Singer-Songwriter/Artist Rankings of the 1980s [2026]
The 1980s were an era when artists like Eiichi Ohtaki, Miyuki Nakajima, and Shinji Tanimura—names even younger people may have heard—were active.
Here, we’re introducing songs by singer-songwriters from the 1980s, including those artists.
What kind of music did singer-songwriters from the bubble era create?
- Top Male Singer-Songwriter Hits of the 1980s: Ranking [2026]
- Top 1980s Female Singer-Songwriters: Popular Songs Ranking [2026]
- Masterpieces and hit songs of 80s Japanese pop (kayōkyoku)
- 1990s Male Singer-Songwriters: Popular Song Rankings [2026]
- Classic and hit Japanese pop songs from the nostalgic 80s
- A special feature on classic and hit songs by bands that were active in the 1980s
- Ranking of Popular Songs by Female Singer-Songwriters of the 1990s [2026]
- 1970s Female Singer-Songwriters: Popular Songs Ranking [2026]
- [Nostalgic Classics] Hit Japanese Love Songs from the 1980s
- Popular Nostalgic Hits and Classics Ranking [1980s Japanese Music Ranking]
- A heartbreak song that was a hit in the 1980s. A classic and popular track in Japanese music.
- Evokes the charm of the good old days. Showa-era inspirational songs that are still loved today.
- Classic and hit songs by nostalgic Japanese pop idols of the 80s
Singer-Songwriter/Artist Rankings of the 1980s [2026] (91–100)
Message of RougeArai Yumi92rank/position
Known as one of Yumi Arai’s signature songs, this track was released in February 1975.
Lauded for its American pop style, it features prominent artists such as Tatsuro Yamashita and Minako Yoshida on backing vocals.
The piece is characterized by deep emotional expression and delicate melodies, and is interpreted as symbolizing love, longing, and a young girl’s coming of age.
It has been used in various commercials and was featured as an insert song in the 2022 film “Suzume.” It’s a perfect pick for those who want to relax and immerse themselves in music on Halloween night.
Demon-Counting SongKarashima Midori93rank/position
Even Midori Karashima, famed as a master of winter ballads like “Silent Eve,” sang spine-chilling songs like this in her early career.
With each number counted—one, two—the song depicts a curse-like world where a burning love plunges into hell and the underworld.
Her pure, beautiful voice only heightens the icy despair in the lyrics, and that contrast sends shivers down your spine.
This piece was produced in February 1989 as an insert song for the OVA “Yoma.” Listen to it on Halloween night, and its beautiful melody may amplify the terror so much that you won’t be able to spend the night alone!
Singin’ In The SnowNoda Mikiko94rank/position
The fifth single by Mikiko Noda, released in 1989, is an oldies-style Christmas song featuring a memorable whistled intro and harmonica.
It portrays the fresh feelings of first love—nervousness mingled with excitement—as the protagonist heads to their lover without even getting in touch.
Chosen as the CM song for JAL’s Europe campaign, this track is a cherished work in which Noda wrote both the lyrics and the music for the first time.
Her soft “velvet voice” and the simple arrangement convey the fleeting exhilaration of love with a crystalline clarity.
It’s the perfect song for strolling through a snowy town when you want to feel your heart dance with the promise of a new romance.
The Woman in the DunesSuzuki Shigeru95rank/position
Set against a winter seaside, this song poignantly yet powerfully depicts the emotions of a man and a woman on a windswept, snow-swept beach—one of Shigeru Suzuki’s masterpieces.
Included on the album “BAND WAGON,” released in March 1975, the piece was composed by Suzuki with lyrics by Takashi Matsumoto.
It’s also intriguing that the song was inspired by Suzuki’s experience watching a George Harrison concert in San Francisco.
Often performed at the climax of live shows, the latter half unfolds into a heated session that showcases Suzuki’s standout guitar work.
It’s a recommended track for those who wish to overlay their own experiences onto the scenes of a couple portrayed against a wintry sea.
The Summer That Vanished Beyond the GlassSuzuki Masayuki96rank/position
This is the first single released under Masayuki Suzuki’s solo name, who had been active as a member of Rats & Star.
Composed and produced by Yoshiyuki Ohsawa, with Tomoyasu Hotei on guitar, the song features an impressively gentle, floating sound.
While the lyrics express the pain of looking back on a sorrowful summer breakup, the expansive sound also conveys a sense of brightness.
With Suzuki’s powerfully resonant vocals leaving a strong impression, it’s a song that carries the strength to overcome a sad summer.
Saravah!Takahashi Yukihiro97rank/position
One of the singer-songwriters who epitomize Japan’s new wave, Yukihiro Takahashi.
In his later years, beyond being a singer-songwriter and drummer, he was also active as a fashion designer and actor.
One of his signature tracks is “Saravah!” Centered on an ennui-tinged melody, it’s an incredibly cool piece even just as a track.
To sing it in an even cooler way, avoid pushing your voice too hard and aim for a downbeat, subdued feel.
Looking to R&B-influenced artists like Fujii Kaze for reference could be helpful.
She and TIP ON DUOImai Miki98rank/position
Miki Imai’s fourth single, “Kanojo to TIP ON DUO.” Released in 1988, this track was used as the Shiseido autumn campaign song that year, so those familiar with the ’80s probably heard it often in TV commercials.
While the melody is pop, the lyrics are moving: beneath the tough front of “I won’t think about him anymore!” you can feel the powerful sentiment of “I still love him.” It’s a quintessential ’80s song that people will want to revisit from their youth—and one that younger listeners should hear as well.
