4th movement from the Violin SonataCésar Franck1rank/position

From Violin Sonata in A major, 4th movement: Allegretto, poco mosso (a little fast, a bit more lively).

This piece is also performed in arrangements for piano, flute, cello, and more.

Violin: Clara-Jumi Kang; piano: Yeol Eum Son.

Lament of the Dolls, M.20César Franck2rank/position

C. Franck / The Doll’s Lament, M.20 / Performed by Kojo Kita

The Belgian-born composer César Franck, hailed as the “father of French modern music,” was not only an outstanding composer but also a church organist beloved by many students.

Composed in 1865, L’amiable plainte de la poupée (The Doll’s Lament) is one of Franck’s more approachable character pieces for piano; while one can sense the influence of Robert Schumann, Franck’s distinctive chromatic progressions are subtly embedded within.

Unusually light and accessible for Franck, this work combines an introspective quality with a charm that has endeared it to a wide range of pianists.

Idyll – Shepherd’s Poem, Op. 3, M. 11César Franck3rank/position

César Franck – Églogue Op. 3, FWV 11 (1842) [Score]

César Franck, the composer hailed as the “father of French modern music.” From a young age he demonstrated musical talent, studying at the Royal Conservatory of Liège and the Paris Conservatory, and distinguishing himself in piano, organ, and composition.

His piano piece Pastorale, composed in 1842, belongs to his early works and is characterized by a poetic, Romantic style that depicts tranquil pastoral scenes.

Its rich harmonies, intricate structure, and delicate yet emotionally expressive writing soothe the listener and bring a sense of peace.

It’s a highly recommended piece for anyone who wishes to feel the beauty and serenity of nature or seek healing through music.

From the Three Offertories No. 3: At the Lord’s Right HandCésar Franck4rank/position

Dextera Domini – César Franck

From the Three Offertories, No.

3 “The Right Hand of the Lord” (Offertoires: No.

3.

Dextera Domini).

The choir is the Notre-Dame de Paris Vocal Ensemble and the Notre-Dame de Paris Children’s Choir, conducted by Lionel Sow.

The organ is played by Yves Castagnet.

Chorale No. 3 in A minorCésar Franck5rank/position

César Franck : 3° Choral – Olivier Latry, organ of Notre-Dame de Paris

Composed by César Franck, a leading figure in 19th-century organ music, this was the last work he completed.

Its profound spirituality and religious gravitas resonate deeply with listeners.

Written in 1890 while he was gravely ill, the piece stands as the culmination of his life’s work.

Of the three movements, the most famous third begins with a powerful, toccata-like theme that transitions into a serene chorale melody, reflecting Franck’s devout faith.

In the final Adagio, deep melancholy and calm intersect, symbolically expressing the composer’s inner conflict and repose.

Chromatic progressions reminiscent of Wagner and Franck’s distinctive counterpoint are seamlessly fused.

Among organ music aficionados, it is known as “Franck’s testament,” and it continues to be beloved by many today.

From “Three Consolations,” No. 1César Franck6rank/position

Heribert Koch plays César Franck: “Duettino” from “Trois petits riens”

From ‘Three Little Consolations (Trois petits riens)’ No.

1: Duettino, Op.

16-1.

This work consists of three pieces: No.

2: Waltz (Valse), Op.

16-2, and No.

3: The Dream (Le songe), Op.

16-3.

Piano performance by Heribert Koch.

Prelude from “Prelude, Aria and Finale”César Franck7rank/position

Franck: Prelude Aria and Finale (1/3); Cristiano Burato, piano

Prelude, Aria and Finale (Prélude, Aria et Final).

Prelude: Moderato; Aria: Lento; Finale: Allegro molto e agitato.

This work was dedicated to Madame Bordes-Pène, who gave the premiere.

Performed on piano by Cristiano Burato.