BOØWY Popular Songs Ranking [2026]

IMAGE DOWNBOØWY15rank/position

BOOWY – IMAGE DOWN

A song included on BOØWY’s debut album “MORAL,” released in March 1982.

Because it is the first track on the album, it is regarded as their debut song.

Although it was never released as a single, it has strong support from fans, and a live recording from that time was included as-is on the best-of album “THIS BOOWY,” released in February 1998.

The seasons change only youBOØWY16rank/position

Kisetsu Ga Kimi Dake Wo Kaeru (Single Version)

The stylish sound is really cool.

It’s a song by BOØWY, the legendary rock band that was active in the 1980s.

It was released in 1987 as their seventh single, and it was their last single before they broke up.

Its cool vibe suits the crisp, chilly air of autumn.

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Araki Jakkan

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BEAT SWEETBOØWY17rank/position

Kyosuke Himuro Beat Sweet

From the intro riff to the guitar solo, this song showcases Hotei’s impeccable guitar sense, brilliantly portraying the psyche of a timid man in love—where the euphoria of finding a love he desperately wants collides with the frustration of it remaining just out of reach.

FUNNY-BOYBOØWY18rank/position

FUNNY-BOY

This song, with an intriguing intro that makes clever use of recording effects, unfolds as if briskly racing forward, where crunchy, choppy guitar cutting and a sweet, wistful, velvety voice spur each other on in a dead heat.

It also showcases, to the fullest, the masculine allure of a man singing about a woman’s heart.

LIAR GIRLBOØWY19rank/position

BOØWY／LIAR GIRL　GuitarCover

Starting with a sound reminiscent of a synth organ, this song is very popular, not least because it’s the first track on the final album.

Even when singing about a relationship between a man and a woman, its expressions are remarkably rich—sometimes direct, sometimes metaphorical—so it never becomes dull.

The chorus in the hook is also memorable.

SUPER-CALIFRAGILISTIC- EXPIARI-DOCIOUSBOØWY20rank/position

BOØWY SUPER-CALIFRAGILISTIC- EXPIARI-DOCIOUS

A song included on BOØWY’s fifth album, released in 1986.

The title is said to be taken from the name of a song in the 1964 musical film Mary Poppins.

It’s said to mean a spell that opens the door to dreams.

The spelling is slightly altered, which is unique.

Speaking of unique, the song also quotes the opening of the first movement of Mozart’s Eine kleine Nachtmusik partway through.

The way they stylishly weave in classical music is exactly what you’d expect from BOØWY!

16BOØWY21rank/position

16 BOØWY 1

This song, which begins with a wistful vocal and arpeggios, originally consisted of two separate pieces that were edited together into one during recording, which is why it unfolds the way it does.

During the BOØWY era, for some reason it was hardly ever played live—a hidden gem.