo cello.

The performance is by Norwegian cellist Truls Mørk, with the Bamberg Symphony Orchestra.